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Barbaric splendour : the use of image before and after Rome / / edited by Toby F. Martin, Wendy Morrison
Barbaric splendour : the use of image before and after Rome / / edited by Toby F. Martin, Wendy Morrison
Pubbl/distr/stampa Oxford : , : Archaeopress Publishing, , [2020]
Descrizione fisica 1 online resource (152 pages)
Disciplina 709.01
Soggetto topico Art, Prehistoric - Europe, Northern
Art, Celtic - Roman influences
ISBN 1-78969-660-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Title Page -- Copyright Information -- Contents -- List of Figures -- In the eye of the dragon: how the ancient Celts viewed the world -- Figure 2.1. Roissy (Val-d'Oise), "La Fosse Cotheret", chariot grave 1002. Yoke fitting. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright V. Go, MAN). -- Figure 2.2 Roissy (Val-d'Oise), "La Fosse Cotheret", chariot grave 1002. Dragons 'dome'. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright V. Go, MAN). -- Figure 2.3. Cuperly (Marne), unknown chariot grave. Horse disc. Bronze. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.4. Eberdingen-Hochdorf (Baden-Wurttemberg, Germany). The wagon on the back of the kliné. Bronze. 6th century BC (in Biel, J. Der Keltenfürst von Hochdorf, Theiss, 1986). -- Figure 2.5. Cuperly (Marne), unknown chariot grave. Horse disc. Bronze. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.6 . Thuisy (Marne). Painted vessel. Pottery. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.7 . Paris (Seine). Yoke fitting. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copy -right T. Le Mage, RMN). -- Figure 2.8 . Celtic coins. Gold and silver. 2nd and 1st century BC. Paris, Cabinet des Médailles de la Bibliothèque nationale (in L. Lengyel, L'Art gaulois dans les médailles, Corvina, 1954). -- Variations on a theme? Examining the repetition of patterns on British Iron Age art -- Figure 3.1. The Desborough Mirror (© Trustees of the British Museum). -- Figure 3.2. Sequence of mirror design with the positive (top) and negative (bottom) motifs found on mirror backs (drawn by J. Joy).
Figure 3.3. Mirror design outlines (drawn by J. Joy). -- Figure 3.4 . Horse harness mount from Santon, Suffolk using lyre loop framework (© Museum of Archaeology and Anthropology, Cambridge). -- Figure 3.5. The 'Oxfordshire' (left) and Pegsdon (right) mirrors (© Oxfordshire Museums and the Portable Antiquities Scheme). -- Figure 3.6 . The potential stages (labelled A-L) in the construction of the design on the back of the mirror from Birdlip, Gloucestershire (drawn by J. Joy). -- Changing perspectives in southwest Norwegian Style I -- Figure 4.1 . (a) Head plate of relief brooch from Høyland (Farsund, Vest-Agder). Enlarged. Half frontal view (right) and side view (left). Photo: University Museum of Bergen © -- (b) Detail from the relief brooch from Sande showing the nose at an angle sugg -- Figure 4.2. The Sande brooch (Farsund, Vest-Agder). Drawings: Hege Vatnaland. Photo: Ellen C. Holte, Museum of Cultural History, University of Oslo ©. -- Figure 4.3. The Sande brooch. Details: animal heads in both ends of the dividing bar on the bow. From above (a) and in side view -- (b). Enlarged. Photo: Ellen C. Holte, Museum of Cultural History, University of Oslo ©. -- Figure 4.4. The Sande brooch. Details: three-dimensional figure in side view (a) and from above (b). Enlarged. Photo: Ellen C. Holte. Museum of Cultural History, University of Oslo ©. -- Helmets and headaches: thoughts on the Staffordshire Hoard helmet -- Figure 5.1. 'Beowulf's Burial or The End of the Dark Ages' (Chris Riddell, The Observer, 27 April 1997). -- Figure 5.2. Schematic placement of bands and panels, in relation to the ornament on the crest and cheek-pieces. -- 'Magnificent was the cross of victory': the great gold cross from the Staffordshire Hoard -- Figure 6.1. (a) Location of the Hoard in relation to Watling Street (the modern A5 road).
