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The politics and poetics of black film : Nothing but a man / / edited by David C. Wall and Michael T. Martin
| The politics and poetics of black film : Nothing but a man / / edited by David C. Wall and Michael T. Martin |
| Pubbl/distr/stampa | Bloomington, Indiana ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43/72 |
| Collana | Studies in the Cinema of the Black Diaspora |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures |
| ISBN | 0-253-01850-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Nothing but a man and the question of black film / David C. Wall and Michael T. Martin -- Filmmakers' statements / Michael Roemer, Robert Young -- Essays. Demanding dignity: Nothing but a man / Bruce Dick and Mark Vogel -- Nothing but a man / Thomas Cripps -- The derailed romance in Nothing but a man / Karen Bowdre -- Can't stay, can't go: what is history to a cinematic imagination? / Terri Francis -- Rights, labor, and sexual politics on screen in Nothing but a man / Judith E. Smith -- Interviews. Historicity and possibility in Nothing but a man: a conversation with Khalil Muhammad / Michael T. Martin and David C. Wall -- Cinematic principles and practice at work in Nothing but a man: a conversation with Robert Young / Michael T. Martin and David C. Wall. |
| Record Nr. | UNINA-9910821684903321 |
| Bloomington, Indiana ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV
| Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV |
| Autore | Grant W. R. <1967, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (107 p.) |
| Disciplina | 791.43/652996073 |
| Collana | Studies in African American history and culture |
| Soggetto topico | African Americans in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-93704-4
1-280-17120-0 0-203-64191-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; STUDIES IN AFRICAN AMERICAN HISTORY AND CULTURE; Title Page; Copyright Page; Table of Contents; FOREWORD; PREFACE; ACKNOWLEDGMENTS; INTRODUCTION; Rebirth; The Stereotype; Literature Review; Chapter Descriptions; RACE AND REPRESENTATION IN THE CLASSICAL STYLE; The Classical Hollywood Cinema; Early Images of Blacks in American Cinema; THE POLITICAL ECONOMY OF BLAXPLOITATION; We Shall Overcome; A Star Is Dying: Sidney Poitier and the Death of Uncle Tom; The Big Break and a Hero Named Sweetback; The Great Flood; Cashing In and Selling Out; I See Death around the Corner
DO THE RIGHT THING REVISITEDThe Check Is in the Mail; Pre-Production, Film Trade Unions, and Doing the Right Thing; Do the Right Thing Meets the Press; CHECK THE GATE: BLACK CINEMA AT THE CROSSROADS; Does We Still Have to Shuffle?; Re-Thinking a Black Film Aesthetic; APPENDIX A; Text of a Letter Sent to the Motion Picture Association of America and Announced at a Press Conference in Los Angeles, March 22, 1971; APPENDIX B; Brief Plot Summary of Sweet Sweetback's Baadasssss Song; APPENDIX C; Brief Plot Summary of Do The Right Thing; NOTES; BIBLIOGRAPHY; INDEX OF FILM TITLES; SUBJECT INDEX |
| Record Nr. | UNINA-9910450986203321 |
Grant W. R. <1967, >
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| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV
| Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV |
| Autore | Grant W. R. <1967, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (107 p.) |
| Disciplina | 791.43/652996073 |
| Collana | Studies in African American history and culture |
| Soggetto topico | African Americans in motion pictures |
| ISBN |
1-135-93703-6
1-135-93704-4 1-280-17120-0 0-203-64191-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; STUDIES IN AFRICAN AMERICAN HISTORY AND CULTURE; Title Page; Copyright Page; Table of Contents; FOREWORD; PREFACE; ACKNOWLEDGMENTS; INTRODUCTION; Rebirth; The Stereotype; Literature Review; Chapter Descriptions; RACE AND REPRESENTATION IN THE CLASSICAL STYLE; The Classical Hollywood Cinema; Early Images of Blacks in American Cinema; THE POLITICAL ECONOMY OF BLAXPLOITATION; We Shall Overcome; A Star Is Dying: Sidney Poitier and the Death of Uncle Tom; The Big Break and a Hero Named Sweetback; The Great Flood; Cashing In and Selling Out; I See Death around the Corner
DO THE RIGHT THING REVISITEDThe Check Is in the Mail; Pre-Production, Film Trade Unions, and Doing the Right Thing; Do the Right Thing Meets the Press; CHECK THE GATE: BLACK CINEMA AT THE CROSSROADS; Does We Still Have to Shuffle?; Re-Thinking a Black Film Aesthetic; APPENDIX A; Text of a Letter Sent to the Motion Picture Association of America and Announced at a Press Conference in Los Angeles, March 22, 1971; APPENDIX B; Brief Plot Summary of Sweet Sweetback's Baadasssss Song; APPENDIX C; Brief Plot Summary of Do The Right Thing; NOTES; BIBLIOGRAPHY; INDEX OF FILM TITLES; SUBJECT INDEX |
| Record Nr. | UNINA-9910783842203321 |
|
Grant W. R. <1967, >
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| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV
