Art and pluralism [[electronic resource] ] : Lawrence Alloway's cultural criticism / / Nigel Whiteley |
Autore | Whiteley Nigel |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2012 |
Descrizione fisica | 1 online resource (xiv, 510 pages) : digital, PDF file(s) |
Disciplina | 709.2 |
Collana | Value, art, politics |
Soggetto topico |
Art critics
Art - Philosophy Art, Modern - 20th century Pluralism |
ISBN |
1-78138-614-5
1-78138-907-1 1-84631-670-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction
12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departure Section C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism 20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 1975 9. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism 5. Alloway's reputation |
Record Nr. | UNINA-9910785520403321 |
Whiteley Nigel | ||
Liverpool : , : Liverpool University Press, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Art and pluralism : Lawrence Alloway's cultural criticism / / Nigel Whiteley |
Autore | Whiteley Nigel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2012 |
Descrizione fisica | 1 online resource (xiv, 510 pages) : digital, PDF file(s) |
Disciplina | 709.2 |
Collana | Value art politics |
Soggetto topico |
Art, Modern - 20th century
Pluralism |
ISBN |
1-78138-614-5
1-78138-907-1 1-84631-670-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Dedication; Contents; Acknowledgements; Section A: Introduction; 1. Alloway and pluralism; 2. Background; 3. The British art scene; 4. Early career; Section B: Continuum, 1952-1961; 1. Art criticism, 1951-1952; 2. The ICA in the early 1950s; 3. The Independent Group: aesthetic problems; 4. The Independent Group: popular culture; 5. Art criticism, 1953-; 6. Alloway and abstraction; 7. Alloway and figurative art; 8. This Is Tomorrow, 1956; 9. Information Theory; 10. Group 12 and Information Theory; 11. Science fiction
12. The cultural continuum model13. Writings about the movies; 14. Graphics and advertising; 15. Design; 16. Architecture and the city; 17. Channel flows; 18. Art autre; 19. The human image; 20. Modern Art in the United States, 1956; 21. Action Painting; 22. First trip to the USA; 23. The New American Painting,; 24. Alloway and Greenberg; 25. Cold wars; 26. British art and the USA: The Middle Generation; 27. A younger generation and the avant-garde; 28. Hard Edge; 29. Place and the avant-garde,; 30. Situation and its legacy; 31. The emergence of Pop art; 32. Alloway's departure Section C: Abundance, 1961-19711. Arrival in the USA and "Clemsville"; 2. Junk art; 3. American Pop; 4. Curator at the Guggenheim; 5. Six Painters and the Object and Six More,; 6. Other writings on Pop; 7. Art as human evidence; 8. Alexander Liberman and Paul Feeley; 9. Systemic Painting,; 10. Abstraction and iconography; 11. The communications network; 12. Departure from the Guggenheim; 13. Exile in Carbondale; 14. Arts Magazine; 15. The Venice Biennale; 16. Return to New York: SVA, SUNY, and The Nation; 17. Options; 18. Expanding and disappearing works of art; 19. Alloway's Nation criticism 20. Newness and the avant-garde21. Post-Minimal radicalism; 22. Historical revisions: Abstract Expressionism and Picasso; 23. Mass communications; 24. Film criticism; 25. Violent America; 26. Pluralism as a "unifying theory"; Section D: Alternatives, 1971-1988; 1. Disorientation and dissent in the art world; 2. Alloway and the politicization of art, 1968-1970; 3. Changing values, 1971-1972; 4. Artforum and the art world as a system; 5. 1973 and a new pluralism; 6. The uses and limits of art criticism; 7. Criticism and women's art, 1972-1974; 8. Women's art and criticism, 1975 9. The realist "renewal"10. Photo-Realism; 11. The realist "revival"; 12. Realist revisionism; 13. The decline of the avant-garde; 14. "Legitimate variables"; 15. Earth art; 16. Public art; 17. In praise of plenty; 18. Crises in the art world: criticism; 19. Crises in the art world: feminism; 20. Crises in the art world: curatorship; 21. The co-ops and "alternative" spaces; 22. Turn of the decade decline; 23. Mainstream...; 24. ... and "alternative"; 25. The last years; 26. The complex present; Section E: Summary and Conclusion; 1. Pluralism; 2. "Post-Modernism"; 3. Art history; 4. Art criticism 5. Alloway's reputation |
Record Nr. | UNINA-9910821395703321 |
Whiteley Nigel | ||
Liverpool, : Liverpool University Press, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Articulating bodies : the narrative form of disability and illness in Victorian fiction / / Kylee-Anne Hingston [[electronic resource]] |
Autore | Hingston Kylee-Anne |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2019 |
Descrizione fisica | 1 online resource (x, 221 pages) : digital, PDF file(s) |
Disciplina | 823/.8093561 |