(b) Location of the Hoard in early Anglo-Saxon England. -- Figure 6.2. The remains of the great gold cross (no. 539), with three views of the mount. Photos G. Evans/C. Fern. © Barbican Research Associates. -- Figure 6.3. (a) The cross 'unfolded' (scale 3/4) -- (b) sheet joins (approximate scale 1/2). Drawings C. Fern. © Barbican Research Associates. -- Figure 6.4. A colour interpretation of the great gold cross (no. 539). The central garnet (no. 692) in a rock crystal surround is conjecture. The three round garnets at the ends of the short arms are proposed from the single surviving example (scale 3/4). -- Figure 6.5. The form of the cross and the locations of its settings (scale 1/4). (a) a small silver cross from the nasal of the Benty Grange Helmet (after Bruce-Mitford 1974) -- (b) the Rupertus Cross. Drawings C. Fern. © Barbican Research Associates. -- Figure 6.6. Photomicrographs (scales as indicated): (a) animal art, with punched eye and 'hair' detail -- (b) punched 'hair' on an incised animal body -- (c) bezel and filigree collar of gem-setting (iv) -- (d) bezel and filigree collar of gem-setting (iii), wi -- Figure 6.7. (a) Byzantine cross of bronze with incised Christian iconography and inscription, of 6th/7th century date, from Palestine/Syria. Note the round 'serifs' at the ends of the arms (scale 1/2) -- (b) Pommel from Dinham with crosses and beast heads ( -- Figure 6.8. The animal art of the cross and comparanda from Sutton Hoo: (ai-aiii) top arm (scale 1/1) -- (bi-bii) transecting arm (scale 1/1) -- (ci-ciii) bottom arm (scale 1/1) -- (d) bird head with Y-shaped groove in beak (scale 2/1) -- (e) animal ears (scale 1 -- Figure 6.9. Style II comparanda: (ai) cross, top arm (scale 1/1) -- (aii) Book of Durrow, folio 192v (scale 1/1) -- (b) Eccles buckle (scale 1/1) -- (c) Bamburgh mount (scale 1/1) -- (d) Harford Farm brooch (scale 1/1).
(e) Littlebourne buckle (scale 2/1) -- (fi-fi -- The materiality of faces -- Figure 7.1. Escutcheon of the bronze flagon from Kleinaspergle, Kr. Ludwigsburg, second half 5th century BC, height 7cm. © Landesmuseum Württemberg, Stuttgart. -- Figure 7.2. Gold armring from Rodenbach, Lkr. Kaiserslautern, second half 5th century BC, diameter 9.4cm. © Historisches Museum der Pfalz, Speyer. -- Figure 7.3. Fragment of gilded silver brooch from Galsted, South Jutland, late 5th/early 6th century AD. © Nationalmuseet København. -- Figure 7.4. Bracteates, second half of the 5th century AD. (a) Gold bracteate from Torpsgård/Senoren, Blekinge, diameter 7.18cm. © Historiska museet, Stockholm -- (b) Gold bracteate from Broholm/Oure, Funen, diameter 3cm. © Nationalmuseet København -- (c) Gol -- Figure 7.5. Detail of border zone, loop and triangular field of the gold bracteate from Gerete, Gotland, late 5th/early 6th century AD. © Historiska Museet, Stockholm. -- Figure 7.6. (a) Detail of the frieze of a silver beaker from Himlingøje, Zealand, 3rd century AD, height of the frieze 1.3cm. (b) Gilded silver and bronze shield rivet from Illerup Ådal, East Jutland, 3rd century AD, width 2.5cm. © Nationalmuseet Københav -- Figure 7.7. (a) Bronze mount of the Celtic wagon from Dejbjerg, West Jutland, 1st century BC, height 7.6cm, width 6.5cm. © Nationalmuseet København. -- (b) Gold bust of emperor Marcus Aurelius from Avenches, Kt. Vaud, late 2nd century AD, height 33.54cm, wi -- Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins -- Figure 8.1. Heads (a-p) and comparanda (1-3), not to scale. (a) Belgae: Chute/Cheriton transitional gold stater (ABC 752 obv.) -- (b) Eastern: Middle Whaddon Chase gold stater (ABC 2240 obv.) -- (c) Cantiaci: Dubnovellaunos Rochestr Pegasus, silver unit (ABC.