| Post-soul black cinema : discontinuities, innovations, and breakpoints, 1970-1995 / / William R. Grant, IV |
| Autore | Grant W. R. <1967, > |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (107 p.) |
| Disciplina | 791.43/652996073 |
| Collana | Studies in African American history and culture |
| Soggetto topico | African Americans in motion pictures |
| ISBN |
1-135-93703-6
1-135-93704-4 1-280-17120-0 0-203-64191-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; STUDIES IN AFRICAN AMERICAN HISTORY AND CULTURE; Title Page; Copyright Page; Table of Contents; FOREWORD; PREFACE; ACKNOWLEDGMENTS; INTRODUCTION; Rebirth; The Stereotype; Literature Review; Chapter Descriptions; RACE AND REPRESENTATION IN THE CLASSICAL STYLE; The Classical Hollywood Cinema; Early Images of Blacks in American Cinema; THE POLITICAL ECONOMY OF BLAXPLOITATION; We Shall Overcome; A Star Is Dying: Sidney Poitier and the Death of Uncle Tom; The Big Break and a Hero Named Sweetback; The Great Flood; Cashing In and Selling Out; I See Death around the Corner
DO THE RIGHT THING REVISITEDThe Check Is in the Mail; Pre-Production, Film Trade Unions, and Doing the Right Thing; Do the Right Thing Meets the Press; CHECK THE GATE: BLACK CINEMA AT THE CROSSROADS; Does We Still Have to Shuffle?; Re-Thinking a Black Film Aesthetic; APPENDIX A; Text of a Letter Sent to the Motion Picture Association of America and Announced at a Press Conference in Los Angeles, March 22, 1971; APPENDIX B; Brief Plot Summary of Sweet Sweetback's Baadasssss Song; APPENDIX C; Brief Plot Summary of Do The Right Thing; NOTES; BIBLIOGRAPHY; INDEX OF FILM TITLES; SUBJECT INDEX |
| Record Nr. | UNINA-9910814162303321 |
|
Grant W. R. <1967, >
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| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue
| Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 302.23089/96073 |
| Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-62674-028-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910461371903321 |
| Jackson : , : University Press of Mississippi, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue
| Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 302.23089/96073 |
| Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
| ISBN | 1-62674-028-3 |
| Classificazione | SOC001000SOC022000LIT004040 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910797652103321 |
| Jackson : , : University Press of Mississippi, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue
| Post-soul satire : black identity after Civil Rights / / edited by Derek C. Maus and James J. Donahue |
| Pubbl/distr/stampa | Jackson : , : University Press of Mississippi, , [2014] |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 302.23089/96073 |
| Soggetto topico |
African Americans in mass media
African Americans - Race identity Satire, American - History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans - Intellectual life |
| ISBN | 1-62674-028-3 |
| Classificazione | SOC001000SOC022000LIT004040 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; "Mommy, What's a Post-Soul Satirist?": An Introduction; Post-Black Art and the Resurrection of African American Satire; Blackness We Can Believe In: Authentic Blackness and the Evolution of Aaron McGruder's The Boondocks; The Lower Frequencies: Hip-Hop Satire in the New Millennium; Knock, Knock the Hustle: Resisting Commercialism in the African American Family Film; Dirty Pretty Things: The Racial Grotesque and Contemporary Art; Percival Everett's Erasure: That Drat Aporia When Black Satire Meets "The Pleasure of the Text"
Who's Afraid of Post-Soul Satire?: Touré's "Black Widow" Trilogy in The Portable Promised LandTouré, Ecstatic Consumption, and Soul City: Satire and the Problem of Monoculture; "I Felt Like I Was Part of the Troop": Satire, Feminist Narratology, and Community; Pilgrims in an Unholy Land: Satire and the Challenge of African American Leadership in The Boondocks and The White Boy Shuffle; Dissimulating Blackness: The Degenerative Satires of Paul Beatty and Percival Everett; "It's a Black Thang Maybe": Satirical Blackness in Percival Everett's Erasure and Adam Mansbach's Angry Black White Boy Coal, Charcoal, and Chocolate Comedy: The Satire of John Killens and Mat JohnsonHow a Mama on the Couch Evolves into a Black Man with Watermelon: George C. Wolfe, Suzan-Lori Parks, and the Theatre of "Colored Contradictions"; "Slaves? With Lines?": Trickster Aesthetic and Satirical Strategies in Two Plays by Lynn Nottage; Satirizing Satire: Symbolic Violence and Subversion in Spike Lee's Bamboozled; Charlie Murphy: American Storyteller; Embodied and Disembodied Black Satire: From Chappelle and Crockett to Key & Peele Television Satire in the Black Americas: Transnational Border Crossings in Chappelle's Show and The Ity and Fancy Cat ShowAfterword: From Pilloried to Post-Soul: The Future of African American Satire; Composite Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y |
