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Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli



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Autore: Grosoli Marco Visualizza persona
Titolo: Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli Visualizza cluster
Pubblicazione: Amsterdam University Press, 2018
Amsterdam : , : Amsterdam University Press, , [2017]
©2018
Descrizione fisica: 1 online resource (301 pages)
Disciplina: 791.4302/33092
Soggetto topico: Auteur theory (Motion pictures)
Soggetto non controllato: Rohmer
auteurs
Sartre
Kant
criticism
Nota di contenuto: Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names
Sommario/riassunto: In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.
Titolo autorizzato: Eric Rohmer's Film Theory (1948-1953)  Visualizza cluster
ISBN: 90-485-3703-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 996309248203316
Lo trovi qui: Univ. di Salerno
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Serie: Film theory in media history.