Figure 8.2. Classical prototypes. (a) Anglo-Saxon silver sceatt: Series K, Type 42 (SCBI 63, 509) -- (b) Cantiaci: Dubnovellaunos Lion/ Horseman, bronze unit (ABC 354 obv.) -- (c) Anglo-Saxon silver sceatt: Series L-related eclectic group (T& -- S 361 -- ©Ashmolean -- Figure 8.3. Animal representations, coins (a-l) and comparanda (1-3). (a) Corieltavi: Vepo Ring, silver half unit (ABC 1896 rev.) -- (b) Regini and Atrebates: Tincomarus Tincom / Commi gold quarter stater (ABC 1073 rev.) -- (c) Corieltavi: Vepo Triadic, gold -- Figure 8.4. Inscriptions and patterns. (a) Regini and Atrebates: Tincomarus Warrior Tinco/CF, gold stater (ABC 1055 obv.) -- (b) Anglo-Saxon transitional shilling Pada Series, (SCBI 63, 31 rev.) -- (c) Regini and Atrebates: Tincomarus Tincom / Commi gold quar -- Preface -- Barbaric tendencies? Iron Age and early medieval art in comparison -- Toby F. Martin -- In the eye of the dragon: how the ancient Celts viewed the world -- Laurent Olivier -- Variations on a theme? Examining the repetition of patterns on British Iron Age art -- Jody Joy -- Changing perspectives in southwest Norwegian Style I -- Elna Siv Kristoffersen and Unn Pedersen -- Helmets and headaches: thoughts on the Staffordshire Hoard helmet -- George Speake -- 'Magnificent was the cross of victory': the great gold cross from the Staffordshire Hoard -- Chris Fern -- The materiality of faces -- Charlotte Behr -- Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins -- Anna Gannon.
Record Nr. UNINA-9910794649703321
Oxford : , : Archaeopress Publishing, , [2020]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Barbaric splendour : the use of image before and after Rome / / edited by Toby F. Martin, Wendy Morrison
Barbaric splendour : the use of image before and after Rome / / edited by Toby F. Martin, Wendy Morrison
Pubbl/distr/stampa Oxford : , : Archaeopress Publishing, , [2020]
Descrizione fisica 1 online resource (152 pages)
Disciplina 709.01
Soggetto topico Art, Prehistoric - Europe, Northern
Art, Celtic - Roman influences
ISBN 1-78969-660-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Title Page -- Copyright Information -- Contents -- List of Figures -- In the eye of the dragon: how the ancient Celts viewed the world -- Figure 2.1. Roissy (Val-d'Oise), "La Fosse Cotheret", chariot grave 1002. Yoke fitting. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright V. Go, MAN). -- Figure 2.2 Roissy (Val-d'Oise), "La Fosse Cotheret", chariot grave 1002. Dragons 'dome'. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright V. Go, MAN). -- Figure 2.3. Cuperly (Marne), unknown chariot grave. Horse disc. Bronze. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.4. Eberdingen-Hochdorf (Baden-Wurttemberg, Germany). The wagon on the back of the kliné. Bronze. 6th century BC (in Biel, J. Der Keltenfürst von Hochdorf, Theiss, 1986). -- Figure 2.5. Cuperly (Marne), unknown chariot grave. Horse disc. Bronze. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.6 . Thuisy (Marne). Painted vessel. Pottery. 4th century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copyright T. Le Mage, RMN). -- Figure 2.7 . Paris (Seine). Yoke fitting. Bronze. 3rd century BC. Saint-Germain-en-Laye, National Museum of Archaeology (Copy -right T. Le Mage, RMN). -- Figure 2.8 . Celtic coins. Gold and silver. 2nd and 1st century BC. Paris, Cabinet des Médailles de la Bibliothèque nationale (in L. Lengyel, L'Art gaulois dans les médailles, Corvina, 1954). -- Variations on a theme? Examining the repetition of patterns on British Iron Age art -- Figure 3.1. The Desborough Mirror (© Trustees of the British Museum). -- Figure 3.2. Sequence of mirror design with the positive (top) and negative (bottom) motifs found on mirror backs (drawn by J. Joy).
