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Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer
| Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer |
| Pubbl/distr/stampa | New Brunswick : , : Rutgers University Press, , [2018] |
| Descrizione fisica | 1 online resource (viii, 268 pages) |
| Disciplina | 791.450232 |
| Soggetto topico |
African American television producers and directors
African American women screenwriters Women television producers and directors - United States Television broadcasting - Social aspects - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8135-9635-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Introduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century / Meyer, Michaela D. E. / Griffin, Rachel Alicia -- Part I: Quality television's cultural dominance: the auteur comes to television studies -- 1. Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland / Jones, Richard G. / Vajjala, Emily -- 2. Wounded Detachments, Differential Alliances: Beyond Identity and Telos in Shondaland's Heterotopia / Mcalister, Joan Faber -- 3. Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions / Furgerson, Jessica L. -- 4. Soundtracking Shondaland: Televisual Identity Mapped through Music / Billinson, Jennifer / Meyer, Michaela D. E. -- Part II: Shondaland's paradoxical identity politics and the fantastical "post" -- 5. Race (Lost and Found) in Shondaland: The Rise of Multiculturalism in Prime-Time Network Television / Petermon, Jade -- 6. Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy / Abdi, Shadee / Calafell, Bernadette Marie -- 7. The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy / Young, Stephanie L. / Pham, Vincent -- 8. Interracial Intimacies: From Shondaland to the Postracial Promised Land / Washington, Myra / Harris, Tina M. -- Part III: Consumption, ethics, and morality: shondaland fandom as cultural meaning making -- 9. #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to "The Lawn Chair" Episode / Orbe, Mark P. -- 10. Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television / Ingram-Waters, Mary / Balderas, Leslie -- 11. Media Criticism and Morality Policing on Twitter: Fan Responses to How to Get Away with Murder / Ames, Melissa -- 12. Dying for the Next Episode: Living and Working within Shondaland's Medical Universe / Swenson, Sean -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910467808703321 |
| New Brunswick : , : Rutgers University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer
| Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer |
| Pubbl/distr/stampa | New Brunswick : , : Rutgers University Press, , [2018] |
| Descrizione fisica | 1 online resource (viii, 268 pages) |
| Disciplina | 791.450232 |
| Soggetto topico |
African American television producers and directors
African American women screenwriters Women television producers and directors - United States Television broadcasting - Social aspects - United States |
| Soggetto non controllato | Shondaland, Shonda Rhimes, diversity, television, melodrama, identity, culture, media, Shondaland Productions, intersectionality, marginalized, communication, journalism, identity politics, queer, race, ethnic, disability |
| ISBN | 0-8135-9635-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Introduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century / Meyer, Michaela D. E. / Griffin, Rachel Alicia -- Part I: Quality television's cultural dominance: the auteur comes to television studies -- 1. Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland / Jones, Richard G. / Vajjala, Emily -- 2. Wounded Detachments, Differential Alliances: Beyond Identity and Telos in Shondaland's Heterotopia / Mcalister, Joan Faber -- 3. Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions / Furgerson, Jessica L. -- 4. Soundtracking Shondaland: Televisual Identity Mapped through Music / Billinson, Jennifer / Meyer, Michaela D. E. -- Part II: Shondaland's paradoxical identity politics and the fantastical "post" -- 5. Race (Lost and Found) in Shondaland: The Rise of Multiculturalism in Prime-Time Network Television / Petermon, Jade -- 6. Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy / Abdi, Shadee / Calafell, Bernadette Marie -- 7. The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy / Young, Stephanie L. / Pham, Vincent -- 8. Interracial Intimacies: From Shondaland to the Postracial Promised Land / Washington, Myra / Harris, Tina M. -- Part III: Consumption, ethics, and morality: shondaland fandom as cultural meaning making -- 9. #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to "The Lawn Chair" Episode / Orbe, Mark P. -- 10. Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television / Ingram-Waters, Mary / Balderas, Leslie -- 11. Media Criticism and Morality Policing on Twitter: Fan Responses to How to Get Away with Murder / Ames, Melissa -- 12. Dying for the Next Episode: Living and Working within Shondaland's Medical Universe / Swenson, Sean -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910795325603321 |
