Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]]
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| Autore: |
Brinckmann Christine <1937->
|
| Titolo: |
Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]]
|
| Pubblicazione: | Amsterdam : , : Amsterdam University Press, , 2014 |
| Descrizione fisica: | 1 online resource (269 pages) : digital, PDF file(s) |
| Disciplina: | 791 |
| Soggetto topico: | Colors in motion pictures - History |
| Color cinematography - History | |
| Color motion pictures - History | |
| Soggetto non controllato: | Film poetics |
| colour in film | |
| documentary film | |
| historical stylistics | |
| viewer response | |
| Note generali: | Title from publisher's bibliographic system (viewed on 23 Jun 2021). |
| Nota di contenuto: | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
| Sommario/riassunto: | The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film. |
| Titolo autorizzato: | Color and empathy |
| ISBN: | 90-485-2326-5 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910787400203321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Film culture in transition.