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200 10$aApocalypse as critical dystopia in modern popular music : Journal for Religion, Film and Media
210   $cSchüren Verlag
311   $a0505201922 
517   $aJust Popular Entertainment or Longing for a Posthuman Eden?. The Apocalypse in Margaret Atwood‘s MaddAddam Trilogy 
517   $aReading Bond Films through the Lens of “Religion”. Discourse of “the West and the Rest” 
517   $aNarrative and Experiment, Religion and Politics in Terrence Malick’s The Tree of Life 
517   $aApocalypse as critical dystopia in modern popular music 
517   $aOn 
517   $aBook Review
517   $aWestern Apocalyptic Time and Personal Authentic Time 
517   $aEditorial
517   $aReading Bond Films through the Lens of ?Religion?. Discourse of ?the West and the Rest? 
517   $aTotalitarian Opportunism. J. J. Connington's Nordenholt's Million 
517   $aJust Popular Entertainment or Longing for a Posthuman Eden?. The Apocalypse in Margaret Atwood?s MaddAddam Trilogy 
517   $aNarrative and Experiment, Religion and Politics in Terrence Malick?s The Tree of Life 
517   $aFestival Review
517   $aMr Robot. Hacking the Apocalypse 
906   $aBOOK
912   $a9910557165603321
996   $aApocalypse as critical dystopia in modern popular music : Journal for Religion, Film and Media$92822154
997   $aUNINA