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Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll



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Autore: Poll Melissa Visualizza persona
Titolo: Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll Visualizza cluster
Pubblicazione: Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Edizione: 1st ed. 2018.
Descrizione fisica: 1 online resource (XI, 199 p. 33 illus., 21 illus. in color.)
Disciplina: 792.0233092
Soggetto topico: Theater
Theater—Production and direction
Actors
Contemporary Theatre
Theatre Direction and Production
Performers and Practitioners
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: 1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting ‘Le Grand Will’ in Wendake: Ex Machina and the Huron-Wendat Nation’s La Tempête -- 6. Re-‘Writing’ The Dragons’ Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage’s Auto-Adaptations -- 7 Conclusion.
Sommario/riassunto: This book theorizes auteur Robert Lepage’s scenography-based approach to adapting canonical texts. Lepage’s technique is defined here as ‘scenographic dramaturgy’, a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage’s adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage’s scenographic dramaturgy in re-‘writing’ extant texts, including Shakespeare’s Tempest on Huron-Wendat territory, Stravinsky’s Nightingale in a twenty-seven ton pool, and Wagner’s Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage’s twenty-first century ‘auto-adaptations’ of his own seminal texts, The Dragons’ Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.
Titolo autorizzato: Robert Lepage’s Scenographic Dramaturgy  Visualizza cluster
ISBN: 3-319-73368-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910300037603321
Lo trovi qui: Univ. Federico II
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Serie: Adaptation in Theatre and Performance