Figure 3.3. Mirror design outlines (drawn by J. Joy). -- Figure 3.4 . Horse harness mount from Santon, Suffolk using lyre loop framework (© Museum of Archaeology and Anthropology, Cambridge). -- Figure 3.5. The 'Oxfordshire' (left) and Pegsdon (right) mirrors (© Oxfordshire Museums and the Portable Antiquities Scheme). -- Figure 3.6 . The potential stages (labelled A-L) in the construction of the design on the back of the mirror from Birdlip, Gloucestershire (drawn by J. Joy). -- Changing perspectives in southwest Norwegian Style I -- Figure 4.1 . (a) Head plate of relief brooch from Høyland (Farsund, Vest-Agder). Enlarged. Half frontal view (right) and side view (left). Photo: University Museum of Bergen © -- (b) Detail from the relief brooch from Sande showing the nose at an angle sugg -- Figure 4.2. The Sande brooch (Farsund, Vest-Agder). Drawings: Hege Vatnaland. Photo: Ellen C. Holte, Museum of Cultural History, University of Oslo ©. -- Figure 4.3. The Sande brooch. Details: animal heads in both ends of the dividing bar on the bow. From above (a) and in side view -- (b). Enlarged. Photo: Ellen C. Holte, Museum of Cultural History, University of Oslo ©. -- Figure 4.4. The Sande brooch. Details: three-dimensional figure in side view (a) and from above (b). Enlarged. Photo: Ellen C. Holte. Museum of Cultural History, University of Oslo ©. -- Helmets and headaches: thoughts on the Staffordshire Hoard helmet -- Figure 5.1. 'Beowulf's Burial or The End of the Dark Ages' (Chris Riddell, The Observer, 27 April 1997). -- Figure 5.2. Schematic placement of bands and panels, in relation to the ornament on the crest and cheek-pieces. -- 'Magnificent was the cross of victory': the great gold cross from the Staffordshire Hoard -- Figure 6.1. (a) Location of the Hoard in relation to Watling Street (the modern A5 road).
(b) Location of the Hoard in early Anglo-Saxon England. -- Figure 6.2. The remains of the great gold cross (no. 539), with three views of the mount. Photos G. Evans/C. Fern. © Barbican Research Associates. -- Figure 6.3. (a) The cross 'unfolded' (scale 3/4) -- (b) sheet joins (approximate scale 1/2). Drawings C. Fern. © Barbican Research Associates. -- Figure 6.4. A colour interpretation of the great gold cross (no. 539). The central garnet (no. 692) in a rock crystal surround is conjecture. The three round garnets at the ends of the short arms are proposed from the single surviving example (scale 3/4). -- Figure 6.5. The form of the cross and the locations of its settings (scale 1/4). (a) a small silver cross from the nasal of the Benty Grange Helmet (after Bruce-Mitford 1974) -- (b) the Rupertus Cross. Drawings C. Fern. © Barbican Research Associates. -- Figure 6.6. Photomicrographs (scales as indicated): (a) animal art, with punched eye and 'hair' detail -- (b) punched 'hair' on an incised animal body -- (c) bezel and filigree collar of gem-setting (iv) -- (d) bezel and filigree collar of gem-setting (iii), wi -- Figure 6.7. (a) Byzantine cross of bronze with incised Christian iconography and inscription, of 6th/7th century date, from Palestine/Syria. Note the round 'serifs' at the ends of the arms (scale 1/2) -- (b) Pommel from Dinham with crosses and beast heads ( -- Figure 6.8. The animal art of the cross and comparanda from Sutton Hoo: (ai-aiii) top arm (scale 1/1) -- (bi-bii) transecting arm (scale 1/1) -- (ci-ciii) bottom arm (scale 1/1) -- (d) bird head with Y-shaped groove in beak (scale 2/1) -- (e) animal ears (scale 1 -- Figure 6.9. Style II comparanda: (ai) cross, top arm (scale 1/1) -- (aii) Book of Durrow, folio 192v (scale 1/1) -- (b) Eccles buckle (scale 1/1) -- (c) Bamburgh mount (scale 1/1) -- (d) Harford Farm brooch (scale 1/1).
