02729oam 22005534a 450 991028640730332120230801192443.090-485-3703-710.1515/9789048537037(CKB)4100000004836055(MiAaPQ)EBC5434334(DE-B1597)513247(OCoLC)1042322259(DE-B1597)9789048537037(OCoLC)1111612510(MdBmJHUP)muse76485(oapen)https://directory.doabooks.org/handle/20.500.12854/25922.2(EXLCZ)99410000000483605520170619h20182018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierEric Rohmer's Film Theory (1948-1953)Marco GrosoliAmsterdam University Press2018Amsterdam :Amsterdam University Press,[2017]©20181 online resource (301 pages)Film theory in media history94-6298-580-4 Frontmatter --Table of contents --Introduction --1. A Novelistic Art of Space --2. Alexandre Astruc: An Early but Decisive Influence --3. Under and On the Volcano: Rohmer's Conversion --4. The Art of Nature --5. Ethics at the Heart of Aesthetics --6. After Modernity: Rohmer's Classicism and Universalism --Conclusion --About the Author --Index of NamesIn the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.Film theory in media history.Auteur theory (Motion pictures)RohmerauteursSartreKantcriticismAuteur theory (Motion pictures)791.4302/33092Grosoli Marco987162MdBmJHUPMdBmJHUPBOOK9910286407303321Eric Rohmer's Film Theory (1948-1953)2256074UNINA