Collana | Representations: health, disability, culture and society |
Soggetto topico |
English fiction - 19th century - History and criticism
Disabilities in literature |
Soggetto genere / forma | Criticism, interpretation, etc. |
ISBN |
1-78962-949-7
1-78962-495-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910552750103321 |
Hingston Kylee-Anne | ||
Liverpool : , : Liverpool University Press, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Articulating Bodies |
Pubbl/distr/stampa | Liverpool University Press |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Articulating Bodies |
Record Nr. | UNINA-9910545193503321 |
Liverpool University Press | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Assia Djebar [[electronic resource] ] : Out of Algeria |
Autore | Hiddleston Jane |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2019 |
Descrizione fisica | 1 online resource (221 p.) |
Disciplina | 843.914 |
Collana | Contemporary French and Francophone Cultures, 6 |
Soggetto topico |
Languages & Literatures
Romance Literatures French Literature Middle Eastern Languages & Literatures |
Soggetto genere / forma | Electronic books. |
ISBN |
1-4298-2701-7
1-78694-534-7 1-84631-260-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Early Years; 2 War, Memory and Postcoloniality; 3 Feminism and Women's Identity; 4 Violence, Mourning and Singular Testimony; 5 Haunted Algeria; Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910454145303321 |
Hiddleston Jane | ||
Liverpool : , : Liverpool University Press, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Assia Djebar : out of Algeria / / by Jane Hiddleston [[electronic resource]] |
Autore | Hiddleston Jane |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2011 |
Descrizione fisica | 1 online resource (215 pages) : digital, PDF file(s) |
Disciplina | 843.914 |
Collana | Contemporary French and francophone cultures |
Soggetto topico | Algerians in literature |
ISBN |
1-4298-2701-7
1-78694-534-7 1-84631-260-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Early Years; 2 War, Memory and Postcoloniality; 3 Feminism and Women's Identity; 4 Violence, Mourning and Singular Testimony; 5 Haunted Algeria; Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910782562803321 |
Hiddleston Jane | ||
Liverpool : , : Liverpool University Press, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Assia Djebar : out of Algeria / / Jane Hiddleston |
Autore | Hiddleston Jane |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Liverpool, : Liverpool University Press, 2006 |
Descrizione fisica | 1 online resource (215 pages) : digital, PDF file(s) |
Disciplina | 843.914 |
Collana | Contemporary French and francophone cultures |
Soggetto topico |
Algerian literature (French) - Women authors - History and criticism
Algerians in literature |
ISBN |
1-4298-2701-7
1-78694-534-7 1-84631-260-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Half-Title; Title; Copyright; Contents; Acknowledgements; Introduction; 1 The Early Years; 2 War, Memory and Postcoloniality; 3 Feminism and Women's Identity; 4 Violence, Mourning and Singular Testimony; 5 Haunted Algeria; Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910809111903321 |
Hiddleston Jane | ||
Liverpool, : Liverpool University Press, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
At the limits of memory : legacies of slavery in the Francophone world / / edited by Nicola Frith and Kate Hodgson |
Pubbl/distr/stampa | Liverpool, [England] : , : Liverpool University Press, , 2015 |
Descrizione fisica | 1 online resource : illustrations (black and white) |
Disciplina | 306.3/62/0917541 |
Collana | Francophone Postcolonial Studies |
Soggetto topico |
Slavery - History
Slavery - Africa - History Slavery - Caribbean Area - History |
Soggetto genere / forma | Electronic books. |
ISBN |
1-78138-224-7
1-78138-758-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Slavery and its legacies : remembering labour exploitation in the Francophone world / Nicola Frith and Kate Hodgson -- The limits of memorialization : commemoration, musealization and patrimony. Representing the slave past : the limits of museographical and patrimonial discourses / Christine Chivallon ; Telling stories of slavery : cultural re-appropriations of slave memory in the French Caribbean today / Catherine Reinhardt ; The art of reconciliation : the memorial to the abolition of slavery in Nantes / Nicola Frith ; Shaping representations of the past in a former slave-trade port : Slavery Remembrance Day (10 May) in Nantes / Renaud Hourcade ; Haiti and the memorial discourses of slavery after 1804 / Kate Hodgson -- Beyond the abolitionist moment : memories and counter-memories of labour exploitation. Cette île n'est pas une île : locating Gorée / Charles Forsdick ; Multiple memories : slavery and indenture in Mauritian literature in French / Srilata Ravi ; Speaking of slavery : representations of domestic slavery in the oral epics of Francophone west Africa / Sotonye Omuku ; From forgetting to remembrance : slavery and forced labour in Tunisia / Inès Mrad Dali ; Imaging the present : an iconography of slavery in contemporary African art / Claire Griffiths ; Cartographies of memory, politics of emancipation / Françoise Vergès. |
