Autore	Austen, Jane
Pubbl/distr/stampa	Oxford ; New York : Oxford University Press, 1990
Descrizione fisica	XXVI, 445 p. ; 19 cm
Disciplina	823.7
Collana	The World's classics
ISBN	0-19-282756-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNIBAS-000038199

Autore	Kelly, Gary
Pubbl/distr/stampa	London ; New York : Longman, 1989
Descrizione fisica	XII, 330 p. ; 22 cm
Disciplina	823.7
Collana	Longman Literature in English Series
Soggetto topico	Narrativa inglese - Sec. 18.-19
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNIBAS-000038090

Autore	POLHEMUS, Robert M.
Pubbl/distr/stampa	Chicago : The university of Chicago, 1990
Descrizione fisica	XII, 363 p. : tav., ill. ; 24 cm
Disciplina	823.7
Soggetto topico	Letteratura narrativa inglese - Storia - Sec. 19.-20
ISBN	0-226-67322-7
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNISA-990000859370203316

Autore	van Bruggen Carry
Pubbl/distr/stampa	London : , : UCL Press, , 2019
Descrizione fisica	1 online resource (vii, 183 pages) : illustrations
Disciplina	823.7
Collana	Literature and translation
Soggetto topico	Young women - 20th century Young women - England
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover -- Half Title -- Title Page -- Copyright -- Contents -- List of Figures -- Acknowledgements -- Commentary -- The Novel -- 1 The New Century -- 2 Homewards -- 3 Voices -- 4 Encounter -- 5 May Day -- 6 The Night -- 7 David -- 8 By the Sea.
Record Nr.	UNINA-9910682518303321

Autore	Madden Áine
Edizione	[First edition.]
Pubbl/distr/stampa	Cham, Switzerland : , : Palgrave Macmillan, , [2023]
Descrizione fisica	1 online resource (344 pages)
Disciplina	823.7
Collana	Palgrave Fan Studies
Soggetto topico	Literature, Modern
ISBN	3-031-39454-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Intro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction: 'She Stimulates Us to Supply What is Not There' - Expanding Austen's World Through Fanfiction -- The Pride and Prejudice Archive(s) -- Expanding the Virtual World of 'Austenland' -- 'Neither the Hope of Fame Nor Profit' - Professionally Published 'Profic' Texts in the Austen Fandom -- 'The Family Circle Mode of Response': Janeite Reception Practices -- Austen in Fan Studies -- Austen in Popular Culture Studies -- Fanfiction in Austen Reception Studies -- 'You're Bringin' Forth Abundant Fruit, Like a Good Janeite' - Readers as Writers -- Online Archives and Women's Digital Culture -- Death Comes to Pemberley - Disappearing Texts -- A Literary Approach to Fanfiction -- 'How Quick Come the Reasons for Approving What We Like' - Fanfiction and Aesthetics -- 'One Half of the World Cannot Understand the Pleasures of the Other': Understanding Janeites, the 'Other' Reader -- 'You Must Give Me Leave to Judge for Myself': Fans' Methods of Evaluating Fanfiction -- Works Cited -- Chapter 2: 'Light and Bright and Sparkling' - Pride and Prejudice and Fairy Tales -- Pride and Proliferation in Different Periods -- Pride and Prejudice and the 'Cinderella' Archive -- Lizzirella: The Fairy Tale Princess? -- Inventing Jane Austen by Becoming Elizabeth Bennet -- 'The Happiest, Wisest, Most Reasonable End!': The Utopian Appeal of Pride and Prejudice -- After the 'Happily Ever After' - Pride and Prejudice Sequels -- 'Happiness in Marriage Is Entirely a Matter of Chance' - Questioning the Happily Ever After -- Works Cited -- Chapter 3: 'You Must Allow Me to Tell You How Ardently I Admire and Love You' - Darcymania Takes Over -- Between 'Heritage England' and 'Cool Britannia': Austen Adaptations in the 1990s -- Challenging the 'Ethic of Restraint' Through Mr Darcy. 'A Striking Resemblance[?]' - Darcy in Austen Adaptations -- 'My Feelings Will Not Be Repressed': Emotion in English Culture -- Production Trends - 'Frock Flicks' on Film and 'Small Worlds' on Screen -- 'A Collection of Romances': Pride and Prejudice Fanfiction and the Construction of 'an Alternate Mythology' -- 'Ooh Mister Darcy': Darcymania in the Austen Fandom -- Elizabeth's Story to Darcy's Story, and Austen's Story to Davies's Story (?) -- Works Cited -- Chapter 4: 'An Arrival in Austenland': The Virtual World of Pride and Prejudice -- Imaginary Worlds and Virtual Reality: A Literary Prehistory -- Why Jane Austen? -- 'Capping Miss Austen': Playing the Janeite Game -- '3 or 4 Families in a Country Village': The Shared Neighbourhood of Austenland -- 'Safe Within the Borders of The Republic of Pemberley': Fan Forums as Virtual Country Estates -- Why Pride and Prejudice? -- The First Virtual Reality Characters in Fiction -- Lost in Austenland -- Austenland: 'Utopian England' or 'Mental America' -- Signpost to Austenland -- Works Cited -- Chapter 5: 'Are the Shades of Pemberley to Be Thus Polluted?': Zombies and Vampires Invade Pride and Prejudice -- Zombies and Vampires: The Monsters of the Recession -- Pride and Prejudice and Profic and Profit -- Austenland as Refuge -- The Repeating Dead and the Viral Recirculation of the 'Lake Scene' -- 'The Love That Started It All': Pride and Prejudice as the Literary Template for Twilight? -- 'Where This Is Going': Austen Jumps the Shark? -- Monster Mashups: Crossing Boundaries Between High and Low Culture -- Works Cited -- Chapter 6: 'How Differently Did Everything Now Appear' - The Lizzie Bennet Diaries and Transmedia Storytelling -- From 'Textual Poachers' to 'Influential Consumers': The Changing Landscape of Digital Fandom -- Playing the Janeite Game -- From 'Darcy's Story' Back to 'Lizzie's Story'. 'You're Only a Secondary Character If You Let Yourself Be': Alternative Vlogs and Alternative Voices -- Excavating Charlotte's Story - Minor to Major Character -- From Subtext to Text: The Elevation of Lydia's Story -- 'Can I Suppose Her So Lost to Everything?': Lydia's Fall -- 'Widely Different Was the Effect of a Second Perusal': Rereading Lydia -- The Janeites - From 'Squires' to 'Seahorses' -- Works Cited -- Chapter 7: 'There's No One to Touch Jane When You're in a Tight Place': Pride and Prejudice and the Pandemic -- Pride and Prejudice and the Pandemic -- Pride and Preservation: Safeguarding Digital Cultural Memory -- 'An Attention Which It Had Hardly Received on the First Perusal': Rereading Pride and Prejudice Through Archontic Productions -- Gaps in the Digital Cultural Memory -- 'The Novels of Jane Austen Are the Ones to Get Lost in': Further Adventures in Austenland -- Works Cited -- Index.
Record Nr.	UNINA-9910800114603321