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Art and representation [[electronic resource] ] : contributions to contemporary aesthetics / / edited by Ananta Ch. Sukla
| Art and representation [[electronic resource] ] : contributions to contemporary aesthetics / / edited by Ananta Ch. Sukla |
| Pubbl/distr/stampa | Westport, Conn., : Praeger, 2001 |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 111/.85 |
| Altri autori (Persone) | SuklaAnanta Charana <1942-> |
| Soggetto topico |
Aesthetics, Modern
Art - Philosophy Representation (Philosophy) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
978031300062X
0-313-00062-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454912603321 |
| Westport, Conn., : Praeger, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and representation : contributions to contemporary aesthetics / / editor, Ananta Charana Sukla
| Art and representation : contributions to contemporary aesthetics / / editor, Ananta Charana Sukla |
| Pubbl/distr/stampa | Westport, Conn. : , : Praeger, , 2001 |
| Descrizione fisica | 1 online resource (x, 282 pages) |
| Disciplina | 111/.85 |
| Altri autori (Persone) | SuklaAnanta Charana <1942-2020.> |
| Soggetto topico |
Aesthetics, Modern
Art - Philosophy Representation (Philosophy) |
| ISBN |
978031300062X
0-313-00062-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779851003321 |
| Westport, Conn. : , : Praeger, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and representation : contributions to contemporary aesthetics / / editor, Ananta Charana Sukla
| Art and representation : contributions to contemporary aesthetics / / editor, Ananta Charana Sukla |
| Pubbl/distr/stampa | Westport, Conn. : , : Praeger, , 2001 |
| Descrizione fisica | 1 online resource (x, 282 pages) |
| Disciplina | 111/.85 |
| Altri autori (Persone) | SuklaAnanta Charana <1942-2020.> |
| Soggetto topico |
Aesthetics, Modern
Art - Philosophy Representation (Philosophy) |
| ISBN |
978031300062X
0-313-00062-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910812907303321 |
| Westport, Conn. : , : Praeger, , 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-54951-4
9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910465834803321 |
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910791933103321 |
|
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox
| The art of nonfiction movie making [[electronic resource] /] / Jeffrey Friedman, Robert Epstein, and Sharon Wood ; foreword by Michael Fox |
| Autore | Friedman Jeffrey <1951-> |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2012 |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
EpsteinRobert P. <1955->
WoodSharon <1952-> |
| Soggetto topico |
Documentary films - Production and direction
Motion picture industry |
| ISBN |
979-82-16-04965-4
1-283-54951-4 9786613861962 0-313-08453-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Development; 1. The Idea; Where Do Documentary Ideas Come From?; What Makes a Good Idea for a Documentary?; Is the Idea Fundable?; What Are Funders Looking For?; Is It a Worthy Subject?; Is the Subject Important?; Has It Been Done Before?; Is It a Good Story?; Are There Strong, Interesting Characters?; Is There Conflict?; How Good Is Your Access?; Are There Strong Visual Elements to Tell the Story?; Case Study: The Times of Harvey Milk; Conclusion; 2. Research and Evaluate Your Subject
