Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli

• Autore: Grosoli Marco
• Pubblicazione: Amsterdam University Press, 2018; Amsterdam : , : Amsterdam University Press, , [2017]; ©2018
• Descrizione fisica: 1 online resource (301 pages)
• Disciplina: 791.4302/33092
• Soggetto topico: Auteur theory (Motion pictures)
• Soggetto non controllato: Rohmer; auteurs; Sartre; Kant; criticism
• Nota di contenuto: Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names
• Sommario/riassunto: In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.
• Titolo autorizzato: Eric Rohmer's Film Theory (1948-1953)
• ISBN: 90-485-3703-7
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910286407303321
• Lo trovi qui: Univ. Federico II
• Serie: Film theory in media history.