04154 am 22006973u 450 991014141780332120221206103629.090-04-25349-110.1163/9789004253490(CKB)2670000000212598(EBL)1342548(SSID)ssj0000939985(PQKBManifestationID)11600611(PQKBTitleCode)TC0000939985(PQKBWorkID)10938815(PQKB)10631665(MiAaPQ)EBC1342548(nllekb)BRILL9789004253490(oapen)https://directory.doabooks.org/handle/20.500.12854/26033(PPN)174542992(EXLCZ)99267000000021259820120712d2012 uy engurmn#nnn|||||txtrdacontentcrdamediacrrdacarrierMusical worlds in Yogyakarta /Max M. RichterLeiden - BostonBrill2012Leiden :KITLV Press,2012.1 online resource (xii, 210 pages) illustrations; digital file(s)Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ;281Revised version of the author's doctoral dissertation.Print version: 9067183903 Includes bibliographical references and index.Preliminary Material /Max M. Richter --Introduction: Approaching musical life in early post-Soeharto Yogyakarta /Max M. Richter --Background /Max M. Richter --1: Sosrowijayan and its street workers /Max M. Richter --2: Musical forms and spaces /Max M. Richter --3: Music groups /Max M. Richter --Background /Max M. Richter --4: Detachment engagement /Max M. Richter --5: Other worlds and sexualisation /Max M. Richter --Background /Max M. Richter --6: Regional Parliament /Max M. Richter --7: Armed Forces /Max M. Richter --8: Universities /Max M. Richter --Conclusion: Campursari and jalanan at the Sultan’s Palace /Max M. Richter --Bibliography /Max M. Richter --Index /Max M. Richter.Musical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (“mixed essences”) and jalanan (“of the street”). Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Full text (Open Access) www.musicethnography.netVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde281/2.MusicIndonesiaYogyakartaYogyakarta (Indonesia)Social life and customsperforming artssociologyurban lifeyogyakartamusicindonesiaCampursariCycle rickshawDangdutJalan MalioboroJavanese peopleMusic780.9598/27Richter Max M.801711NL-LeKBNL-LeKBUkMaJRUBOOK9910141417803321Musical worlds in Yogyakarta1802983UNINA