{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":33,"n_cols":5,"rows_kept":33,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[12,4,12,5],[13,2,13,3],[15,2,15,3],[18,2,18,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[25,2,25,3],[26,2,26,3],[28,2,28,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990001188290403321"]
[null,null,"Autore",null,"Niiniluoto, Ilkka"]
[null,null,"Titolo",null,"Truthlikeness / by NIINILUOTO I."]
[null,null,"Pubbl/distr/stampa",null,"Dordrecht (NL) : Reidel, 1987"]
[null,null,"Collana",null,"Synthese Library ; 185"]
[null,null,"Locazione",null,"MA1"]
[null,null,"Collocazione",null,"C-25-(185"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9911067925103321"]
[null,null,"Autore",null,"Blackwood Jonathan"]
[null,null,"Titolo",null,"Contemporary Art in the Post-Yugoslav Space : Case Studies in Hauntology"]
[null,null,"Pubbl/distr/stampa",null,"Oxford : , : Taylor & Francis Group, , 2025"]
[{"$nulls":4},"©2026"]
[null,null,"ISBN",null,"1-04-044537-3"]
[{"$nulls":4},"1-04-044533-0"]
[{"$nulls":4},"1-003-42709-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (269 pages)"]
[null,null,"Collana",null,"Routledge Research in Art History Series"]
[null,null,"Disciplina",null,"709.497"]
[null,null,"Soggetti",null,"ART / History / 20th & 21st Century"]
[{"$nulls":4},"ART / History / General"]
[{"$nulls":4},"ART / Indigenous"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Contributors -- Acknowledgments -- 1 Introduction: Yugoslav Hauntologies -- Notes -- References -- 2 Miraz/Dowry: On the Dialectics of Loss -- Notes -- References -- 3 Overcoming Art -- Doing Knowledge -- Comrade Artist -- Aspirational Modernity -- Yugoslav Art and the Art of Yugoslavia -- Overcoming the Aliases of Yugoslav Art -- Tidal and Seismic Shifts of History -- Traveling Without Moving -- Notes -- References -- 4 Yugoslav Venation: Skeletal Traces of the Past in the Practice of the Present -- Introduction -- Ghosts at the End of Time: Borko Lazeski -- Without Pity Or Sentiment: Adela Jušić and Selma Selman -- Parasitic Hauntologies -- Conclusion: Elena Chemerska and the Monument to Freedom, Kochani -- Notes -- References -- 5 Counter-Cartographies of Post-Yugoslav Art -- Introduction -- Curating Post-Yugoslav Space -- (Post-)Yugoslavia: Suspension of Time -- Feminist Politics of Post-Yugoslav Curating -- Dada Polis -- Yugoslavia as a Zone of Geopolitical Discomfort -- Containers of Subjugation -- Blank Map Palimpsests -- Glitching Utopias -- Geopoesis -- Post-Yugoslav Geographies of (Non-)Belonging -- Notes -- References -- 6 Ecstatic Bodies: An Archive of Queer Performative Bodies in North Macedonia -- Introduction -- Performing the Other "]
[{"$nulls":4},"Body: Aliens, Women, Non-Human, Queer -- Queering the Heteronormative Public (Spaces and Institutions) in the (Post-)YU Context -- The Body as Archive Or Performing the Missing Voices and Ephemeras in History -- Conclusion -- Notes -- References -- 7 Living in the Post -- Democratization of Art -- Open Society Institute -- A Sense of the Commons -- A Cry of Nostalgia -- Mending Time -- Notes -- References."]
[{"$nulls":4},"8 Yugoslav Anticolonial Endeavors in Art and Culture: Particular Cases of the Previous Century -- Introduction -- Anticolonial Solidarity in Yugoslavia -- Decolonization of Art and Culture and Different Models of Cultural Politics -- Particular Case Studies of the Twentieth Century -- Nonaligned Contemporaneity? -- Notes -- References -- 9 Resonating Silence: Curating the Yugoslav Narrative in Recent X-Ennials -- Introduction -- Exploring Curatorial Approaches: Selected Case Studies From Diverse Perspectives and Prominent Categories -- Cinematic Heritage Metamorphosis -- Reusing Collective Symbols -- Silently Canceling the Present: Narratives, Exclusion, and Representation in the Post-Yugoslav Context -- Notes -- References -- 10 Blackness Beyond the Euro-American Lens as Exhibited and Documented in the 2000s at the Museum of African Art in Belgrade, Serbia -- The Image of Africa and Africanity in the Yugoslav Region -- Conclusion -- Notes -- References -- 11 Practice Against Systematic Errors: Cultural Institutions in Bosnia and Herzegovina and a Case Study of the KRAK Center -- Non-institutions as Platforms for Cultural Battles -- The KRAK Center and Curating the Periphery -- KRAK's Forerunners -- Conclusion -- Notes -- References -- 12 The Common Language of the Yugoslav Cultural Space -- The Future Is Behind Us -- Limbo Transitions -- Transition of the Art System in Montenegro -- The Marginalia of the Common -- Notes -- References -- 13 Archival Encounters: On Reconfiguring Art Historical Discourses -- Introduction -- Archives Book -- Important Steps for Culture -- Përtej/Beyond Yugoslavia -- Waiting for the Future -- Galleries and Artist's Studios-An Issue of Our Visual Culture -- Conclusion -- Notes -- References -- 14 Yugoslav People's Art -- Introduction -- Art for the People and Combined and Uneven Development -- Defining People's Art."]
[{"$nulls":4},"Conclusion -- Notes -- References -- 15 (Re)Animating the Commons: Repoliticizing Environmental Violence Through Counter-Narrating in Art-Activist Practices in Bosnia and Herzegovina -- Introduction -- Metabolizing the Wasteocene: Reframing the Debates On Environmental Violence in Bosnia and Herzegovina -- The Labor of Chemicals: The Transformation of Yugoslav Labor From Radni Narod to a Worker On Fire -- Antagonizing the Wasteocene: Reimagining the Commons Through Art-Activist Practices in Bosnia and Herzegovina -- Conclusion -- Notes -- References -- 16 The Return of the Class Struggle Or From Socialist Self-Management to Neoliberal Self-Exploitation -- Invisible Labor, the Class Struggle, and the Politics of Learned Helplessness -- The Legacy of Red October 1975 -- The Disempowering Antinomies of Autonomy -- Conclusion -- Notes -- References -- 17 The Yugoslavia of the Mind: Diasporic Practices -- Introduction -- Yugoslavia? Lost?! -- Life-times of Disposability -- Larval Spectrality Haunting Berlin -- Four Faces of Omarska -- Phantom Possession -- Life-making -- Notes -- References -- Index."]
[null,null,null,"Sommario/riassunto","This edited volume is centred on the production, discussion and consumption of contemporary art in the post-Yugoslav space now. The book will be of interest to scholars working in art history, contemporary art, gender studies, Slavic studies, politics, and post-conflict studies."]