Horror, the film reader / / edited by Mark Jancovich |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina | 791.436164 |
Collana | In focus : Routledge film readers |
Soggetto topico | Horror films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-56375-2
0-203-20484-0 0-415-21355-X 0-203-13861-9 1-280-40846-4 9786610408467 0-203-24494-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part 1: Theorizing Horror -- 1. The American Nightmare: Horror in the 70s / Robin Wood -- 2. Why Horror? / Noel Carroll -- 3. Why Horror? The Peculiar Pleasures of a Popular Genre / Andrew Tudor -- Part 2: Gender, Sexuality and the Horror Film -- 4. When the Woman Looks / Linda Williams -- 5. Horror and the Monstrous-Feminine: An Imaginary Abjection / Barbara Creed -- 6. Her Body, Himself: Gender in the Slasher Film / Carol J. Clover -- 7. The Monster and the Homosexual / Harry M. Benshoff -- Part 3: Producing Horrors -- 8. Production and Reproduction: The Case of Frankenstein / Paul O'Flinn -- 9. The Problem of British Horror / Peter Hutchings -- 10. Sleaze Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture / Joan Hawkins -- Part 4: Consuming Fears -- 11. Horror for Sale: The Marketing and Reception of Classic Horror Cinema / Rhona Berenstein -- 12. Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs / Mark Jancovich -- 13. Learning to Scream / Linda Williams -- 14. Refusing to Refuse to Look: Female Viewers of the Horror Film / Brigid Cherry. |
Record Nr. | UNINA-9910451339603321 |
London ; ; New York : , : Routledge, , 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Horror, the film reader / / edited by Mark Jancovich |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina | 791.436164 |
Collana | In focus : Routledge film readers |
Soggetto topico | Horror films - History and criticism |
ISBN |
1-134-56374-4
1-134-56375-2 0-203-20484-0 0-415-21355-X 0-203-13861-9 1-280-40846-4 9786610408467 0-203-24494-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part 1: Theorizing Horror -- 1. The American Nightmare: Horror in the 70s / Robin Wood -- 2. Why Horror? / Noel Carroll -- 3. Why Horror? The Peculiar Pleasures of a Popular Genre / Andrew Tudor -- Part 2: Gender, Sexuality and the Horror Film -- 4. When the Woman Looks / Linda Williams -- 5. Horror and the Monstrous-Feminine: An Imaginary Abjection / Barbara Creed -- 6. Her Body, Himself: Gender in the Slasher Film / Carol J. Clover -- 7. The Monster and the Homosexual / Harry M. Benshoff -- Part 3: Producing Horrors -- 8. Production and Reproduction: The Case of Frankenstein / Paul O'Flinn -- 9. The Problem of British Horror / Peter Hutchings -- 10. Sleaze Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture / Joan Hawkins -- Part 4: Consuming Fears -- 11. Horror for Sale: The Marketing and Reception of Classic Horror Cinema / Rhona Berenstein -- 12. Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs / Mark Jancovich -- 13. Learning to Scream / Linda Williams -- 14. Refusing to Refuse to Look: Female Viewers of the Horror Film / Brigid Cherry. |
Record Nr. | UNINA-9910784740503321 |
London ; ; New York : , : Routledge, , 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Horror, the film reader / / edited by Mark Jancovich |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London, : Routledge, 2002 |
Descrizione fisica | 1 online resource (197 p.) |
Disciplina | 791.436164 |
Altri autori (Persone) | JancovichMark |
Collana | In focus : Routledge film readers |
Soggetto topico | Horror films - History and criticism |
ISBN |
1-134-56374-4
