Western music and its others [[electronic resource] ] : difference, representation, and appropriation in music

• Autore: Born Georgina
• Pubblicazione: Berkeley, : University of California Press, 2000
• Descrizione fisica: 1 online resource (373 p.)
• Disciplina: 780.9; 781.6
• Soggetto topico: Music; Music-- 20th century-- Social aspects; Music - Social aspects; Music Philosophy; Music, Dance, Drama & Film
• Altri autori: HesmondhalghDavid
• Note generali: Description based upon print version of record.
• Nota di contenuto: Preliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Bartók, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism ; 11. The Discourse of World Musiccontributors; index
• Sommario/riassunto: This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.
• Titolo autorizzato: Western music and its others
• ISBN: 0-520-92379-0; 1-59734-993-3
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910780080103321
• Lo trovi qui: Univ. Federico II