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Manuale di storia della musica nel cinema : storia, teoria, estetica, della musica per il cinema, la televisione e il video / Ennio Simeon
| Manuale di storia della musica nel cinema : storia, teoria, estetica, della musica per il cinema, la televisione e il video / Ennio Simeon |
| Autore | SIMEON, Ennio |
| Pubbl/distr/stampa | Milano : Rugginenti, 1995 |
| Descrizione fisica | 273 p. ; 24 cm |
| Disciplina | 781.542 |
| Soggetto topico | Musica per cinema |
| ISBN | 88-7665-137-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003597560203316 |
SIMEON, Ennio
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| Milano : Rugginenti, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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More Dirty dancing / executive-producer Jimmy Ienner
| More Dirty dancing / executive-producer Jimmy Ienner |
| Pubbl/distr/stampa | [S.l.], : RCA, 1988 |
| Descrizione fisica | 1 disco sonoro : 33 1/3 rpm, stereo ; 30 cm |
| Disciplina | 781.542 |
| Formato | Musica  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996361744403316 |
| [S.l.], : RCA, 1988 | ||
| Musica | ||
| Lo trovi qui: Univ. di Salerno | ||
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Motorpsycho / [music Bert A. Shefter, Paul Sawtell] . Mudhoney / [music Andre Brummer ... et al.] . Finder keepers lovers weepers / [music William Loose, Stu Phillips, Marvin Elling]
| Motorpsycho / [music Bert A. Shefter, Paul Sawtell] . Mudhoney / [music Andre Brummer ... et al.] . Finder keepers lovers weepers / [music William Loose, Stu Phillips, Marvin Elling] |
| Autore | SHEFTER, Bert |
| Pubbl/distr/stampa | [Germany], : Q.D.K. Media, 1995 |
| Descrizione fisica | 1 disco sonoro : 33 1/3 rpm ; 30 cm |
| Disciplina | 781.542 |
| Altri autori (Persone) | SAWTELL, Paul |
| Formato | Musica |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | abs |
| Record Nr. | UNISA-996399649103316 |
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SHEFTER, Bert
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| [Germany], : Q.D.K. Media, 1995 | ||
| Musica | ||
| Lo trovi qui: Univ. di Salerno | ||
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Music and levels of narration in film : steps across the border / / Guido Heldt ; Holly Rose, cover designer ; Michael Eckhardt, copy-editor ; Jelena Stanovnik, production manager
| Music and levels of narration in film : steps across the border / / Guido Heldt ; Holly Rose, cover designer ; Michael Eckhardt, copy-editor ; Jelena Stanovnik, production manager |
| Autore | Heldt Guido |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 |
| Descrizione fisica | 1 online resource (302 p.) |
| Disciplina | 781.542 |
| Altri autori (Persone) |
RoseHolly
EckhardtMichael StanovnikJelena |
| Soggetto topico | Motion picture music - History and criticism |
| ISBN |
1-78320-210-6
1-78320-209-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address""
""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" ""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" |
| Record Nr. | UNINA-9910166956403321 |
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Heldt Guido
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| Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music from the movie Jungle fever / Stevie Wonder [piano side 1-tracks 1, 3 side 2-tracks 1-2, 6, bass side 1-track 1, harmonica side 1-track 1 side 2-track 6, drums side 1-tracks 1-2, 4-5 side 2-tracks 1, 3-6, percussion side 1-tracks 1-2, 4-5 side 2-tracks 1, 3-6, electric piano side 1-tracks 1, 5 side 2-track 4, bkg. vocals arrangement, side 1-tracks 1-5 side 2-tracks 1, 3-6, backing vocals side 1-tracks 1-2 side 2-track 4, lead vocals side 1-tracks 1-4 side 2-tracks 1, 3-4, vocals side 2-track 2, voice (synth) side 2-tracks 4-6, harp (synth) side 1-track 2 side 2-track 6, horns (synth) side 1-tracks 2, 4, 6 side 2-track 1, 3, bass (synth) side 1-tracks 2, 4-5, side 2-tracks 1-4, strings (synth) side 1-tracks 2, 5, organ (synth) side 1-track 4, guitar (synth) side 1-track 4 side 2-tracks 1, 3-5, flute (synth) side 1-track 5] ; produced & arranged by Stevie Wonder
