LEADER 03655nam 22005295 450 001 9910300037603321 005 20211013074125.0 010 $a3-319-73368-0 024 7 $a10.1007/978-3-319-73368-5 035 $a(CKB)4100000005248188 035 $a(DE-He213)978-3-319-73368-5 035 $a(MiAaPQ)EBC5451280 035 $a(EXLCZ)994100000005248188 100 $a20180710d2018 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRobert Lepage?s Scenographic Dramaturgy $eThe Aesthetic Signature at Work /$fby Melissa Poll 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (XI, 199 p. 33 illus., 21 illus. in color.) 225 1 $aAdaptation in Theatre and Performance 311 $a3-319-73367-2 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting ?Le Grand Will? in Wendake: Ex Machina and the Huron-Wendat Nation?s La Tempête -- 6. Re-?Writing? The Dragons? Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage?s Auto-Adaptations -- 7 Conclusion. 330 $aThis book theorizes auteur Robert Lepage?s scenography-based approach to adapting canonical texts. Lepage?s technique is defined here as ?scenographic dramaturgy?, a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage?s adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage?s scenographic dramaturgy in re-?writing? extant texts, including Shakespeare?s Tempest on Huron-Wendat territory, Stravinsky?s Nightingale in a twenty-seven ton pool, and Wagner?s Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage?s twenty-first century ?auto-adaptations? of his own seminal texts, The Dragons? Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration. 410 0$aAdaptation in Theatre and Performance 606 $aTheater 606 $aTheater?Production and direction 606 $aActors 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aTheatre Direction and Production$3https://scigraph.springernature.com/ontologies/product-market-codes/415050 606 $aPerformers and Practitioners$3https://scigraph.springernature.com/ontologies/product-market-codes/415090 615 0$aTheater. 615 0$aTheater?Production and direction. 615 0$aActors. 615 14$aContemporary Theatre. 615 24$aTheatre Direction and Production. 615 24$aPerformers and Practitioners. 676 $a792.0233092 700 $aPoll$b Melissa$4aut$4http://id.loc.gov/vocabulary/relators/aut$0916039 906 $aBOOK 912 $a9910300037603321 996 $aRobert Lepage?s Scenographic Dramaturgy$92053540 997 $aUNINA