Record Nr. | UNINA-9910159432403321 |
Liverpool, [England] : , : Liverpool University Press, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
At the limits of memory : legacies of slavery in the Francophone world / / edited by Nicola Frith and Kate Hodgson [[electronic resource]] |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2015 |
Descrizione fisica | 1 online resource (viii, 259 pages) : digital, PDF file(s) |
Disciplina | 306.3/62/0917541 |
Collana | Francophone postcolonial studies. The annual publication of the Society for Francophone Postcolonial Studies |
Soggetto topico |
Slavery - History
Slavery - Africa - History Slavery - Caribbean Area - History |
ISBN |
1-78138-224-7
1-78138-758-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Slavery and its legacies : remembering labour exploitation in the Francophone world / Nicola Frith and Kate Hodgson -- The limits of memorialization : commemoration, musealization and patrimony. Representing the slave past : the limits of museographical and patrimonial discourses / Christine Chivallon ; Telling stories of slavery : cultural re-appropriations of slave memory in the French Caribbean today / Catherine Reinhardt ; The art of reconciliation : the memorial to the abolition of slavery in Nantes / Nicola Frith ; Shaping representations of the past in a former slave-trade port : Slavery Remembrance Day (10 May) in Nantes / Renaud Hourcade ; Haiti and the memorial discourses of slavery after 1804 / Kate Hodgson -- Beyond the abolitionist moment : memories and counter-memories of labour exploitation. Cette île n'est pas une île : locating Gorée / Charles Forsdick ; Multiple memories : slavery and indenture in Mauritian literature in French / Srilata Ravi ; Speaking of slavery : representations of domestic slavery in the oral epics of Francophone west Africa / Sotonye Omuku ; From forgetting to remembrance : slavery and forced labour in Tunisia / Inès Mrad Dali ; Imaging the present : an iconography of slavery in contemporary African art / Claire Griffiths ; Cartographies of memory, politics of emancipation / Françoise Vergès. |
Record Nr. | UNINA-9910794894403321 |
Liverpool : , : Liverpool University Press, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
At the limits of memory : legacies of slavery in the Francophone world / / edited by Nicola Frith and Kate Hodgson [[electronic resource]] |
Pubbl/distr/stampa | Liverpool : , : Liverpool University Press, , 2015 |
Descrizione fisica | 1 online resource (viii, 259 pages) : digital, PDF file(s) |
Disciplina | 306.3/62/0917541 |
Collana | Francophone postcolonial studies. The annual publication of the Society for Francophone Postcolonial Studies |
Soggetto topico |
Slavery - History
Slavery - Africa - History Slavery - Caribbean Area - History |
ISBN |
1-78138-224-7
1-78138-758-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Slavery and its legacies : remembering labour exploitation in the Francophone world / Nicola Frith and Kate Hodgson -- The limits of memorialization : commemoration, musealization and patrimony. Representing the slave past : the limits of museographical and patrimonial discourses / Christine Chivallon ; Telling stories of slavery : cultural re-appropriations of slave memory in the French Caribbean today / Catherine Reinhardt ; The art of reconciliation : the memorial to the abolition of slavery in Nantes / Nicola Frith ; Shaping representations of the past in a former slave-trade port : Slavery Remembrance Day (10 May) in Nantes / Renaud Hourcade ; Haiti and the memorial discourses of slavery after 1804 / Kate Hodgson -- Beyond the abolitionist moment : memories and counter-memories of labour exploitation. Cette île n'est pas une île : locating Gorée / Charles Forsdick ; Multiple memories : slavery and indenture in Mauritian literature in French / Srilata Ravi ; Speaking of slavery : representations of domestic slavery in the oral epics of Francophone west Africa / Sotonye Omuku ; From forgetting to remembrance : slavery and forced labour in Tunisia / Inès Mrad Dali ; Imaging the present : an iconography of slavery in contemporary African art / Claire Griffiths ; Cartographies of memory, politics of emancipation / Françoise Vergès. |
Record Nr. | UNINA-9910828293603321 |
Liverpool : , : Liverpool University Press, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|