1-134-56375-2 0-203-20484-0 0-415-21355-X 0-203-13861-9 1-280-40846-4 9786610408467 0-203-24494-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part 1: Theorizing Horror -- 1. The American Nightmare: Horror in the 70s / Robin Wood -- 2. Why Horror? / Noel Carroll -- 3. Why Horror? The Peculiar Pleasures of a Popular Genre / Andrew Tudor -- Part 2: Gender, Sexuality and the Horror Film -- 4. When the Woman Looks / Linda Williams -- 5. Horror and the Monstrous-Feminine: An Imaginary Abjection / Barbara Creed -- 6. Her Body, Himself: Gender in the Slasher Film / Carol J. Clover -- 7. The Monster and the Homosexual / Harry M. Benshoff -- Part 3: Producing Horrors -- 8. Production and Reproduction: The Case of Frankenstein / Paul O'Flinn -- 9. The Problem of British Horror / Peter Hutchings -- 10. Sleaze Mania, Euro-trash, and High Art: The Place of European Art Films in American Low Culture / Joan Hawkins -- Part 4: Consuming Fears -- 11. Horror for Sale: The Marketing and Reception of Classic Horror Cinema / Rhona Berenstein -- 12. Genre and the Audience: Genre Classifications and Cultural Distinctions in the Mediation of The Silence of the Lambs / Mark Jancovich -- 13. Learning to Scream / Linda Williams -- 14. Refusing to Refuse to Look: Female Viewers of the Horror Film / Brigid Cherry. |
Record Nr. | UNINA-9910820552103321 |
London, : Routledge, 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Horrors of war : the undead on the battlefield / / edited by Cynthia J. Miller, A. Bowdoin Van Riper |
Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2015 |
Descrizione fisica | 1 online resource (337 p.) |
Disciplina | 791.43/6581 |
Soggetto topico |
War films - History and criticism
Horror films - History and criticism Supernatural in literature - History and criticism Horror tales - History and criticism War in literature |
ISBN |
1-4422-5111-5
1-4422-5112-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction; Part I. MONSTROUS ENEMIES; CHAPTER 1. "Blood-Thirsty Graybacks: "THE MONSTROUS OTHERING OF THE CONFEDERACY IN ABRAHAM LINCOLN, VAMPIRE HUNTER; CHAPTER 2. Cry "Havoc!" and Let Slip the Vampires of War; CHAPTER 3. Vampire Pilots and Industrialized War in The Bloody Red Baron; CHAPTER 4. Nazis on the Moon! Nazisunder the Polar Ice Cap!: AND OTHER RECENT EPISODES IN THE STRANGE CINEMATIC AFTERLIFE OF THE THIRD REICH; Part II. THE DEAD DON'T REST; CHAPTER 5. The Wages of War: SPECTRAL CHILDREN IN THE DEVIL'S BACKBONE
CHAPTER 6. Traversing the Afterlife Fantasy: THE HAUNTED SOLDIER IN JACOB'S LADDERCHAPTER 7. The Haunted Tank; CHAPTER 8. (Re)Remembering the Great War in Deathwatch; CHAPTER 9. The U.N.dead: COLD WAR GHOSTS IN CAROL FOR ANOTHER CHRISTMAS; Part III. MAKING MONSTERS; CHAPTER 10. Pall in the Family: DEATHDREAM, HOUSE, AND THE VIETNAM WAR; CHAPTER 11. Strategic Military Reconfiguration in Horror Fiction: THE CASE OF F. PAUL WILSON'S THE KEEP AND GRAHAM MASTERTON'S THE DEVILS OF D-DAY; CHAPTER 12. Horror under the Radar: MEMORY, REVELATION, AND THE GHOSTS OF BELOW CHAPTER 13. The Supernatural, Nazi Zombies, and the Play Instinct: THE GAMIFICATION OF WAR AND THE REALITY OF THE MILITARY INDUSTRIAL COMPLEXPart IV. LEGACIES AND MEMORIES; CHAPTER 14. "Strange Things Happen in a War-Torn Land": CAT DEMONS, SAMURAI, VICTIMS' VENGEANCE, AND THE SOCIAL COSTS OF WAR IN KANETO SHINDO'S KURONEKO (1968); CHAPTER 15. Public Memory and Supernatural Presence: THE MYSTERY AND MADNESS OF WEIRD WAR TALES; CHAPTER 16. War in The Twilight Zone: ROD SERLING'S HAUNTED VISIONS OF WORLD WAR II CHAPTER 17. Specters of Media: JACQUES TARDI'S GRAPHIC REANIMATION OF THE WAR OF THE TRENCHESCHAPTER 18. R-Point as Postcolonial Palimpsest: GENERIC COMPLEXITY AND THE GHOST IN THE WAR/HORROR FILM; Index; About the Editors and Contributors |
Record Nr. | UNINA-9910788284103321 |
Lanham, Maryland : , : Rowman & Littlefield, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Horrors of war : the undead on the battlefield / / edited by Cynthia J. Miller, A. Bowdoin Van Riper |
Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2015 |
Descrizione fisica | 1 online resource (337 p.) |
Disciplina | 791.43/6581 |
Soggetto topico |
War films - History and criticism
Horror films - History and criticism Supernatural in literature - History and criticism Horror tales - History and criticism War in literature |
