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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aColor and empathy $eessays on two aspects of film /$fChristine N. Brinckmann$b[electronic resource]
210  1$aAmsterdam :$cAmsterdam University Press,$d2014.
215   $a1 online resource (269 pages) $cdigital, PDF file(s)
225 1 $aFilm culture in transition
300   $aTitle from publisher's bibliographic system (viewed on 23 Jun 2021).
311   $a90-8964-656-6 
327   $tFront matter --$tTable of Contents --$tPreface /$rBrinckman, Christine N. --$tCinematic Color as Likeness and as Artifact --$tChords of Color --$tThe Tension of Colors in Colorized Silent Films --$tStructural Film, Structuring Color: Jenny Okun's Still Life --$tDesert Fury: A Film Noir in Color --$tThe Work of the Camera: Beau travail --$tEmpathy with the Animal --$tMotor Mimicry in Hitchcock --$tAbstraction and Empathy in the Early German Avant-garde --$tThe Role of Empathy in Documentary Film: A Case Study --$tGenre Conflict in Tracey Emin's Top Spot --$tViewer Empathy and Mosaic Structure in Frederick Wiseman's Primate --$tCasta Diva: An Empathetic Reading --$tPublication Data --$tIndex of Films --$tIndex of Subjects --$tFilm Culture in Transition
330   $aThe collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.
410  0$aFilm culture in transition.
606   $aColors in motion pictures$xHistory
606   $aColor cinematography$xHistory
606   $aColor motion pictures$xHistory
610   $aFilm poetics.
610   $acolour in film.
610   $adocumentary film.
610   $ahistorical stylistics.
610   $aviewer response.
615  0$aColors in motion pictures$xHistory.
615  0$aColor cinematography$xHistory.
615  0$aColor motion pictures$xHistory.
676   $a791
700   $aBrinckmann$b Christine$f1937-$01521390
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910787400203321
996   $aColor and empathy$93760481
997   $aUNINA