{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":16,"n_cols":5,"rows_kept":16,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996309248203316"]
[null,null,"Autore",null,"Grosoli Marco"]
[null,null,"Titolo",null,"Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam University Press, 2018"]
[{"$nulls":4},"Amsterdam : , : Amsterdam University Press, , [2017]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"90-485-3703-7"]
[null,null,"Descrizione fisica",null,"1 online resource (301 pages)"]
[null,null,"Collana",null,"Film theory in media history"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"Auteur theory (Motion pictures)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names"]
[null,null,null,"Sommario/riassunto","In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days  it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism."]