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200 00$aRipped, torn and cut $epop, politics and punk fanzines from 1976
210 1$aManchester, UK :$cManchester University Press,$d2018.
210 4$dİ2018
215 $a1 online resource (325 pages) $cillustrations; digital file(s)
225 1 $aManchester scholarship online
300 $aOriginally published: 2018.
311 $a1-5261-2061-5
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320 $aIncludes bibliographical references and index.
327 $aForeword / Tony Drayton -- Introduction: adventures in reality: why (punk) fanzines matter / Matthew Worley, Keith Gildart, Anna Gough-Yates, Sian Lincoln, Bill Osgerby, Lucy Robinson, John Street, Pete Webb -- 1. Going underground: process and place -- 2. Communiques and sellotape: constructing cultures -- 3. Memos from the frontline: locating the source -- 5. Global communications: communities and distinctions -- Index.
330 $a"Ripped, Torn and Cut is a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Mark Perry's iconic Sniffin' Glue (1976-77) was only the first of many, leading the way for hundreds of homemade magazines to be cut and pasted in bedrooms across the UK. Ripped, Torn and Cut is the first book of its kind, it reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press."--Cover.
410 0$aManchester scholarship online.
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200 10$aMiddlebrow matters $ewomen's reading and the literary canon in France since the Belle E?poque /$fDiana Holmes$b[electronic resource]
210 $aLiverpool$cLiverpool University Press$d2018
210 1$aLiverpool :$cLiverpool University Press,$d2018.
215 $a1 online resource (244 pages) $cdigital, PDF file(s)
225 0 $aContemporary French and francophone cultures ;$v57
300 $aTitle from publisher's bibliographic system (viewed on 07 Jul 2020).
311 $a1-78694-156-2
327 $aReclaiming the middlebrow -- The birth of French middlebrow -- Colette: The middlebrow modernist -- Interwar France: The case of the missing middlebrow -- The 'little world' of Franc?oise Sagan -- Literary prizes, women and the middlebrow -- Realism, romance and self-reflexivity: Twenty-first-century middlebrow -- Conclusion: Marie NDiaye's femme puissante -- a double reading.
330 $aAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.
Winner of the Aldo and Jeanne Scaglione Prize for French and Francophone Studies, 2018.
This is the first book to study the middlebrow novel in France. Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic tendency of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle E?poque, inter-war, early twenty-first century), authors (including Colette, Ire?ne Nemirovsky, Franc?oise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes. It concludes with a double reading of a single text, from the perspective of an academic critic, and from that of a middlebrow reader.
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