(e) Littlebourne buckle (scale 2/1) -- (fi-fi -- The materiality of faces -- Figure 7.1. Escutcheon of the bronze flagon from Kleinaspergle, Kr. Ludwigsburg, second half 5th century BC, height 7cm. © Landesmuseum Württemberg, Stuttgart. -- Figure 7.2. Gold armring from Rodenbach, Lkr. Kaiserslautern, second half 5th century BC, diameter 9.4cm. © Historisches Museum der Pfalz, Speyer. -- Figure 7.3. Fragment of gilded silver brooch from Galsted, South Jutland, late 5th/early 6th century AD. © Nationalmuseet København. -- Figure 7.4. Bracteates, second half of the 5th century AD. (a) Gold bracteate from Torpsgård/Senoren, Blekinge, diameter 7.18cm. © Historiska museet, Stockholm -- (b) Gold bracteate from Broholm/Oure, Funen, diameter 3cm. © Nationalmuseet København -- (c) Gol -- Figure 7.5. Detail of border zone, loop and triangular field of the gold bracteate from Gerete, Gotland, late 5th/early 6th century AD. © Historiska Museet, Stockholm. -- Figure 7.6. (a) Detail of the frieze of a silver beaker from Himlingøje, Zealand, 3rd century AD, height of the frieze 1.3cm. (b) Gilded silver and bronze shield rivet from Illerup Ådal, East Jutland, 3rd century AD, width 2.5cm. © Nationalmuseet Københav -- Figure 7.7. (a) Bronze mount of the Celtic wagon from Dejbjerg, West Jutland, 1st century BC, height 7.6cm, width 6.5cm. © Nationalmuseet København. -- (b) Gold bust of emperor Marcus Aurelius from Avenches, Kt. Vaud, late 2nd century AD, height 33.54cm, wi -- Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins -- Figure 8.1. Heads (a-p) and comparanda (1-3), not to scale. (a) Belgae: Chute/Cheriton transitional gold stater (ABC 752 obv.) -- (b) Eastern: Middle Whaddon Chase gold stater (ABC 2240 obv.) -- (c) Cantiaci: Dubnovellaunos Rochestr Pegasus, silver unit (ABC.
Figure 8.2. Classical prototypes. (a) Anglo-Saxon silver sceatt: Series K, Type 42 (SCBI 63, 509) -- (b) Cantiaci: Dubnovellaunos Lion/ Horseman, bronze unit (ABC 354 obv.) -- (c) Anglo-Saxon silver sceatt: Series L-related eclectic group (T& -- S 361 -- ©Ashmolean -- Figure 8.3. Animal representations, coins (a-l) and comparanda (1-3). (a) Corieltavi: Vepo Ring, silver half unit (ABC 1896 rev.) -- (b) Regini and Atrebates: Tincomarus Tincom / Commi gold quarter stater (ABC 1073 rev.) -- (c) Corieltavi: Vepo Triadic, gold -- Figure 8.4. Inscriptions and patterns. (a) Regini and Atrebates: Tincomarus Warrior Tinco/CF, gold stater (ABC 1055 obv.) -- (b) Anglo-Saxon transitional shilling Pada Series, (SCBI 63, 31 rev.) -- (c) Regini and Atrebates: Tincomarus Tincom / Commi gold quar -- Preface -- Barbaric tendencies? Iron Age and early medieval art in comparison -- Toby F. Martin -- In the eye of the dragon: how the ancient Celts viewed the world -- Laurent Olivier -- Variations on a theme? Examining the repetition of patterns on British Iron Age art -- Jody Joy -- Changing perspectives in southwest Norwegian Style I -- Elna Siv Kristoffersen and Unn Pedersen -- Helmets and headaches: thoughts on the Staffordshire Hoard helmet -- George Speake -- 'Magnificent was the cross of victory': the great gold cross from the Staffordshire Hoard -- Chris Fern -- The materiality of faces -- Charlotte Behr -- Insular numismatics: the relationship between ancient British and early Anglo-Saxon coins -- Anna Gannon.
