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Unity, Ambiguity, and Flexibility in Theme Music for Game Shows : A Winning Combination / / by Christopher Gage



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Autore: Gage Christopher Visualizza persona
Titolo: Unity, Ambiguity, and Flexibility in Theme Music for Game Shows : A Winning Combination / / by Christopher Gage Visualizza cluster
Pubblicazione: Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024
Edizione: 1st ed. 2024.
Descrizione fisica: 1 online resource (103 pages)
Disciplina: 741.436579
Soggetto topico: Music theory
Television broadcasting
Games
Theory of Music
Television Studies
Games Studies
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Chapter 1: Introduction -- Chapter 2: Creating Unity Through Thematic Repetition and Saturation -- Chapter 3: Creating Ambiguity through Metrical, Formal, and Harmonic Disruptions -- Chapter 4: Bonus Round: Nostalgia and the Reboot -- Chapter 5: Conclusion.
Sommario/riassunto: With flashing lights, bright colors, and big money, game shows have been an integral part of American culture since the days of radio. While the music that accompanies game shows is charming and catchy, it presents two unique, opposing challenges: first, it must exhibit unity in its construction so that, at any point and for any length of time, it is a tuneful, recognizable signifier of the show to which it belongs; at the same time, it must also possess the ability to be started and stopped according to the needs of gameplay without seeming truncated. This book argues that game show music, in particular from 1960 to 1990, deploys a variety of shared techniques in order to manage these two goals, including theme-derived vamps; saturation of motivic material; and harmonic, rhythmic, and formal ambiguity. Together, these techniques make game show themes exciting, memorable, and perfectly suited to their role. Christopher Gage holds doctorates in music theory and organ performance from the University of Kansas. His research is wide-ranging, from keyboard repertoire before 1700 to twentieth-century game show music. Chris is Director of Music at Overbrook Presbyterian Church in Philadelphia and currently teaches music theory at the University of Delaware.
Titolo autorizzato: Unity, Ambiguity, and Flexibility in Theme Music for Game Shows  Visualizza cluster
ISBN: 9783031468063
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910855392203321
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