Creativity -- a New Vocabulary / / Vlad Petre Glaveanu, Lene Tanggaard, and Charlotte Wegener, editors

• Pubblicazione: Cham, Switzerland : , : Macmillan Palgrave, Palgrave Macmillan, , [2016]; ©2016
• Edizione: Second edition.
• Descrizione fisica: 1 online resource (303 pages)
• Disciplina: 153.3/5
• Soggetto topico: Creative ability; Philosophy
• Persona (resp. second.): GlǎveanuVlad Petre; TanggaardLene; WegenerCharlotte
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Intro -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Why Do We Need a Newer Vocabulary for Creativity? -- The Second Edition -- On Creativity and Breaks -- Things We Do with Words -- Consolidation -- Creative Limitation -- Can We Move Beyond Consolidation and Creative Limitation? -- A Few Notes on Concepts and Categories -- Reading This Book -- References -- Chapter 2: Affordance -- Affordances, a Debated Concept -- Beyond Conventional Uses of Objects -- Creativity (Re)Defined -- References -- Chapter 3: Body -- Opening the Black Box of the Body -- Sketching the [Creative] Body -- Hands for Handling -- Legs for Locomotion -- Senses for Sensitizing -- Heart for Hope and Affection -- Gut for Guessing -- Towards an Embodied Future -- References -- Chapter 4: Business as Usual -- Towards Business as Usual -- The Managers' Perspective -- A Horizontal View on Creating Something New -- A Vertical View on Creating Something New -- Too Much Like Business as Usual -- Epilogue -- References -- Chapter 5: Craft -- From Creativity in Craft to Creativity as Craft -- What About Routines and Mindless Repetition? -- From Creative Thinking to Creative Making -- References -- Chapter 6: Difference -- Difference Between Self and Other -- Difference Between Sign and Object -- Difference Between What Was, Is, and Will Be -- Difference Between the Possible and Impossible -- Difference Between Would and Should -- What Difference Makes a Difference for Creativity? -- References -- Chapter 7: Digital -- Introduction -- Revisiting the Classic Four-P Model of Creativity -- Person -- Process -- Press -- Product -- Toward a Sociotechnical Understanding of Creativity -- References -- Chapter 8: Fear -- Imagination, Signs and Self-Regulation -- Fear, Imagination and Creativity: Some Examples -- Conclusion -- References -- Chapter 9: Language. ; The Language of Creativity -- Creativity at the Origin of Language -- Language at the Origin of Creativity -- Dialogue at the Root of Language and Creativity -- Order and Spontaneity, in Dialogue -- References -- Chapter 10: Lostness -- Prologue -- Lost -- Knot-Working and Not-Knowing -- Why am I Here? -- Concluding Remarks on the Epistemological Struggle -- References -- Chapter 11: Memory -- The Street Artist: Delinquent or Creative Genius? -- The Creative Memories of a Revolution -- Creativity and Memory, Reunited -- References -- Chapter 12: Mess -- On Why We Might Have Ignored Mess -- What Is Mess, and What Is Its Relationship with Creativity? -- So Why Use Methods? -- Conclusion -- References -- Chapter 13: No -- The Culture of Yes -- The Creativity of No -- The Power of No -- Concluding Theoretical Postscript -- References -- Chapter 14: Pathways -- Pathways as a Term -- The Methodology of Creative Pathways -- Reflecting Pathways: Where to Go Next? -- Conclusion -- References -- Chapter 15: Perspective -- Perspectives and Positions -- Moving Between Perspectives: The Creative Meta-Position -- Perspectives We Take, Perspectives We Silence -- References -- Chapter 16: Power -- The Two Faces of Power: Suppressive and Productive -- The Relation Between Power and Creativity -- Power and the Unstable Hierarchies of Modern Organisations -- Surrender Your Power-and Increase Your Power in the Process -- Implications for Organisational Theory and Practice -- References -- Chapter 17: Reflexivity -- 'Je suis Charlie' -- Reflecting on Charlie -- After Charlie -- References -- Chapter 18: Rhythm -- Regularity -- The Manners of Tasting Matcha Tea -- Uniqueness -- Emergence -- From Rhythm to Style -- References -- Chapter 19: Rules -- The Intricate Relationship Between Rules and Creativity. ; Time to Be Playful and Serious: The Delicate Balance Between Freedom and Structure -- Socio-Materiality, Rules, and Creativity Research: A Triadic Interplay -- Picking Up the Camera: A Nostalgic Return to the Analogue Era -- Playing By or Breaking the Rules of Photography -- Dogmas, Chastity Vows, and Obstructions -- The Master of Clay -- Conclusion -- References -- Chapter 20: Silence -- Silence Is Ambiguous -- 'There Is No Such Thing As Silence' -- Towards Negative Decibels -- The Longing for Silence -- A Silence As Never Before, Spring 2020 -- A Vibrant Silence -- References -- Chapter 21: Space -- Filling the Void with Meaning -- Poem on the Wall -- Extended Mind and Dwelling in the World of Poems and Plastic Jars -- The Staatsbibliothek Experiment -- Creative Spaces and Their Discontents -- References -- Chapter 22: Stumbling -- How Can We Stumble Creatively? -- Conclusion -- References -- Chapter 23: Things -- The Thing Itself -- Objects and Conventions -- The Openness of Artefacts -- Materiality and Creativity -- References -- Chapter 24: Translation -- Translating Words -- Translating Images -- 'Pierre Menard, Author of the Quixote' -- References -- Chapter 25: Upcycling -- A Three-Course Dinner at the Auto Repair Garage -- From Cradle to Cradle and 'Designing for Abundance' -- Socio-Material Upcycling -- Ideas as Modules -- Conclusion -- References -- Chapter 26: World-Making -- World-Making -- Celebrating -- Meandering -- Betraying -- Translating -- Concluding -- References -- Index.
• Titolo autorizzato: Creativity
• ISBN: 3-031-41907-3
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910799206603321
• Lo trovi qui: Univ. Federico II
• Serie: Palgrave studies in creativity and culture.