LEADER 01333nam0-22004211i-450- 001 990005534920203316 005 20110125102042.718 035 $a000553492 035 $aUSA01000553492 035 $a(ALEPH)000553492USA01 035 $a000553492 100 $a20050718d1976-------|0itac50------ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $a<> politica economica svedese$fAssar Lindbeck$gtraduzione di Giulia Imbrogno - Milano : Angeli, 1976 210 $d119 p. ; 22 cm 225 2$aCapitalismo e socialismo$v3 410 1$12001$aCapitalismo e socialismo$v3 606 $aSvezia$xEconomia$2FI 620 $dNapoli 676 $a338.9485$cPolitica economica. Svezia$v21 700 1$aLINDBECK,$bAssar$0118246 702 1$aIMBROGNO,$bGiulia 712 $aLiguori 801 $aIT$bSOL$c20120104 912 $a990005534920203316 950 $aDIP.TO SCIENZE ECONOMICHE - (SA)$dDS 300 338.9485 LIN$eFPP14113 DISES 950 $aDIP.TO SCIENZE ECONOMICHE - (SA)$dDS 300 338.9485 LIN$e625 DISES 951 $a300 338.9485 LIN$b14113 DISES 951 $a300 338.9485 LIN$b625 DISES 959 $aBK 969 $aDISES 979 $c20121027$lUSA01$h1532 979 $c20121027$lUSA01$h1613 996 $aPolitica economica svedese$91130552 997 $aUNISA NUM $aUSA15602 LEADER 02848nam 22006373u 450 001 9910780080103321 005 20230207222905.0 010 $a0-520-92379-0 010 $a1-59734-993-3 035 $a(CKB)111056485639876 035 $a(EBL)223029 035 $a(OCoLC)475926985 035 $a(SSID)ssj0000270388 035 $a(PQKBManifestationID)11194133 035 $a(PQKBTitleCode)TC0000270388 035 $a(PQKBWorkID)10261414 035 $a(PQKB)10453059 035 $a(MiAaPQ)EBC223029 035 $a(EXLCZ)99111056485639876 100 $a20130418d2000|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWestern music and its others$b[electronic resource] $edifference, representation, and appropriation in music 210 $aBerkeley $cUniversity of California Press$d2000 215 $a1 online resource (373 p.) 300 $aDescription based upon print version of record. 311 $a0-520-22083-8 327 $aPreliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Barto?k, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism 327 $a11. The Discourse of World Musiccontributors; index 330 $aThis innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. 606 $aMusic 606 $aMusic-- 20th century-- Social aspects 606 $aMusic$xSocial aspects 606 $aMusic Philosophy$2HILCC 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 4$aMusic. 615 4$aMusic-- 20th century-- Social aspects. 615 0$aMusic$xSocial aspects 615 7$aMusic Philosophy 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 676 $a780.9 676 $a781.6 700 $aBorn$b Georgina$01139624 701 $aHesmondhalgh$b David$0472559 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910780080103321 996 $aWestern music and its others$93775990 997 $aUNINA LEADER 04692nam 2200829 450 001 9910820639003321 005 20211007220510.0 010 $a0-8122-0891-9 024 7 $a10.9783/9780812208917 035 $a(CKB)3710000000093082 035 $a(OCoLC)876349230 035 $a(CaPaEBR)ebrary10848431 035 $a(SSID)ssj0001256393 035 $a(PQKBManifestationID)11704295 035 $a(PQKBTitleCode)TC0001256393 035 $a(PQKBWorkID)11272518 035 $a(PQKB)10587515 035 $a(MdBmJHUP)muse33002 035 $a(DE-B1597)449828 035 $a(DE-B1597)9780812208917 035 $a(Au-PeEL)EBL3442348 035 $a(CaPaEBR)ebr10848431 035 $a(CaONFJC)MIL682715 035 $a(MiAaPQ)EBC3442348 035 $a(EXLCZ)993710000000093082 100 $a20130813h20142014 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe medieval Salento $eart and identity in Southern Italy /$fLinda Safran 205 $aFirst edition. 210 1$aPhiladelphia :$cUniversity of Pennsylvania Press,$d[2014] 210 4$d©2014 215 $a1 online resource (494 p.) 225 1 $aMiddle Ages series 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a1-322-51433-X 311 0 $a0-8122-4554-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tNote --$tIntroduction --$tChapter 1. Names --$tChapter 2. Languages --$tChapter 3. Appearance --$tChapter 4. Status --$tChapter 5. The Life Cycle --$tChapter 6. Rituals and Other Practices in Places of Worship --$tChapter 7. Rituals and Practices at Home and in the Community --$tChapter 8. Theorizing Salentine Identity --$tDatabase: Sites in the Salento with Texts and Images Informative About Identity. Teil 1 --$tDatabase: Sites in the Salento with Texts and Images Informative About Identity. Teil 2 --$tNotes --$tWorks Cited --$tIndex --$tAcknowledgments 330 $aLocated in the heel of the Italian boot, the Salento region was home to a diverse population between the ninth and fifteenth centuries. Inhabitants spoke Latin, Greek, and various vernaculars, and their houses of worship served sizable congregations of Jews as well as Roman-rite and Orthodox Christians. Yet the Salentines of this period laid claim to a definable local identity that transcended linguistic and religious boundaries. The evidence of their collective culture is embedded in the traces they left behind: wall paintings and inscriptions, graffiti, carved ­­tombstone decorations, belt fittings from graves, and other artifacts reveal a wide range of religious, civic, and domestic practices that helped inhabitants construct and maintain personal, group, and regional identities. The Medieval Salento allows the reader to explore the visual and material culture of a people using a database of over three hundred texts and images, indexed by site. Linda Safran draws from art history, archaeology, anthropology, and ethnohistory to reconstruct medieval Salentine customs of naming, language, appearance, and status. She pays particular attention to Jewish and nonelite residents, whose lives in southern Italy have historically received little scholarly attention. This extraordinarily detailed visual analysis reveals how ethnic and religious identities can remain distinct even as they mingle to become a regional culture. 410 0$aMiddle Ages series. 606 $aVisual communication$zItaly$zSalentina Peninsula$xHistory$yTo 1500 606 $aMaterial culture$zItaly$zSalentina Peninsula$xHistory$yTo 1500 606 $aArts and society$zItaly$zSalentina Peninsula$xHistory$yTo 1500 606 $aEthnicity$zItaly$zSalentina Peninsula$xHistory$yTo 1500 606 $aVisual communication in art 606 $aMaterial culture in art 606 $aGroup identity in art 606 $aEthnicity in art 607 $aSalentina Peninsula (Italy)$xSocial life and customs 610 $aHistory. 610 $aMedieval and Renaissance Studies. 615 0$aVisual communication$xHistory 615 0$aMaterial culture$xHistory 615 0$aArts and society$xHistory 615 0$aEthnicity$xHistory 615 0$aVisual communication in art. 615 0$aMaterial culture in art. 615 0$aGroup identity in art. 615 0$aEthnicity in art. 676 $a306.4/60945753 700 $aSafran$b Linda$0479982 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820639003321 996 $aThe medieval Salento$94103089 997 $aUNINA