Read Everything, Talk to Everyone (within Reason)Rights and Licenses; Case Studies; Researching a Historical Film: Paragraph 175; Researching an Archival Film: The Celluloid Closet; Researching Storytellers; Archival Research; Researching an Observational Film: Crime & Punishment; Researching an Essay Film: Where Are We?; Using Research to Determine the Form: Common Threads; Conclusion; 3. Make Your Case: From Story to Proposal; Define the Story; Find the Story Arc; Write Your Film; Define the Storytelling Elements; Storytelling Tools; ""Objective"" Elements; ""Subjective"" Elements ""Directorial"" ElementsNarration; On-Screen Text; Reenactments; Music; The Proposal; Case Study: Paragraph 175; Case Study: Where Are We?; Outreach/Distribution Plan; Conclusion; 4. The Treatment; Case Study: Common Threads; Case Study: The Celluloid Closet; Case Study: Paragraph 175; Case Study: Taking HOWL from Documentary Treatment to Nonfiction Feature Screenplay; Conclusion; 5. Development Materials: The Budget and Sample Reel; Production Schedule; Case Study: Filming Common Threads; Budget; Budget Notes; Create a Sample Reel; Work with What You Have, Play to Your Strengths Case Study: The Sample Reel as a Creative Tool for The Celluloid ClosetConclusion; Part Two: Preproduction; 6. Financing; Development Funding versus Production Funding; Foundations; Broadcast Partners; Sales; Presales; Coproductions; International Opportunities; Pitch Markets; Individual Donors; Targeted Fundraising Campaigns; Fundraising Events; Cocktail Parties; Individual Supporters; Individual Contributions; Investors; Conclusion; 7. Casting the Nonfiction Film; Casting Criteria; How Do They Fit In?; Can They Tell a Good Story?; Casting Historians and Other Experts; Screen Presence PreinterviewsCase Studies; Casting an Interview-Driven Documentary: Common Threads; Casting a Vérité Documentary: Crime & Punishment; Pitfalls and Obstacles; Reluctant Storytellers: Paragraph 175; Celebrity Storytellers: The Celluloid Closet; Casting Actors for a Nonfiction Movie: HOWL; Casting Tools; Conclusion; 8. Legal Headaches: Releases, Rights, and Licenses; Personal Releases; Story Rights; Book and Magazine Rights; Music Rights; Footage and Photo Rights; Fair Use; Errors and Omissions Insurance; Case Study: Licensing Clips for The Celluloid Closet; Conclusion; Part Three: Production 9. Assemble a Team |
| Record Nr. | UNINA-9910819076403321 |
|
Friedman Jeffrey <1951->
|
||
| Santa Barbara, Calif., : Praeger, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Artifacts from American fashion / / Heather Vaughan Lee, editor
| Artifacts from American fashion / / Heather Vaughan Lee, editor |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Westport, CT : , : Praeger, , 2009 |
| Descrizione fisica | 1 online resource (xxvi, 378 pages) : illustrations |
| Disciplina | 391.00973 |
| Collana | Daily Life through Artifacts |
| Soggetto topico |
History
History of the Americas |
| ISBN |
979-84-00-61477-4
979-82-16-04974-6 1-4408-6458-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chronological Guide to Entries Preface Acknowledgments Introduction How to Evaluate Artifacts Chronology of Events Politics, World Events, and War Cocktail Dress Eisenhower Jacket Gulf War Uniform Peasant Blouse Pillbox Hat Platform Shoes Red Cross Uniform Two-Piece Swimsuit Woman's Tailored Suit WWI Combat Helmet Transportation and Technology Airplane Flight Suit Duster Motorcycle Jacket Spacesuit Zipper Home and Work Life Arrow Collar Cowboy Hat Fedora Hat and Gray Flannel Suit Feed Sack Dress Shirtwaist Dress Woman's Power Suit Wrap Dress Art and Entertainment Art Nouveau Dress Bias Cut Dress Empire Waist Dress Flapper Dress Paper Dress Shirley Temple Dress T-Shirt Tuxedo Woman's Sweater Health, Sport, and Leisure Baseball Cap Bra Canvas Basketball Shoes Corset Leotard Alternative Cultures, Youth, Ethnic, Queer, and Counterculture Bell-Bottom Pants Black Panther Uniform Denim Jeans Flannel Shirt Punk Boots Red Ribbon Saddle Shoes Zoot Suit Selected Bibliography About the Editor and Contributors Index |
| Record Nr. | UNINA-9910793828103321 |
| Westport, CT : , : Praeger, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Artifacts from American fashion / / Heather Vaughan Lee, editor
| Artifacts from American fashion / / Heather Vaughan Lee, editor |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Westport, CT : , : Praeger, , 2009 |