ISBN |
1-4422-5111-5
1-4422-5112-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction; Part I. MONSTROUS ENEMIES; CHAPTER 1. "Blood-Thirsty Graybacks: "THE MONSTROUS OTHERING OF THE CONFEDERACY IN ABRAHAM LINCOLN, VAMPIRE HUNTER; CHAPTER 2. Cry "Havoc!" and Let Slip the Vampires of War; CHAPTER 3. Vampire Pilots and Industrialized War in The Bloody Red Baron; CHAPTER 4. Nazis on the Moon! Nazisunder the Polar Ice Cap!: AND OTHER RECENT EPISODES IN THE STRANGE CINEMATIC AFTERLIFE OF THE THIRD REICH; Part II. THE DEAD DON'T REST; CHAPTER 5. The Wages of War: SPECTRAL CHILDREN IN THE DEVIL'S BACKBONE
CHAPTER 6. Traversing the Afterlife Fantasy: THE HAUNTED SOLDIER IN JACOB'S LADDERCHAPTER 7. The Haunted Tank; CHAPTER 8. (Re)Remembering the Great War in Deathwatch; CHAPTER 9. The U.N.dead: COLD WAR GHOSTS IN CAROL FOR ANOTHER CHRISTMAS; Part III. MAKING MONSTERS; CHAPTER 10. Pall in the Family: DEATHDREAM, HOUSE, AND THE VIETNAM WAR; CHAPTER 11. Strategic Military Reconfiguration in Horror Fiction: THE CASE OF F. PAUL WILSON'S THE KEEP AND GRAHAM MASTERTON'S THE DEVILS OF D-DAY; CHAPTER 12. Horror under the Radar: MEMORY, REVELATION, AND THE GHOSTS OF BELOW CHAPTER 13. The Supernatural, Nazi Zombies, and the Play Instinct: THE GAMIFICATION OF WAR AND THE REALITY OF THE MILITARY INDUSTRIAL COMPLEXPart IV. LEGACIES AND MEMORIES; CHAPTER 14. "Strange Things Happen in a War-Torn Land": CAT DEMONS, SAMURAI, VICTIMS' VENGEANCE, AND THE SOCIAL COSTS OF WAR IN KANETO SHINDO'S KURONEKO (1968); CHAPTER 15. Public Memory and Supernatural Presence: THE MYSTERY AND MADNESS OF WEIRD WAR TALES; CHAPTER 16. War in The Twilight Zone: ROD SERLING'S HAUNTED VISIONS OF WORLD WAR II CHAPTER 17. Specters of Media: JACQUES TARDI'S GRAPHIC REANIMATION OF THE WAR OF THE TRENCHESCHAPTER 18. R-Point as Postcolonial Palimpsest: GENERIC COMPLEXITY AND THE GHOST IN THE WAR/HORROR FILM; Index; About the Editors and Contributors |
Record Nr. | UNINA-9910816149003321 |
Lanham, Maryland : , : Rowman & Littlefield, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Irish journal of gothic and horror studies |
Pubbl/distr/stampa | [Dublin], : [publisher not identified], 2006- |
Descrizione fisica | 1 online resource |
Soggetto topico |
Gothic revival (Literature) - History and criticism
Horror tales - History and criticism Horror films - History and criticism Gothic revival (Literature) Horror films Horror tales |
Soggetto genere / forma |
Criticism, interpretation, etc.
Periodicals. |
Soggetto non controllato | Literature - General |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910142985103321 |
[Dublin], : [publisher not identified], 2006- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Irish journal of gothic and horror studies |
Pubbl/distr/stampa | [Dublin], : [publisher not identified], 2006- |
Descrizione fisica | 1 online resource |
Soggetto topico |
Gothic revival (Literature) - History and criticism
Horror tales - History and criticism Horror films - History and criticism Gothic revival (Literature) Horror films Horror tales |
Soggetto genere / forma |
Criticism, interpretation, etc.
Periodicals. |
Soggetto non controllato | Literature - General |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996336614703316 |
[Dublin], : [publisher not identified], 2006- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto genere / forma | Electronic books. |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910452732403321 |
Benson-Allott Caetlin Anne | ||
Berkeley, CA, : University of California Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910779540003321 |
Benson-Allott Caetlin Anne | ||
Berkeley, CA, : University of California Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Killer tapes and shattered screens : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910826753503321 |
Benson-Allott Caetlin Anne | ||
Berkeley, CA, : University of California Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|