| Music from the movie Jungle fever / Stevie Wonder [piano side 1-tracks 1, 3 side 2-tracks 1-2, 6, bass side 1-track 1, harmonica side 1-track 1 side 2-track 6, drums side 1-tracks 1-2, 4-5 side 2-tracks 1, 3-6, percussion side 1-tracks 1-2, 4-5 side 2-tracks 1, 3-6, electric piano side 1-tracks 1, 5 side 2-track 4, bkg. vocals arrangement, side 1-tracks 1-5 side 2-tracks 1, 3-6, backing vocals side 1-tracks 1-2 side 2-track 4, lead vocals side 1-tracks 1-4 side 2-tracks 1, 3-4, vocals side 2-track 2, voice (synth) side 2-tracks 4-6, harp (synth) side 1-track 2 side 2-track 6, horns (synth) side 1-tracks 2, 4, 6 side 2-track 1, 3, bass (synth) side 1-tracks 2, 4-5, side 2-tracks 1-4, strings (synth) side 1-tracks 2, 5, organ (synth) side 1-track 4, guitar (synth) side 1-track 4 side 2-tracks 1, 3-5, flute (synth) side 1-track 5] ; produced & arranged by Stevie Wonder |
| Autore | WONDER, Stevie |
| Pubbl/distr/stampa | [S.l.], : Motown, 1972 |
| Descrizione fisica | 1 disco sonoro : 33 1/3 rpm, stereo ; 30 cm |
| Disciplina | 781.542 |
| Formato | Musica |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Titolo uniforme | |
| Record Nr. | UNISA-996402848903316 |
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WONDER, Stevie
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| [S.l.], : Motown, 1972 | ||
| Musica | ||
| Lo trovi qui: Univ. di Salerno | ||
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Music in Contemporary French Cinema [[electronic resource] ] : The Crystal-Song / / by Phil Powrie
| Music in Contemporary French Cinema [[electronic resource] ] : The Crystal-Song / / by Phil Powrie |
| Autore | Powrie Phil |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (273 pages) |
| Disciplina | 781.542 |
| Soggetto topico |
Motion pictures—European influences
Music Motion picture acting Motion pictures Culture Gender European Cinema and TV Screen Performance Audio-Visual Culture Culture and Gender |
| ISBN | 3-319-52362-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter 1 Introduction -- 2. Chapter 2 Space -- 3. Chapter 3 Gender -- 4. Chapter 4 Performance -- 5. Chapter 5 Time -- 6. Chapter 6 Hearing -- 7. Chapter 7 Seeing -- Chapter 8 Conclusion. |
| Record Nr. | UNINA-9910255061603321 |
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Powrie Phil
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in science fiction television : tuned to the future / edited by K.J. Donnelly and Philip Hayward
| Music in science fiction television : tuned to the future / edited by K.J. Donnelly and Philip Hayward |
| Pubbl/distr/stampa | New York ; London : Routledge, 2013 |
| Descrizione fisica | XVIII, 228 p. ; 23 cm |
| Disciplina | 781.542 |
| Collana | Routledge music and screen media series |
| Soggetto topico | Trasmissioni televisive [:] Serial - Colonne sonore |
| ISBN | 978-0-415-64108-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996246449103316 |
| New York ; London : Routledge, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows
| Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill Rodopi, , 2019 |
| Descrizione fisica | 1 online resource (266 pages) |
| Disciplina | 781.542 |
| Altri autori (Persone) |
BernhartWalter
UrrowsDavid Francis |
| Collana | Word and music studies |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-04-40131-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Copyright Page -- Preface -- Film Music -- Film Music: Reflections on Functions -- Music’s Body and the Moving Image / Lawrence Kramer -- Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images / Saskia Jaszoltowski -- Traditional and Non-Traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf -- Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model / Jordan Carmalt Stokes -- Film Music: Significant Intermedial Cases -- Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni’s Rapsodia Satanica (1915) / Bernhard Kuhn -- Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) / Walter Bernhart -- An Incarnation of Memory: Song as Absence in Claude Lanzmann’s Shoah / Ruth Jacobs -- Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan’s Winter Sleep / Heidi Hart -- Mise en Scène, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski’s Ida / Christopher Booth -- Intermedial Varieties -- Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre / Peter Dayan -- ‘The Big Turnaround in the Middle’: On the Silent Movie and the Film Music Interlude in Alban Berg’s Opera Lulu / Marion Recknagel -- All the Pieces Matter: On Complex TV Music / Frieder von Ammon -- The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann -- Remediations -- Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan / Axel Englund -- Novel, Woodcuts, Film, Music …: Pondering over the Title of Gara Garayev’s Symphony Engravings ‘Don Quixote’ / Alla Bayramova -- Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell -- On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows -- Back Matter -- Figures -- Notes on Contributors. |