| New Brunswick : , : Rutgers University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer
| Adventures in ShondaLand : identity politics and the power of representation / / edited by Rachel Alicia Griffin and Michaela D.E. Meyer |
| Pubbl/distr/stampa | New Brunswick : , : Rutgers University Press, , [2018] |
| Descrizione fisica | 1 online resource (viii, 268 pages) |
| Disciplina | 791.450232 |
| Soggetto topico |
African American television producers and directors
African American women screenwriters Women television producers and directors - United States Television broadcasting - Social aspects - United States |
| Soggetto non controllato | Shondaland, Shonda Rhimes, diversity, television, melodrama, identity, culture, media, Shondaland Productions, intersectionality, marginalized, communication, journalism, identity politics, queer, race, ethnic, disability |
| ISBN | 0-8135-9635-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Introduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century / Meyer, Michaela D. E. / Griffin, Rachel Alicia -- Part I: Quality television's cultural dominance: the auteur comes to television studies -- 1. Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland / Jones, Richard G. / Vajjala, Emily -- 2. Wounded Detachments, Differential Alliances: Beyond Identity and Telos in Shondaland's Heterotopia / Mcalister, Joan Faber -- 3. Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions / Furgerson, Jessica L. -- 4. Soundtracking Shondaland: Televisual Identity Mapped through Music / Billinson, Jennifer / Meyer, Michaela D. E. -- Part II: Shondaland's paradoxical identity politics and the fantastical "post" -- 5. Race (Lost and Found) in Shondaland: The Rise of Multiculturalism in Prime-Time Network Television / Petermon, Jade -- 6. Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy / Abdi, Shadee / Calafell, Bernadette Marie -- 7. The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy / Young, Stephanie L. / Pham, Vincent -- 8. Interracial Intimacies: From Shondaland to the Postracial Promised Land / Washington, Myra / Harris, Tina M. -- Part III: Consumption, ethics, and morality: shondaland fandom as cultural meaning making -- 9. #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to "The Lawn Chair" Episode / Orbe, Mark P. -- 10. Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television / Ingram-Waters, Mary / Balderas, Leslie -- 11. Media Criticism and Morality Policing on Twitter: Fan Responses to How to Get Away with Murder / Ames, Melissa -- 12. Dying for the Next Episode: Living and Working within Shondaland's Medical Universe / Swenson, Sean -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910808453303321 |
| New Brunswick : , : Rutgers University Press, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American television : new directions in history and theory / / edited by Nick Browne
| American television : new directions in history and theory / / edited by Nick Browne |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (309 p.) |
| Disciplina | 384.55/0973 |
| Collana | Routledge Library Editions: Television |
| Soggetto topico |
Television broadcasting - United States
Television broadcasting - Social aspects - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-99039-6
1-135-02021-3 0-203-76645-8 1-135-02022-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Introduction to the Series; Introduction; Part I: The Establishment of American Television: Industrial Organization and Social Meaning in the 1950s; 1. The Rise of the Telefilm and the Network's Hegemony Over the Motion Picture Industry; Introduction; The Rise of the Network Monopoly; The Role of Film in the Network Monopoly; The Majors' Relation to Television; Conclusion; Notes; 2. Failed Opportunities: The Integration of the US Motion Picture and Television Industries
