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Le meraviglie dell'incisione descritte da Giorgio Duplessis / traduzione libera con note ed aggiunte di L. Chirtani ; opera illustrata da 34 incisioni
| Le meraviglie dell'incisione descritte da Giorgio Duplessis / traduzione libera con note ed aggiunte di L. Chirtani ; opera illustrata da 34 incisioni |
| Autore | Duplessis, Georges |
| Pubbl/distr/stampa | Milano : Fratelli Treves, 1875 |
| Descrizione fisica | VII, 300 p., 34 illus., plates. front., 9 pl. ; 20 cm. |
| Disciplina | 760 |
| Altri autori (Persone) | Chirtani, L. |
| Soggetto topico | Incisioni - Storia |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991001276299707536 |
Duplessis, Georges
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| Milano : Fratelli Treves, 1875 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Monogrammi e figure : teorie e storie della progettazione di artefatti comunicativi / Giovanni Anceschi
| Monogrammi e figure : teorie e storie della progettazione di artefatti comunicativi / Giovanni Anceschi |
| Autore | Anceschi, Giovanni |
| Pubbl/distr/stampa |
Firenze, Milano : < |
| Descrizione fisica | 222 p. : ill. ; 21 cm |
| Disciplina | 760 |
| Collana | Saggi |
| Soggetto topico | Grafica |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIBAS-000023797 |
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Anceschi, Giovanni
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| Firenze, Milano : <<La>> casa Usher, c1981 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. della Basilicata | ||
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Musica ornata : lo spartito art nouveau / Giovanni Fanelli
| Musica ornata : lo spartito art nouveau / Giovanni Fanelli |
| Autore | FANELLI, Giovanni |
| Pubbl/distr/stampa | Firenze : Cantini (, 1988) |
| Descrizione fisica | 127 p. : ill. ; 22 cm |
| Disciplina | 760 |
| Collana | Album Cantini |
| Soggetto topico |
Grafica - Art nouveau
Copertine illustrate - Art nouveau |
| ISBN | 88-7737-083-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990000586690203316 |
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FANELLI, Giovanni
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| Firenze : Cantini (, 1988) | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Nivola Fancello Pintori : percorsi del moderno : dalle arti applicate all'industrial design / a cura di Roberto Cassanelli, Ugo Collu, Ornella Sevafolta ; contributi di R. Cassanelli ... [et al.] ; coordinamento editoriale di Roberto Cassanelli
| Nivola Fancello Pintori : percorsi del moderno : dalle arti applicate all'industrial design / a cura di Roberto Cassanelli, Ugo Collu, Ornella Sevafolta ; contributi di R. Cassanelli ... [et al.] ; coordinamento editoriale di Roberto Cassanelli |
| Pubbl/distr/stampa | Milano : Jaca book |
| Descrizione fisica | 268 p. : ill. ; 31 cm |
| Disciplina | 760 |
| Soggetto (Persona) |
Nivola, Costantino
Fancello, Salvatore Pintori, Giovanni |
| ISBN | 88-16-60304-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990001952850203316 |
| Milano : Jaca book | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Opera grafica di Bruno Caruso / testo di! Elio Mercuri
| Opera grafica di Bruno Caruso / testo di! Elio Mercuri |
| Autore | Caruso, Bruno |
| Pubbl/distr/stampa | Caltanissetta : S. Sciascia, 1966 |
| Descrizione fisica | 151 p. : 58 tav ; 22 cm |
| Disciplina | 760 |
| Collana | Collezione d'arte |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990008854870403321 |
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Caruso, Bruno
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| Caltanissetta : S. Sciascia, 1966 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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L'Opera incisa di Giovanni Benedetto Castiglione / a cura di Paolo Bellini ; presentazione di Clelia Alberici ; appendice sui monotipi di Donata Minonzio
| L'Opera incisa di Giovanni Benedetto Castiglione / a cura di Paolo Bellini ; presentazione di Clelia Alberici ; appendice sui monotipi di Donata Minonzio |
| Pubbl/distr/stampa | Milano : Comune di Milano, rip. Cultura e spettacolo, 1982 |
| Descrizione fisica | 236 p. : ill. ; 22 cm. |
| Disciplina | 760 |
| Altri autori (Persone) |
Bellini, Paolo <1938- >
Alberici, Clelia Minonzio, Donata |
| Soggetto (Persona) | Castiglione, Giovanni Benedetto - Incisioni |
| Soggetto topico | Incisioni |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | || |
| Record Nr. | UNISALENTO-991001719319707536 |
| Milano : Comune di Milano, rip. Cultura e spettacolo, 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Il panorama di Roma inciso da Giuseppe Vasi / Cesare Casamorata
| Il panorama di Roma inciso da Giuseppe Vasi / Cesare Casamorata |
| Autore | Casamorata, Cesare |
| Pubbl/distr/stampa | [Firenze : Istituto geografico militare, 1925] |
| Descrizione fisica | P. 174-178., 1 c. di tav. ; 25 cm. |
| Disciplina | 760 |
| Soggetto (Persona) | Vasi, Giuseppe Incisioni |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991001836279707536 |
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Casamorata, Cesare
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| [Firenze : Istituto geografico militare, 1925] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : Critical writing since 1986 / / edited by Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (369 pages) |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique ART / Techniques / Printmaking DESIGN - Graphic Arts - General CRAFTS & HOBBIES - Printmaking ART - Techniques - Printmaking |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910480549303321 |
| Manchester, England : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910793187403321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada
| Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , [2020] |
| Descrizione fisica | 1 online resource (xx, 347 pages) : illustrations |
| Disciplina | 760 |
| Altri autori (Persone) | Pelzer-MontadaRuth |
| Soggetto topico |
Prints
Printmakers Prints - Technique |
| Soggetto non controllato |
art history
contemporary print criticism and theory print media printmaking |
| ISBN | 1-5261-2576-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. |
| Record Nr. | UNINA-9910828325503321 |
| Manchester : , : Manchester University Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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