| Record Nr. | UNINA-9910480137403321 |
| Leiden ; ; Boston : , : Brill Rodopi, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows
| Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill Rodopi, , 2019 |
| Descrizione fisica | 1 online resource (266 pages) |
| Disciplina | 781.542 |
| Altri autori (Persone) |
BernhartWalter
UrrowsDavid Francis |
| Collana | Word and music studies |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| ISBN | 90-04-40131-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Copyright Page -- Preface -- Film Music -- Film Music: Reflections on Functions -- Music’s Body and the Moving Image / Lawrence Kramer -- Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images / Saskia Jaszoltowski -- Traditional and Non-Traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf -- Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model / Jordan Carmalt Stokes -- Film Music: Significant Intermedial Cases -- Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni’s Rapsodia Satanica (1915) / Bernhard Kuhn -- Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) / Walter Bernhart -- An Incarnation of Memory: Song as Absence in Claude Lanzmann’s Shoah / Ruth Jacobs -- Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan’s Winter Sleep / Heidi Hart -- Mise en Scène, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski’s Ida / Christopher Booth -- Intermedial Varieties -- Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre / Peter Dayan -- ‘The Big Turnaround in the Middle’: On the Silent Movie and the Film Music Interlude in Alban Berg’s Opera Lulu / Marion Recknagel -- All the Pieces Matter: On Complex TV Music / Frieder von Ammon -- The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann -- Remediations -- Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan / Axel Englund -- Novel, Woodcuts, Film, Music …: Pondering over the Title of Gara Garayev’s Symphony Engravings ‘Don Quixote’ / Alla Bayramova -- Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell -- On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows -- Back Matter -- Figures -- Notes on Contributors. |
| Record Nr. | UNINA-9910793675503321 |
| Leiden ; ; Boston : , : Brill Rodopi, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows
| Music, narrative and the moving image : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill Rodopi, , 2019 |
| Descrizione fisica | 1 online resource (266 pages) |
| Disciplina | 781.542 |
| Altri autori (Persone) |
BernhartWalter
UrrowsDavid Francis |
| Collana | Word and music studies |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| ISBN | 90-04-40131-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Copyright Page -- Preface -- Film Music -- Film Music: Reflections on Functions -- Music’s Body and the Moving Image / Lawrence Kramer -- Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images / Saskia Jaszoltowski -- Traditional and Non-Traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf -- Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model / Jordan Carmalt Stokes -- Film Music: Significant Intermedial Cases -- Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni’s Rapsodia Satanica (1915) / Bernhard Kuhn -- Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) / Walter Bernhart -- An Incarnation of Memory: Song as Absence in Claude Lanzmann’s Shoah / Ruth Jacobs -- Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan’s Winter Sleep / Heidi Hart -- Mise en Scène, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski’s Ida / Christopher Booth -- Intermedial Varieties -- Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre / Peter Dayan -- ‘The Big Turnaround in the Middle’: On the Silent Movie and the Film Music Interlude in Alban Berg’s Opera Lulu / Marion Recknagel -- All the Pieces Matter: On Complex TV Music / Frieder von Ammon -- The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann -- Remediations -- Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan / Axel Englund -- Novel, Woodcuts, Film, Music …: Pondering over the Title of Gara Garayev’s Symphony Engravings ‘Don Quixote’ / Alla Bayramova -- Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell -- On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows -- Back Matter -- Figures -- Notes on Contributors. |
| Record Nr. | UNINA-9910816245303321 |
| Leiden ; ; Boston : , : Brill Rodopi, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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