The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez

• Pubblicazione: Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014; ©2014
• Descrizione fisica: 1 online resource (738 p.)
• Disciplina: 776.6
• Soggetto topico: Image processing - Data processing; Art and science
• Persona (resp. second.): HighKathryn; HockingSherry Miller; JimenezMona
• Note generali: Includes index.
• Nota di contenuto: Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco ; The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool ; A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions ; Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton ; Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover
• Sommario/riassunto: The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960's and 70's.
• Titolo autorizzato: The emergence of video processing tools
• ISBN: 1-78320-301-3; 1-78320-300-5
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910814507503321
• Lo trovi qui: Univ. Federico II