Failed InnovationOwnership and Antitrust; Conclusion; Notes; 3. The Meaning of Memory: Family, Class and Ethnicity in Early Network Television; The Meaning of Memory; Commercial Television and Economic Change; Family Formation and the Economy - The Television View; Work, Class, and Ethnicity; Dialogue, Negotiation, and Legitimation: Method and Theory; Notes; Part II: Cultural Theory and Network Television: Mapping Economy and Subjectivity; 4. The Political Economy of the Television (Super) Text; Theorizing Television; The Form and Genealogy of the Television ""Super-Text"" The Made-For-Television MovieThe Form of Television's Discursive Economy; Notes; 5. Viewing Television:The Metapsychology of Endless Consumption; Promise and Desire: A Contradiction; Television's Diffuse Regime; Some Implications Regarding Gender; The Politics of Interruption; Notes; 6. TV through the Looking Glass; Notes; Part III: Television Formats and the Inscription of Gender; 7. Speculations on the Relationship between Soap Opera and Melodrama; Methodological Preliminaries; Critical Categories and Gender; The Melodramatic Project; Melodrama and Realism; Melodrama and the Family Women's Culture, the Mass Media and Soap OperaSoap Opera and Domestic Fiction; Soap Opera as Serial Form; Soap Opera and Women's Culture; Soap Opera and Melodrama; Cultural Forms and National Cultures; Soap Opera Realism: Soap Opera Melodrama; Soap Opera and Gender; Soap Opera and Men's Culture; Provisional Conclusions; Notes; 8. The Return of the Unrepressed: Male Desire, Gender, and Genre; Some Questions Provoked by a Textual Excursus; The Complicity of the Male Viewer; The Gender-Genre Nexus: Untangling the Viewer's Complicity from the Nexus; Trouble in Patriarchy's Paradise? The 1980s Prepare the Way for the UnrepressedWise Guy and Thirtysomething and Gender: Autodiscursive Textual Analysis; Notes; 9. On Commuting Between Television Fictionand Real Life; On Applying a Program to Real Life; A First Look at the Data; Ludic Transitions: Forms of Identification with Characters; Formal Transitions; Conclusions; Notes; References; Part IV: Video Transformations: Gaming, Pictorialization, Surveillance; 10. Performing Style: Industrial-Strength Semiotics and the Basic Televisual Apparatus; 1. New Modes/ New Codes:; 1.1. The ""Painterly""; 1.2. IPlasticity"" 1.3. ""Transparency"" |
| Record Nr. | UNINA-9910452679403321 |
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American television : new directions in history and theory / / edited by Nick Browne
| American television : new directions in history and theory / / edited by Nick Browne |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (309 p.) |
| Disciplina | 384.55/0973 |
| Collana | Routledge Library Editions: Television |
| Soggetto topico |
Television broadcasting - United States
Television broadcasting - Social aspects - United States |
| ISBN |
1-138-99039-6
1-135-02021-3 0-203-76645-8 1-135-02022-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Introduction to the Series; Introduction; Part I: The Establishment of American Television: Industrial Organization and Social Meaning in the 1950s; 1. The Rise of the Telefilm and the Network's Hegemony Over the Motion Picture Industry; Introduction; The Rise of the Network Monopoly; The Role of Film in the Network Monopoly; The Majors' Relation to Television; Conclusion; Notes; 2. Failed Opportunities: The Integration of the US Motion Picture and Television Industries
Failed InnovationOwnership and Antitrust; Conclusion; Notes; 3. The Meaning of Memory: Family, Class and Ethnicity in Early Network Television; The Meaning of Memory; Commercial Television and Economic Change; Family Formation and the Economy - The Television View; Work, Class, and Ethnicity; Dialogue, Negotiation, and Legitimation: Method and Theory; Notes; Part II: Cultural Theory and Network Television: Mapping Economy and Subjectivity; 4. The Political Economy of the Television (Super) Text; Theorizing Television; The Form and Genealogy of the Television ""Super-Text"" The Made-For-Television MovieThe Form of Television's Discursive Economy; Notes; 5. Viewing Television:The Metapsychology of Endless Consumption; Promise and Desire: A Contradiction; Television's Diffuse Regime; Some Implications Regarding Gender; The Politics of Interruption; Notes; 6. TV through the Looking Glass; Notes; Part III: Television Formats and the Inscription of Gender; 7. Speculations on the Relationship between Soap Opera and Melodrama; Methodological Preliminaries; Critical Categories and Gender; The Melodramatic Project; Melodrama and Realism; Melodrama and the Family Women's Culture, the Mass Media and Soap OperaSoap Opera and Domestic Fiction; Soap Opera as Serial Form; Soap Opera and Women's Culture; Soap Opera and Melodrama; Cultural Forms and National Cultures; Soap Opera Realism: Soap Opera Melodrama; Soap Opera and Gender; Soap Opera and Men's Culture; Provisional Conclusions; Notes; 8. The Return of the Unrepressed: Male Desire, Gender, and Genre; Some Questions Provoked by a Textual Excursus; The Complicity of the Male Viewer; The Gender-Genre Nexus: Untangling the Viewer's Complicity from the Nexus; Trouble in Patriarchy's Paradise? The 1980s Prepare the Way for the UnrepressedWise Guy and Thirtysomething and Gender: Autodiscursive Textual Analysis; Notes; 9. On Commuting Between Television Fictionand Real Life; On Applying a Program to Real Life; A First Look at the Data; Ludic Transitions: Forms of Identification with Characters; Formal Transitions; Conclusions; Notes; References; Part IV: Video Transformations: Gaming, Pictorialization, Surveillance; 10. Performing Style: Industrial-Strength Semiotics and the Basic Televisual Apparatus; 1. New Modes/ New Codes:; 1.1. The ""Painterly""; 1.2. IPlasticity"" 1.3. ""Transparency"" |
