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Record Nr. |
UNINA9910130894103321 |
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Autore |
Crombez Thomas |
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Titolo |
Het anti-theater van Antonin Artaud : Een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio / / Thomas Crombez |
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Pubbl/distr/stampa |
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Gent, : Academia Press, 2008 |
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Gent : , : Academia Press, , 2008 |
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ISBN |
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Descrizione fisica |
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1 online resource (x, 336 pages) : digital, PDF file(s) |
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Collana |
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Ginkgo Het antitheater van Antonin Artaud |
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Soggetti |
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Romance Literatures |
Languages & Literatures |
French Literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references. |
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Sommario/riassunto |
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What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself. |
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