Rethinking the Arts after Hegel : From Architecture to Motion Pictures / / Richard Dien Winfield

• Autore: Winfield Richard Dien <1950->
• Pubblicazione: Cham, Switzerland : , : Palgrave Macmillan, , [2023]; ©2023
• Edizione: First edition.
• Descrizione fisica: 1 online resource (516 pages)
• Disciplina: 060
• Soggetto topico: Art - Philosophy
• Note generali: Includes index.
• Nota di contenuto: Intro -- Contents -- Part I: Introduction -- 1: The Systematic Division of the Individual Arts -- Introduction -- The Differentiation of Artistic Media -- The Senses and Sensuous Properties Appropriate for Fine Art -- Differentiating the Arts Through the Media of Sight, Sound, and Language -- The Differentiation of "Representational" and "Non-Representational" Arts -- Hegel's Problematic Differentiation of the Individual Arts -- Part II: The Aesthetics of Architecture -- 2: The General Aesthetics of Architecture -- Architecture as the Starting Point for the Determination of the Individual Arts -- The Aesthetic Enigma of Architecture -- How We Can Remove the Category Confusion in Hegel's Conception of Architecture -- How Architecture Embodies the General Features of Fine Art -- Engineering and Architecture -- The Relation of Architecture to the Other Arts It May Contain -- Community and Architecture -- 3: The Aesthetics of Architectural Style -- Tradition and Architectural Style -- The Relation of Form and Function in Architectural Style -- The Enigma of an Independent Symbolic Architecture -- Classical Architecture as Uniting Form and Function -- Independence and Function in Romantic Architecture -- Part III: The Aesthetics of Sculpture -- 4: The Unique Aesthetic Achievement of Sculpture -- The Defining Limits of Sculpture -- The Creative Challenge Facing the Sculptor -- 5: The Stylistics of Sculpture -- How Sculpture Embodies the Symbolic Style -- The Imperfect Perfection of Classical Sculpture -- The Limited Idealization of the Classical Nude -- Romantic Sculpture -- From Kinetic Sculpture to Mime, Pure Dance, and Holography -- Part IV: The Aesthetics of Graphic Fine Art -- 6: Painting as Paradigmatic Graphic Fine Art -- The Primacy of Painting in the Graphic Fine Arts -- The Dual Limitations of Hegel's Determination of Painting. ; Lessons from Hegel's Analysis of the Generic Features of Painting -- 7: Painting and Artistic Style -- Painting in the Symbolic Style -- Painting in the Classical Style -- From Figurative to Abstract Romantic Painting -- 8: Photography as a Graphic Fine Art -- The Aesthetic Challenges of Photography -- The Vindication of Still Photography as a Graphic Fine Art -- The Contrast Between the Still Photograph and the Non-photographic Work of Graphic Art -- The Genres of Photography as Fine Art -- Photography and the Artforms -- Part V: The Aesthetics of Music -- 9: The Distinguishing Aesthetics of Music -- The Elementary Material of the Medium of Music -- How Music Unites Fundamental Meaning with the Configuration of Sound -- The Role of Rhythm in Musical Expression -- What Tonal Relations Contribute to Musical Art -- Melodic Development and Musical Form -- The Artistry of Musical Performance -- Music as an Accompaniment of Dance, Lyrics, Theater, and Cinema -- 10: Musical Style -- Music and the Artforms -- Music in Realization of the Symbolic Artform -- Music in Realization of the Classical Artform -- Music in Realization of the Romantic Artform -- Part VI: The Aesthetics of Literature -- 11: Literature as Fine Art -- Language as a Medium of Fine Art -- Guideposts for Drawing Upon Hegel's Account of the Fine Art of Language -- The Defining Form and Content of Literature as Fine Art -- How the Literary Use of Language Differs from the Prosaic Use of Language -- The Creative Activity of the Literary Artist -- 12: The Aesthetics of Literary Genres -- The Fundamental Genres of Literature -- How the Concept of Literature Grounds the Differentiation of Literary Genres -- Epic Literature and Third-Person Narration -- Lyric Literature and First-Person Narration -- What Hegel Adds to Our Understanding of Lyric Literature -- Dramatic Literature and Dialogue. ; The General Principle of Dramatic Literature -- The Distinctive Unity of the Dramatic Work of Literature -- Pathos and Dramatic Character -- Catharsis and Reaction of the Audience to Drama -- Dramatic Literature and the Public Performance of Drama -- The Genres of Drama -- Tragedy -- Comedy -- Tragicomedy -- 13: The Stylistics of Literature -- Literature and the Artforms -- Literature in the Symbolic Style -- Lyric Literature in the Symbolic Style -- Epic Literature in the Symbolic Style -- Dramatic Literature in the Symbolic Style -- Literature in the Classical Style -- Lyric Literature in the Classical Style -- Epic Literature in the Classical Style -- Dramatic Literature in the Classical Style -- Literature in the Romantic Style -- Lyric Literature in the Romantic Style -- Epic Literature in the Romantic Style -- Conceiving the Novel on the Shoulders of Hegel -- Drama in the Romantic Style -- Romantic Style Tragedy -- Tragicomedy and Comedy in the Romantic Style -- The Consummation of Drama in the Romantic Style -- The Transitional Stage in the Self-Undermining of Romantic Style Drama -- The Final Struggle of Modern Drama -- Part VII: The Aesthetics of Motion Pictures -- 14: Pure Cinema as Fine Art -- Pure Versus Hybrid Cinema -- The Pure Art of Moving Images and the Fine Art of Photography -- What Motion Pictures Add to Still Photographic Artistry -- The Fundamental Form Language of Cinema -- Cinematic Content and Film Genres -- The Limits of Abstract Non-Objective Cinema -- The Aesthetic Challenges of Avant-Garde Surrealist Cinema -- The Aesthetic Challenges of Non-Story Non-Fiction Films -- The Aesthetic Challenges of the Fiction "Story" Film -- 15: The Total Art of Hybrid Cinema -- The Fundamental Types and Stages of Hybrid Cinema -- Silent Film -- Sound Film -- The Role of Sound in Hybrid Cinema -- The Internal Integration of Sound in Film. ; The External Addition of Sound to Film -- The Interaction of Internal and External Sound in Film -- The Role of Language in Hybrid Cinema -- Film Adaptation of Literary Genres -- Sound Film Versus Stage and Silent Film Acting -- Cinema and the Artforms -- Works Cited -- Index.
• Titolo autorizzato: Rethinking the Arts after Hegel
• ISBN: 9783031355424; 9783031355417
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910754094803321
• Lo trovi qui: Univ. Federico II