| Record Nr. | UNINA-9910779701703321 |
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American television : new directions in history and theory / / edited by Nick Browne
| American television : new directions in history and theory / / edited by Nick Browne |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (309 p.) |
| Disciplina | 384.55/0973 |
| Collana | Routledge Library Editions: Television |
| Soggetto topico |
Television broadcasting - United States
Television broadcasting - Social aspects - United States |
| ISBN |
1-138-99039-6
1-135-02021-3 0-203-76645-8 1-135-02022-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Introduction to the Series; Introduction; Part I: The Establishment of American Television: Industrial Organization and Social Meaning in the 1950s; 1. The Rise of the Telefilm and the Network's Hegemony Over the Motion Picture Industry; Introduction; The Rise of the Network Monopoly; The Role of Film in the Network Monopoly; The Majors' Relation to Television; Conclusion; Notes; 2. Failed Opportunities: The Integration of the US Motion Picture and Television Industries
Failed InnovationOwnership and Antitrust; Conclusion; Notes; 3. The Meaning of Memory: Family, Class and Ethnicity in Early Network Television; The Meaning of Memory; Commercial Television and Economic Change; Family Formation and the Economy - The Television View; Work, Class, and Ethnicity; Dialogue, Negotiation, and Legitimation: Method and Theory; Notes; Part II: Cultural Theory and Network Television: Mapping Economy and Subjectivity; 4. The Political Economy of the Television (Super) Text; Theorizing Television; The Form and Genealogy of the Television ""Super-Text"" The Made-For-Television MovieThe Form of Television's Discursive Economy; Notes; 5. Viewing Television:The Metapsychology of Endless Consumption; Promise and Desire: A Contradiction; Television's Diffuse Regime; Some Implications Regarding Gender; The Politics of Interruption; Notes; 6. TV through the Looking Glass; Notes; Part III: Television Formats and the Inscription of Gender; 7. Speculations on the Relationship between Soap Opera and Melodrama; Methodological Preliminaries; Critical Categories and Gender; The Melodramatic Project; Melodrama and Realism; Melodrama and the Family Women's Culture, the Mass Media and Soap OperaSoap Opera and Domestic Fiction; Soap Opera as Serial Form; Soap Opera and Women's Culture; Soap Opera and Melodrama; Cultural Forms and National Cultures; Soap Opera Realism: Soap Opera Melodrama; Soap Opera and Gender; Soap Opera and Men's Culture; Provisional Conclusions; Notes; 8. The Return of the Unrepressed: Male Desire, Gender, and Genre; Some Questions Provoked by a Textual Excursus; The Complicity of the Male Viewer; The Gender-Genre Nexus: Untangling the Viewer's Complicity from the Nexus; Trouble in Patriarchy's Paradise? The 1980s Prepare the Way for the UnrepressedWise Guy and Thirtysomething and Gender: Autodiscursive Textual Analysis; Notes; 9. On Commuting Between Television Fictionand Real Life; On Applying a Program to Real Life; A First Look at the Data; Ludic Transitions: Forms of Identification with Characters; Formal Transitions; Conclusions; Notes; References; Part IV: Video Transformations: Gaming, Pictorialization, Surveillance; 10. Performing Style: Industrial-Strength Semiotics and the Basic Televisual Apparatus; 1. New Modes/ New Codes:; 1.1. The ""Painterly""; 1.2. IPlasticity"" 1.3. ""Transparency"" |
| Record Nr. | UNINA-9910809926803321 |
| London ; ; New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Assault on the small screen : representations of sexual violence on prime-time television dramas / / Molly Ann Magestro
| Assault on the small screen : representations of sexual violence on prime-time television dramas / / Molly Ann Magestro |
| Autore | Magestro Molly Ann <1982-> |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2015] |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 791.4508996073 |
| Soggetto topico |
Television broadcasting - Social aspects - United States
