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Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area



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Autore: Vagnoni Mirko Visualizza persona
Titolo: Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area Visualizza cluster
Pubblicazione: Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020
Descrizione fisica: 1 online resource (112 p.)
Soggetto topico: History of art
The Arts
Soggetto non controllato: Abbey of Saint-Denis
Abbot Suger (1122-1151)
angelic coronation
angelology
angels
Angelus Domini
apocalyptic visions
cathedral
Chronici Hungarici compositio saeculi XIV
consecration
coronation
Crown of Aragon
festival crowing
Germanias revolt
Hartvik Legend
iconography
laicization
Luigi Lippomano
Matthias Corvinus
medieval kingship
messianism
Portuguese kings
power-religion relationship
prophetism
regaliae
rex et sacerdos
royal divine coronation
royal iconography
royal sacrality
sacralization
St Ladislaus I of Hungary
St Stephen I of Hungary
statues
tomb sculpture
Persona (resp. second.): VagnoniMirko
Sommario/riassunto: In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.
Titolo autorizzato: Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area  Visualizza cluster
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910557112603321
Lo trovi qui: Univ. Federico II
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