| Record Nr. | UNINA-9910822418603321 |
| Jackson : , : University Press of Mississippi, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance
| Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance |
| Autore | Catanese Brandi Wilkins |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2014 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.08996073 |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
African Americans -- Race identity
African Americans in motion pictures African Americans in the performing arts Colorblind casting (Performing arts) Motion pictures -- Social aspects -- United States Performing arts -- Social aspects -- United States United States -- Race relations African Americans in the performing arts - Race identity - United States African Americans in motion pictures - Social aspects - United States African Americans - Social aspects Performing arts Motion pictures Languages & Literatures Literature - General |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-73314-5
0-472-02792-1 |
| Classificazione | 791.08996 CAT |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""1/ Bad Manners: Talking about Race""; ""2/ The End of Race or the End of Blackness? August Wilson, Robert Brustein, and Color-Blind Casting""; ""3/ The Limits of Color Blindness: Interracial Sexuality, Denzel Washington, and Hollywood Film""; ""4/ Transgressing Tradition: Suzan-Lori Parks and Black Performance (as) Theory""; ""5/ Are We There Yet? Race, Redemption, and Black. White. ""; ""Notes""; ""Bibliography""; ""Index"" |
| Record Nr. | UNINA-9910461929503321 |
|
Catanese Brandi Wilkins
|
||
| Ann Arbor, : University of Michigan Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance
| Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance |
| Autore | Catanese Brandi Wilkins |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2014 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.08996073 |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
African Americans -- Race identity
African Americans in motion pictures African Americans in the performing arts Colorblind casting (Performing arts) Motion pictures -- Social aspects -- United States Performing arts -- Social aspects -- United States United States -- Race relations African Americans in the performing arts - Race identity - United States African Americans in motion pictures - Social aspects - United States African Americans - Social aspects Performing arts Motion pictures Languages & Literatures Literature - General |
| ISBN |
1-283-73314-5
0-472-02792-1 |
| Classificazione | 791.08996 CAT |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""1/ Bad Manners: Talking about Race""; ""2/ The End of Race or the End of Blackness? August Wilson, Robert Brustein, and Color-Blind Casting""; ""3/ The Limits of Color Blindness: Interracial Sexuality, Denzel Washington, and Hollywood Film""; ""4/ Transgressing Tradition: Suzan-Lori Parks and Black Performance (as) Theory""; ""5/ Are We There Yet? Race, Redemption, and Black. White. ""; ""Notes""; ""Bibliography""; ""Index"" |
| Record Nr. | UNINA-9910786360603321 |
|
Catanese Brandi Wilkins
|
||
| Ann Arbor, : University of Michigan Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance
| Problem of the Color blind [[electronic resource] ] : Racial Transgression and the Politics of Black Performance |
| Autore | Catanese Brandi Wilkins |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2014 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 791.08996073 |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
African Americans -- Race identity
African Americans in motion pictures African Americans in the performing arts Colorblind casting (Performing arts) Motion pictures -- Social aspects -- United States Performing arts -- Social aspects -- United States United States -- Race relations African Americans in the performing arts - Race identity - United States African Americans in motion pictures - Social aspects - United States African Americans - Social aspects Performing arts Motion pictures Languages & Literatures Literature - General |
| ISBN |
1-283-73314-5
0-472-02792-1 |
| Classificazione | 791.08996 CAT |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Contents""; ""1/ Bad Manners: Talking about Race""; ""2/ The End of Race or the End of Blackness? August Wilson, Robert Brustein, and Color-Blind Casting""; ""3/ The Limits of Color Blindness: Interracial Sexuality, Denzel Washington, and Hollywood Film""; ""4/ Transgressing Tradition: Suzan-Lori Parks and Black Performance (as) Theory""; ""5/ Are We There Yet? Race, Redemption, and Black. White. ""; ""Notes""; ""Bibliography""; ""Index"" |
| Record Nr. | UNINA-9910827711703321 |
|
Catanese Brandi Wilkins
|
||
| Ann Arbor, : University of Michigan Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
