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Autore: | Crombez Thomas |
Titolo: | Het anti-theater van Antonin Artaud : Een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio / / Thomas Crombez |
Pubblicazione: | Gent, : Academia Press, 2008 |
Gent : , : Academia Press, , 2008 | |
Descrizione fisica: | 1 online resource (x, 336 pages) : digital, PDF file(s) |
Soggetto topico: | Romance Literatures |
Languages & Literatures | |
French Literature | |
Soggetto non controllato: | anti-theater |
historische avant-garde | |
theater | |
antonin artaud | |
historical avant-garde | |
Note generali: | Bibliographic Level Mode of Issuance: Monograph |
Nota di bibliografia: | Includes bibliographical references. |
Sommario/riassunto: | What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself. |
Titolo autorizzato: | Het anti-theater van Antonin Artaud |
ISBN: | 9789038212739 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Olandese |
Record Nr.: | 9910130894103321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |