Apocalypse as critical dystopia in modern popular music : Journal for Religion, Film and Media

• Pubblicazione: Schüren Verlag
• Altri titoli varianti: Just Popular Entertainment or Longing for a Posthuman Eden?. The Apocalypse in Margaret Atwoodâ€s MaddAddam Trilogy; Reading Bond Films through the Lens of â€Religion”. Discourse of â€the West and the Rest”; Narrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life; Apocalypse as critical dystopia in modern popular music; On; Book Review; Western Apocalyptic Time and Personal Authentic Time; Editorial; Reading Bond Films through the Lens of “Religion”. Discourse of “the West and the Rest”; Totalitarian Opportunism. J. J. Connington's Nordenholt's Million; Just Popular Entertainment or Longing for a Posthuman Eden?. The Apocalypse in Margaret Atwood‘s MaddAddam Trilogy; Narrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life; Festival Review; Mr Robot. Hacking the Apocalypse
• Titolo autorizzato: Apocalypse as critical dystopia in modern popular music : Journal for Religion, Film and Media
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910557165603321
• Lo trovi qui: Univ. Federico II