Contemporary Art in the Post-Yugoslav Space : Case Studies in Hauntology

• Autore: Blackwood Jonathan
• Pubblicazione: Oxford : , : Taylor & Francis Group, , 2025; ©2026
• Edizione: 1st ed.
• Descrizione fisica: 1 online resource (269 pages)
• Disciplina: 709.497
• Soggetto topico: ART / History / 20th & 21st Century; ART / History / General; ART / Indigenous
• Altri autori: TumbasJasmina
• Nota di contenuto: Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Contributors -- Acknowledgments -- 1 Introduction: Yugoslav Hauntologies -- Notes -- References -- 2 Miraz/Dowry: On the Dialectics of Loss -- Notes -- References -- 3 Overcoming Art -- Doing Knowledge -- Comrade Artist -- Aspirational Modernity -- Yugoslav Art and the Art of Yugoslavia -- Overcoming the Aliases of Yugoslav Art -- Tidal and Seismic Shifts of History -- Traveling Without Moving -- Notes -- References -- 4 Yugoslav Venation: Skeletal Traces of the Past in the Practice of the Present -- Introduction -- Ghosts at the End of Time: Borko Lazeski -- Without Pity Or Sentiment: Adela Jušić and Selma Selman -- Parasitic Hauntologies -- Conclusion: Elena Chemerska and the Monument to Freedom, Kochani -- Notes -- References -- 5 Counter-Cartographies of Post-Yugoslav Art -- Introduction -- Curating Post-Yugoslav Space -- (Post-)Yugoslavia: Suspension of Time -- Feminist Politics of Post-Yugoslav Curating -- Dada Polis -- Yugoslavia as a Zone of Geopolitical Discomfort -- Containers of Subjugation -- Blank Map Palimpsests -- Glitching Utopias -- Geopoesis -- Post-Yugoslav Geographies of (Non-)Belonging -- Notes -- References -- 6 Ecstatic Bodies: An Archive of Queer Performative Bodies in North Macedonia -- Introduction -- Performing the Other Body: Aliens, Women, Non-Human, Queer -- Queering the Heteronormative Public (Spaces and Institutions) in the (Post-)YU Context -- The Body as Archive Or Performing the Missing Voices and Ephemeras in History -- Conclusion -- Notes -- References -- 7 Living in the Post -- Democratization of Art -- Open Society Institute -- A Sense of the Commons -- A Cry of Nostalgia -- Mending Time -- Notes -- References. ; 8 Yugoslav Anticolonial Endeavors in Art and Culture: Particular Cases of the Previous Century -- Introduction -- Anticolonial Solidarity in Yugoslavia -- Decolonization of Art and Culture and Different Models of Cultural Politics -- Particular Case Studies of the Twentieth Century -- Nonaligned Contemporaneity? -- Notes -- References -- 9 Resonating Silence: Curating the Yugoslav Narrative in Recent X-Ennials -- Introduction -- Exploring Curatorial Approaches: Selected Case Studies From Diverse Perspectives and Prominent Categories -- Cinematic Heritage Metamorphosis -- Reusing Collective Symbols -- Silently Canceling the Present: Narratives, Exclusion, and Representation in the Post-Yugoslav Context -- Notes -- References -- 10 Blackness Beyond the Euro-American Lens as Exhibited and Documented in the 2000s at the Museum of African Art in Belgrade, Serbia -- The Image of Africa and Africanity in the Yugoslav Region -- Conclusion -- Notes -- References -- 11 Practice Against Systematic Errors: Cultural Institutions in Bosnia and Herzegovina and a Case Study of the KRAK Center -- Non-institutions as Platforms for Cultural Battles -- The KRAK Center and Curating the Periphery -- KRAK's Forerunners -- Conclusion -- Notes -- References -- 12 The Common Language of the Yugoslav Cultural Space -- The Future Is Behind Us -- Limbo Transitions -- Transition of the Art System in Montenegro -- The Marginalia of the Common -- Notes -- References -- 13 Archival Encounters: On Reconfiguring Art Historical Discourses -- Introduction -- Archives Book -- Important Steps for Culture -- Përtej/Beyond Yugoslavia -- Waiting for the Future -- Galleries and Artist's Studios-An Issue of Our Visual Culture -- Conclusion -- Notes -- References -- 14 Yugoslav People's Art -- Introduction -- Art for the People and Combined and Uneven Development -- Defining People's Art. ; Conclusion -- Notes -- References -- 15 (Re)Animating the Commons: Repoliticizing Environmental Violence Through Counter-Narrating in Art-Activist Practices in Bosnia and Herzegovina -- Introduction -- Metabolizing the Wasteocene: Reframing the Debates On Environmental Violence in Bosnia and Herzegovina -- The Labor of Chemicals: The Transformation of Yugoslav Labor From Radni Narod to a Worker On Fire -- Antagonizing the Wasteocene: Reimagining the Commons Through Art-Activist Practices in Bosnia and Herzegovina -- Conclusion -- Notes -- References -- 16 The Return of the Class Struggle Or From Socialist Self-Management to Neoliberal Self-Exploitation -- Invisible Labor, the Class Struggle, and the Politics of Learned Helplessness -- The Legacy of Red October 1975 -- The Disempowering Antinomies of Autonomy -- Conclusion -- Notes -- References -- 17 The Yugoslavia of the Mind: Diasporic Practices -- Introduction -- Yugoslavia? Lost?! -- Life-times of Disposability -- Larval Spectrality Haunting Berlin -- Four Faces of Omarska -- Phantom Possession -- Life-making -- Notes -- References -- Index.
• Sommario/riassunto: This edited volume is centred on the production, discussion and consumption of contemporary art in the post-Yugoslav space now. The book will be of interest to scholars working in art history, contemporary art, gender studies, Slavic studies, politics, and post-conflict studies.
• Titolo autorizzato: Contemporary Art in the Post-Yugoslav Space
• ISBN: 1-04-044537-3; 1-04-044533-0; 1-003-42709-X
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9911067925103321
• Lo trovi qui: Univ. Federico II
• Serie: Routledge Research in Art History Series