Musical worlds in Yogyakarta / / Max M. Richter
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| Autore: |
Richter Max M.
|
| Titolo: |
Musical worlds in Yogyakarta / / Max M. Richter
|
| Pubblicazione: | Leiden - Boston, : Brill, 2012 |
| Leiden : , : KITLV Press, , 2012 | |
| Descrizione fisica: | 1 online resource (xii, 210 pages) : illustrations; digital file(s) |
| Disciplina: | 780.9598/27 |
| Soggetto topico: | Music - Indonesia - Yogyakarta |
| Soggetto geografico: | Yogyakarta (Indonesia) Social life and customs |
| Soggetto non controllato: | performing arts |
| sociology | |
| urban life | |
| yogyakarta | |
| music | |
| indonesia | |
| Campursari | |
| Cycle rickshaw | |
| Dangdut | |
| Jalan Malioboro | |
| Javanese people | |
| Note generali: | Revised version of the author's doctoral dissertation. |
| Nota di bibliografia: | Includes bibliographical references and index. |
| Nota di contenuto: | Preliminary Material / Max M. Richter -- Introduction: Approaching musical life in early post-Soeharto Yogyakarta / Max M. Richter -- Background / Max M. Richter -- 1: Sosrowijayan and its street workers / Max M. Richter -- 2: Musical forms and spaces / Max M. Richter -- 3: Music groups / Max M. Richter -- Background / Max M. Richter -- 4: Detachment engagement / Max M. Richter -- 5: Other worlds and sexualisation / Max M. Richter -- Background / Max M. Richter -- 6: Regional Parliament / Max M. Richter -- 7: Armed Forces / Max M. Richter -- 8: Universities / Max M. Richter -- Conclusion: Campursari and jalanan at the Sultan’s Palace / Max M. Richter -- Bibliography / Max M. Richter -- Index / Max M. Richter. |
| Sommario/riassunto: | Musical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (“mixed essences”) and jalanan (“of the street”). Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Full text (Open Access) www.musicethnography.net |
| Titolo autorizzato: | Musical worlds in Yogyakarta |
| ISBN: | 90-04-25349-1 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910141417803321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; 281/2.