Television series - United States Violence on television Sex on television |
| ISBN | 1-4422-5398-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""Acknowledgments""; ""Introduction""; ""1 “She Got Herself Raped and Killed�""; ""2 “Don�t Tell Her She�s Lucky�""; ""3 “She�s Evidence�""; ""4 “Does Anyone Think Rape Isn�t a Major Crime?�""; ""5 “As Damaged as Me�""; ""6 “These Are Their Stories�""; ""7 “Separate Yet Equally Important�""; ""8 “If It Forces You to Prosecute�""; ""Conclusion""; ""Episode Index""; ""Index""; ""About the Author"" |
| Record Nr. | UNINA-9910797377603321 |
Magestro Molly Ann <1982->
|
||
| Lanham : , : Rowman & Littlefield, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Assault on the small screen : representations of sexual violence on prime-time television dramas / / Molly Ann Magestro
| Assault on the small screen : representations of sexual violence on prime-time television dramas / / Molly Ann Magestro |
| Autore | Magestro Molly Ann <1982-> |
| Pubbl/distr/stampa | Lanham : , : Rowman & Littlefield, , [2015] |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 791.4508996073 |
| Soggetto topico |
Television broadcasting - Social aspects - United States
Television series - United States Violence on television Sex on television |
| ISBN | 1-4422-5398-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""Acknowledgments""; ""Introduction""; ""1 “She Got Herself Raped and Killed�""; ""2 “Don�t Tell Her She�s Lucky�""; ""3 “She�s Evidence�""; ""4 “Does Anyone Think Rape Isn�t a Major Crime?�""; ""5 “As Damaged as Me�""; ""6 “These Are Their Stories�""; ""7 “Separate Yet Equally Important�""; ""8 “If It Forces You to Prosecute�""; ""Conclusion""; ""Episode Index""; ""Index""; ""About the Author"" |
| Record Nr. | UNINA-9910820380903321 |
|
Magestro Molly Ann <1982->
|
||
| Lanham : , : Rowman & Littlefield, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Branded women in U.S. television : when people become corporations / / by Peter Bjelskou
| Branded women in U.S. television : when people become corporations / / by Peter Bjelskou |
| Autore | Bjelskou Peter |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2015] |
| Descrizione fisica | 1 online resource (143 p.) |
| Disciplina | 384.55/320820973 |
| Collana | Critical studies in television |
| Soggetto topico |
Product placement in mass media - Social aspects - United States
Reality television programs - United States - History and criticism Branding (Marketing) - United States Television advertising - United States Television broadcasting - Social aspects - United States Women on television |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4985-0738-7
0-7391-8794-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- From midcentury housewives to Martha Stewart: women and products as a staple in U.S. television -- Zeitgeist and camp at Bravo TV -- The entrepreneurial housewife: Jill Zarin and Alex McCord's branded versions of the domestic goddess -- The curious presence of the upper class in reality tv: Countess Luann De Lesseps and Sonja Tremont Morgan -- Embodying neoliberalism: Bethenny Frankel's Skinnygirl empire -- Conclusion. |
| Record Nr. | UNINA-9910463393403321 |
|
Bjelskou Peter
|
||
| Lanham : , : Lexington Books, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Branded women in U.S. television : when people become corporations / / by Peter Bjelskou
| Branded women in U.S. television : when people become corporations / / by Peter Bjelskou |
| Autore | Bjelskou Peter |
| Pubbl/distr/stampa | Lanham : , : Lexington Books, , [2015] |
| Descrizione fisica | 1 online resource (143 p.) |
| Disciplina | 384.55/320820973 |
| Collana | Critical studies in television |
| Soggetto topico |
Product placement in mass media - Social aspects - United States
Reality television programs - United States - History and criticism Branding (Marketing) - United States Television advertising - United States Television broadcasting - Social aspects - United States Women on television |
| ISBN |
1-4985-0738-7
0-7391-8794-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- From midcentury housewives to Martha Stewart: women and products as a staple in U.S. television -- Zeitgeist and camp at Bravo TV -- The entrepreneurial housewife: Jill Zarin and Alex McCord's branded versions of the domestic goddess -- The curious presence of the upper class in reality tv: Countess Luann De Lesseps and Sonja Tremont Morgan -- Embodying neoliberalism: Bethenny Frankel's Skinnygirl empire -- Conclusion. |
| Record Nr. | UNINA-9910788048903321 |
|
Bjelskou Peter
|
||
| Lanham : , : Lexington Books, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