| Descrizione fisica | 1 online resource (xxvi, 378 pages) : illustrations |
| Disciplina | 391.00973 |
| Collana | Daily Life through Artifacts |
| Soggetto topico |
History
History of the Americas |
| ISBN |
979-84-00-61477-4
979-82-16-04974-6 1-4408-6458-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chronological Guide to Entries Preface Acknowledgments Introduction How to Evaluate Artifacts Chronology of Events Politics, World Events, and War Cocktail Dress Eisenhower Jacket Gulf War Uniform Peasant Blouse Pillbox Hat Platform Shoes Red Cross Uniform Two-Piece Swimsuit Woman's Tailored Suit WWI Combat Helmet Transportation and Technology Airplane Flight Suit Duster Motorcycle Jacket Spacesuit Zipper Home and Work Life Arrow Collar Cowboy Hat Fedora Hat and Gray Flannel Suit Feed Sack Dress Shirtwaist Dress Woman's Power Suit Wrap Dress Art and Entertainment Art Nouveau Dress Bias Cut Dress Empire Waist Dress Flapper Dress Paper Dress Shirley Temple Dress T-Shirt Tuxedo Woman's Sweater Health, Sport, and Leisure Baseball Cap Bra Canvas Basketball Shoes Corset Leotard Alternative Cultures, Youth, Ethnic, Queer, and Counterculture Bell-Bottom Pants Black Panther Uniform Denim Jeans Flannel Shirt Punk Boots Red Ribbon Saddle Shoes Zoot Suit Selected Bibliography About the Editor and Contributors Index |
| Record Nr. | UNINA-9910807954203321 |
| Westport, CT : , : Praeger, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Asia's rise in the 21st century [[electronic resource] /] / Scott B. MacDonald and Jonathan Lemco
| Asia's rise in the 21st century [[electronic resource] /] / Scott B. MacDonald and Jonathan Lemco |
| Autore | MacDonald Scott B |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2011 |
| Descrizione fisica | 1 online resource (212 p.) |
| Disciplina | 330.95 |
| Altri autori (Persone) | LemcoJonathan |
| Soggetto topico |
Economic development - Asia - 21st century
Economic development - China - 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-30350-7
9786613303509 0-313-39371-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Chapter 1. Introduction; Chapter 2. The Great Divergence; Chapter 3. The Rise of China; Chapter 4. Constructing the New Asian Economy; Chapter 5. The Supporting Cast: BRICs and Beyond; Chapter 6. The Major Economic Challenges; Chapter 7. Political Challenges in Asia; Chapter 8. The West and the Rise of Asia; Chapter 9. Conclusion; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910461412103321 |
|
MacDonald Scott B
|
||
| Santa Barbara, Calif., : Praeger, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Asia's rise in the 21st century [[electronic resource] /] / Scott B. MacDonald and Jonathan Lemco
| Asia's rise in the 21st century [[electronic resource] /] / Scott B. MacDonald and Jonathan Lemco |
| Autore | MacDonald Scott B |
| Pubbl/distr/stampa | Santa Barbara, Calif., : Praeger, 2011 |
| Descrizione fisica | 1 online resource (212 p.) |
| Disciplina | 330.95 |
| Altri autori (Persone) | LemcoJonathan |
| Soggetto topico |
Economic development - Asia - 21st century
Economic development - China - 21st century |
| ISBN |
1-283-30350-7
9786613303509 0-313-39371-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Chapter 1. Introduction; Chapter 2. The Great Divergence; Chapter 3. The Rise of China; Chapter 4. Constructing the New Asian Economy; Chapter 5. The Supporting Cast: BRICs and Beyond; Chapter 6. The Major Economic Challenges; Chapter 7. Political Challenges in Asia; Chapter 8. The West and the Rise of Asia; Chapter 9. Conclusion; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910789714203321 |
|
MacDonald Scott B
|
||
| Santa Barbara, Calif., : Praeger, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
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