Record Nr. UNINA-9910810293003321
Oxford : , : Archaeopress Publishing, , [2020]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Briefe, Entwürfe und Rezensionen zu den herkulanischen Schriften / Johann Joachim Winckelmann ; Bearbeitet von Marianne Gross und Max Kunze ; Hrsg. von Adolf H. Borbein und Max Kunze
Briefe, Entwürfe und Rezensionen zu den herkulanischen Schriften / Johann Joachim Winckelmann ; Bearbeitet von Marianne Gross und Max Kunze ; Hrsg. von Adolf H. Borbein und Max Kunze
Autore Winckelmann, Johann Joachim <1717-1768>
Pubbl/distr/stampa Mainz : von Zabern, 2001
Descrizione fisica XXVI, 451 p. : ill. ; 27 cm
Disciplina 709.01
930.1
Collana Schriften und Nachlass
Soggetto non controllato Arte classica
ISBN 3-8053-2031-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto 2.: Herkulanische Schriften Winckelmans
Record Nr. UNINA-990009672990403321
Winckelmann, Johann Joachim <1717-1768>  
Mainz : von Zabern, 2001
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Capolavori nei secoli : enciclopedia universale di tutte le arti figurative / [direttore Dino Fabbri]
Capolavori nei secoli : enciclopedia universale di tutte le arti figurative / [direttore Dino Fabbri]
Pubbl/distr/stampa Milano, Fratelli Fabbri Editori, 1963-1964
Descrizione fisica 12 v. : ill. (part col.); 31 cm
Disciplina 709.01
Soggetto topico Art - Encyclopedies
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Nota di contenuto Vol.1: Dalle origini all'arte egiziana. - 231 p.
Vol.2: Dalla Grecia ai Bizantini / a cura di Maurizio Bonicatti. - 239 p.
Vol.3: Le arti dell'Estremo Oriente. - 275 p.
Vol.4: Dall'arte carolingia al Gotico : 8 secolo-metà del 14. - 200 p.
Vol.5: Dal tardo Gotico al Rinascimento. - 247 p.
Vol.6: Il Rinascimento e il Manierismo. - 247 p.
Vol.7 : Il Seicento. - 248 p.
Vol. 8: Il Settecento. - 247 p.
Vol.9: Le arti primitive : America Precolombiana, Africa, Oceania. - 280 p.
Vol.10: L'Ottocento. - 248 p.
Vol.11: Il Novecento. - 247 p.
Vol.12: Correnti contemporanee. - 215 p.
Record Nr. UNISALENTO-991001891119707536
Milano, Fratelli Fabbri Editori, 1963-1964
Materiale a stampa
Lo trovi qui: Univ. del Salento
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Cenni storici sulla storia generale delle Belle Arti / Domenico Bosurgi
Cenni storici sulla storia generale delle Belle Arti / Domenico Bosurgi
Autore BOSURGI, Domenico
Pubbl/distr/stampa Napoli : Tipografia Editrice Pontificia M. D'Auria, 1906
Descrizione fisica v. ; 25 cm
Disciplina 709.01
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Nota di contenuto : Arte Antica. - 117 p.
