LEADER 06882nam 2200493 450 001 9910799206603321 005 20240119114045.0 010 $a3-031-41907-3 035 $a(MiAaPQ)EBC31038194 035 $a(Au-PeEL)EBL31038194 035 $a(EXLCZ)9929451471200041 100 $a20240119d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCreativity -- a New Vocabulary /$fVlad Petre Glaveanu, Lene Tanggaard, and Charlotte Wegener, editors 205 $aSecond edition. 210 1$aCham, Switzerland :$cMacmillan Palgrave, Palgrave Macmillan,$d[2016] 210 4$d©2016 215 $a1 online resource (303 pages) 225 1 $aPalgrave Studies in Creativity and Culture Series 311 08$aPrint version: Gl?veanu, Vlad Petre Creativity -- a New Vocabulary Cham : Springer International Publishing AG,c2024 9783031419065 320 $aIncludes bibliographical references and index. 327 $aIntro -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Why Do We Need a Newer Vocabulary for Creativity? -- The Second Edition -- On Creativity and Breaks -- Things We Do with Words -- Consolidation -- Creative Limitation -- Can We Move Beyond Consolidation and Creative Limitation? -- A Few Notes on Concepts and Categories -- Reading This Book -- References -- Chapter 2: Affordance -- Affordances, a Debated Concept -- Beyond Conventional Uses of Objects -- Creativity (Re)Defined -- References -- Chapter 3: Body -- Opening the Black Box of the Body -- Sketching the [Creative] Body -- Hands for Handling -- Legs for Locomotion -- Senses for Sensitizing -- Heart for Hope and Affection -- Gut for Guessing -- Towards an Embodied Future -- References -- Chapter 4: Business as Usual -- Towards Business as Usual -- The Managers' Perspective -- A Horizontal View on Creating Something New -- A Vertical View on Creating Something New -- Too Much Like Business as Usual -- Epilogue -- References -- Chapter 5: Craft -- From Creativity in Craft to Creativity as Craft -- What About Routines and Mindless Repetition? -- From Creative Thinking to Creative Making -- References -- Chapter 6: Difference -- Difference Between Self and Other -- Difference Between Sign and Object -- Difference Between What Was, Is, and Will Be -- Difference Between the Possible and Impossible -- Difference Between Would and Should -- What Difference Makes a Difference for Creativity? -- References -- Chapter 7: Digital -- Introduction -- Revisiting the Classic Four-P Model of Creativity -- Person -- Process -- Press -- Product -- Toward a Sociotechnical Understanding of Creativity -- References -- Chapter 8: Fear -- Imagination, Signs and Self-Regulation -- Fear, Imagination and Creativity: Some Examples -- Conclusion -- References -- Chapter 9: Language. 327 $aThe Language of Creativity -- Creativity at the Origin of Language -- Language at the Origin of Creativity -- Dialogue at the Root of Language and Creativity -- Order and Spontaneity, in Dialogue -- References -- Chapter 10: Lostness -- Prologue -- Lost -- Knot-Working and Not-Knowing -- Why am I Here? -- Concluding Remarks on the Epistemological Struggle -- References -- Chapter 11: Memory -- The Street Artist: Delinquent or Creative Genius? -- The Creative Memories of a Revolution -- Creativity and Memory, Reunited -- References -- Chapter 12: Mess -- On Why We Might Have Ignored Mess -- What Is Mess, and What Is Its Relationship with Creativity? -- So Why Use Methods? -- Conclusion -- References -- Chapter 13: No -- The Culture of Yes -- The Creativity of No -- The Power of No -- Concluding Theoretical Postscript -- References -- Chapter 14: Pathways -- Pathways as a Term -- The Methodology of Creative Pathways -- Reflecting Pathways: Where to Go Next? -- Conclusion -- References -- Chapter 15: Perspective -- Perspectives and Positions -- Moving Between Perspectives: The Creative Meta-Position -- Perspectives We Take, Perspectives We Silence -- References -- Chapter 16: Power -- The Two Faces of Power: Suppressive and Productive -- The Relation Between Power and Creativity -- Power and the Unstable Hierarchies of Modern Organisations -- Surrender Your Power-and Increase Your Power in the Process -- Implications for Organisational Theory and Practice -- References -- Chapter 17: Reflexivity -- 'Je suis Charlie' -- Reflecting on Charlie -- After Charlie -- References -- Chapter 18: Rhythm -- Regularity -- The Manners of Tasting Matcha Tea -- Uniqueness -- Emergence -- From Rhythm to Style -- References -- Chapter 19: Rules -- The Intricate Relationship Between Rules and Creativity. 327 $aTime to Be Playful and Serious: The Delicate Balance Between Freedom and Structure -- Socio-Materiality, Rules, and Creativity Research: A Triadic Interplay -- Picking Up the Camera: A Nostalgic Return to the Analogue Era -- Playing By or Breaking the Rules of Photography -- Dogmas, Chastity Vows, and Obstructions -- The Master of Clay -- Conclusion -- References -- Chapter 20: Silence -- Silence Is Ambiguous -- 'There Is No Such Thing As Silence' -- Towards Negative Decibels -- The Longing for Silence -- A Silence As Never Before, Spring 2020 -- A Vibrant Silence -- References -- Chapter 21: Space -- Filling the Void with Meaning -- Poem on the Wall -- Extended Mind and Dwelling in the World of Poems and Plastic Jars -- The Staatsbibliothek Experiment -- Creative Spaces and Their Discontents -- References -- Chapter 22: Stumbling -- How Can We Stumble Creatively? -- Conclusion -- References -- Chapter 23: Things -- The Thing Itself -- Objects and Conventions -- The Openness of Artefacts -- Materiality and Creativity -- References -- Chapter 24: Translation -- Translating Words -- Translating Images -- 'Pierre Menard, Author of the Quixote' -- References -- Chapter 25: Upcycling -- A Three-Course Dinner at the Auto Repair Garage -- From Cradle to Cradle and 'Designing for Abundance' -- Socio-Material Upcycling -- Ideas as Modules -- Conclusion -- References -- Chapter 26: World-Making -- World-Making -- Celebrating -- Meandering -- Betraying -- Translating -- Concluding -- References -- Index. 410 0$aPalgrave studies in creativity and culture. 606 $aCreative ability 606 $aPhilosophy 615 0$aCreative ability. 615 0$aPhilosophy. 676 $a153.3/5 702 $aGla?veanu$b Vlad Petre 702 $aTanggaard$b Lene 702 $aWegener$b Charlotte 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910799206603321 996 $aCreativity$9244238 997 $aUNINA