Record Nr. UNISA-990002089200203316
BOSURGI, Domenico  
Napoli : Tipografia Editrice Pontificia M. D'Auria, 1906
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Classical antiquities at New York University / edited by Larissa Bonfante and Blair Fowlkes ; with contributions by Mark Abbe ... [et al.]
Classical antiquities at New York University / edited by Larissa Bonfante and Blair Fowlkes ; with contributions by Mark Abbe ... [et al.]
Pubbl/distr/stampa Roma : <>Erma di Bretschneider, copyr. 2006
Descrizione fisica 249 p. : ill. ; 25 cm
Disciplina 709.01
Collana Studia archaeologica
Publications of the Center for ancient studies, New York University
Soggetto topico Antichità classiche - New York - New York university
ISBN 88-8265-366-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNISA-990002895330203316
Roma : <<L'>>Erma di Bretschneider, copyr. 2006
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Coptic art / Klaus Wessel ; translated by Jean Carrol and Sheila Hutton
Coptic art / Klaus Wessel ; translated by Jean Carrol and Sheila Hutton
Autore WESSEL, Klaus
Edizione [London : Thames and Hudson]
Pubbl/distr/stampa 247 p., : ill. ; 27 cm
Descrizione fisica Tit orig.: Koptische Kunst
Disciplina 709.01(ARTE COPTA / DEI POPOLI SENZA SCRITTURA / DALLE ORIGINI AL 499)
Soggetto topico ARTE COPTA
Classificazione VOC IX A
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Titolo uniforme
Record Nr. UNIOR-UON00149098
WESSEL, Klaus  
247 p., : ill. ; 27 cm
Materiale a stampa
Lo trovi qui: Univ. L'Orientale
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Creta Micene Troia / Friedrich Matz
Creta Micene Troia / Friedrich Matz
Autore Matz, Friedrich <1843-1874>
Pubbl/distr/stampa Roma, : Primato, [1958]
Descrizione fisica 325 p., [115] c. di tav. : ill. ; 27 cm
Disciplina 709.01
709.3
Collana Le grandi civiltà del passato
Soggetto non controllato Civiltà cretese micenea
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Record Nr. UNINA-990005371910403321
Matz, Friedrich <1843-1874>  
Roma, : Primato, [1958]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Dancing at the dawn of agriculture / Yosef Garfinkel
Dancing at the dawn of agriculture / Yosef Garfinkel
Autore GARFINKEL, Yosef
Pubbl/distr/stampa Austin, : University of Texas Press, 2003
Descrizione fisica xviii, 326 p. : ill. ; 26 cm
Disciplina 709.01(ARTE COPTA / DEI POPOLI SENZA SCRITTURA / DALLE ORIGINI AL 499)
Soggetto topico ARTE PREISTORICA - Regione mediterranea
ARTE PREISTORICA - Medio Oriente
DANZA NELL'ARTE
DANZA - Regione mediterranea - Preistoria
DANZA - Medio Oriente - Preistoria
AGRICOLTURA - Medio Oriente - Preistoria
AGRICOLTURA - Regione mediterranea - Preistoria
ISBN 02-927284-5-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNIOR-UON00309231
GARFINKEL, Yosef  
Austin, : University of Texas Press, 2003
Materiale a stampa
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The Dawn of European Art : an Introduction to Palaeolithic Cave Paintings / André Leroi-Gourhan
The Dawn of European Art : an Introduction to Palaeolithic Cave Paintings / André Leroi-Gourhan
Autore Leroi Gourhan, André
Pubbl/distr/stampa Cambridge : Cambridge university press, c1982
Descrizione fisica 77 p. : [132] c. di tav. : ill. ; 25 cm
Disciplina 709.01
Collana The imprint of man
Soggetto topico Arte rupestre - Paleolitico
Arte rupestre - Europa
ISBN 0521244595
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNISALENTO-991002771369707536
Leroi Gourhan, André  
Cambridge : Cambridge university press, c1982
Materiale a stampa
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