Creativity without Law : Challenging the Assumptions of Intellectual Property / / Kate Darling [edit.]; Aaron Perzanowski [edit.] |
Pubbl/distr/stampa | New York, N.Y., : New York University Press, 2017 |
Descrizione fisica | 1 online resource |
Disciplina | 346.048 |
Soggetto topico |
Industrial and intellectual property
Economic production |
Soggetto non controllato |
Market
Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark |
ISBN | 1-4798-2298-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Norms-based intellectual property systems: the case of French chefs -- 2. An IP lawyer walks into a bar: observations on creativity in cocktails -- 3. Derogatory to professional character?: the evolution of physician anti-patenting norms -- 4. Owning the body: creative norms in the tattoo industry -- 5. Painting on walls: street art without copyright? -- 6. Subcultural change and dynamic norms: revisiting roller derby’s master roster -- 7. Architecture and morality: transformative works, transforming fans -- 8. Internet pornography without intellectual property: a study of the online adult entertainment industry -- 9. Nollywood: pirates and Nigerian cinema -- Conclusion: Some positive thoughts about ip’s negative space -- About the contributors -- Index |
Record Nr. | UNINA-9910792659303321 |
New York, N.Y., : New York University Press, 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Creativity without Law : Challenging the Assumptions of Intellectual Property / / Kate Darling [edit.]; Aaron Perzanowski [edit.] |
Pubbl/distr/stampa | New York, N.Y., : New York University Press, 2017 |
Descrizione fisica | 1 online resource |
Disciplina | 346.048 |
Soggetto topico |
Industrial and intellectual property
Economic production |
Soggetto non controllato |
Market
Medicine copyright creativity economics incentives innovation innovations law marketplace piracy subculture trademark |
ISBN | 1-4798-2298-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Norms-based intellectual property systems: the case of French chefs -- 2. An IP lawyer walks into a bar: observations on creativity in cocktails -- 3. Derogatory to professional character?: the evolution of physician anti-patenting norms -- 4. Owning the body: creative norms in the tattoo industry -- 5. Painting on walls: street art without copyright? -- 6. Subcultural change and dynamic norms: revisiting roller derby’s master roster -- 7. Architecture and morality: transformative works, transforming fans -- 8. Internet pornography without intellectual property: a study of the online adult entertainment industry -- 9. Nollywood: pirates and Nigerian cinema -- Conclusion: Some positive thoughts about ip’s negative space -- About the contributors -- Index |
Record Nr. | UNINA-9910817443603321 |
New York, N.Y., : New York University Press, 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Creatività innovazione e proprietà intellettuale : ricchezza immateriale e relazioni internazionali : per uno sviluppo sostenibile economico, tecnologico e sociale / Giulio Prigioni |
Autore | Prigioni, Giulio |
Pubbl/distr/stampa | Roma : Presidenza del Consiglio dei Ministri. Dipartimento per l'informazione e l'editoria, 2005 |
Descrizione fisica | 256 p. ; 21 cm |
Disciplina | 346.048 |
Collana | Quaderni di Crimes & Computers |
Soggetto topico |
Proprietà industriale - Convenzioni Internazionali
Diritti d'autore - Convenzioni Internazionali |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISALENTO-991001811979707536 |
Prigioni, Giulio | ||
Roma : Presidenza del Consiglio dei Ministri. Dipartimento per l'informazione e l'editoria, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. del Salento | ||
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Cultural commons in the digital ecosystem / / Maud Pelissier |
Autore | Pélissier Maud |
Pubbl/distr/stampa | Hoboken, NJ : , : John Wiley & Sons, Inc., , [2021] |
Descrizione fisica | 1 online resource (238 pages) |
Disciplina | 346.048 |
Collana | Intellectual Technologies Set |
Soggetto topico | Intellectual property |
Soggetto genere / forma | Electronic books. |
ISBN |
1-119-84252-2
1-119-84262-X 1-119-84264-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Half-Title Page -- Title Page -- Copyright Page -- Contents -- Introduction -- PART1: The Intellectual Movement of the Cultural Commons -- Introduction to Part 1 -- 1. The Pioneering Approach of Jurists from the Berkman Center for Internet and Society -- 1.1. A critique of the maximalist doctrine of intellectual property -- 1.1.1. The enclosure of the intangible commons of the mind -- 1.1.2. The threat of disappearance of free culture in cyberspace -- 1.2. The political economy of information commons -- 1.2.1. Shared ownership and individual freedom -- 1.2.2. A new mode of information production -- 1.3. The creative commons in the field of works of the mind -- 1.3.1. Incarnation of free culture practices -- 1.3.2. Institutionalization of free culture: Creative Commons licenses -- 1.3.3. The modalities of cohabitation with the commercial cultural economy -- 1.4. Propagation in the intellectual and militant sphere in France -- 1.4.1. The challenge of legalizing non-market sharing -- 1.4.2. The challenge of legal recognition of the information commons -- 1.5. Recent extensions of the BCIS approach -- 1.5.1. The digital public domain: the perimeter of cultural commons -- 1.5.2. Network infrastructure as a commons -- 1.5.3. Remuneration of volunteer contributors -- 2. The Ostromian Approach to the Knowledge Commons -- 2.1. Ostrom's original theory of the land commons -- 2.1.1. An institutional definition of the commons -- 2.1.2. A questioning of the "tragedy of the commons" -- 2.1.3. Communal property as a bundle of rights -- 2.1.4. An institutional approach to the self-organization of common resources -- 2.2. The knowledge commons: Hess and Ostrom's approach -- 2.2.1. The singularity of information common pool resources (CPR) -- 2.2.2. Digital libraries as information CPRs -- 2.2.3. Institutional analysis and development framework (IAD).
2.3. Open access platforms as scientific commons? -- 2.3.1. Open access: a major transformation of the editorial ecosystem -- 2.3.2. Open access platforms: which bundles of user rights? -- 2.3.3. Enrichment and sustainability of the scientific commons -- 2.4. Cooperative platforms as social commons? -- 2.4.1. A rapprochement with the social and solidarity economy -- 2.4.2. Conditions for exploiting the social value created -- 2.4.3. Governance of cooperative platforms -- 2.4.4. Commoners' remuneration: a right to contribute -- PART 2: The Commons in the Digital Book Ecosystem -- Introduction to Part 2 -- 3. Digital Libraries as Heritage Commons -- 3.1. A favorable context -- 3.1.1. A new documentary order -- 3.1.2. Cultural public data as a public good -- 3.2. The production methods of heritage commons -- 3.2.1. The Google challenge -- 3.2.2. Public/private partnerships: threat or opportunity? -- 3.2.3. On-demand digitization and citizen contribution -- 3.2.4. The heritage commons: a plasticity of forms -- 3.3. Governance issue: enriching our common heritage -- 3.3.1. The construction of a shared heritage infrastructure -- 3.3.2. Content editorialization and digital mediation -- 4. The Written Commons in the Publishing Industry -- 4.1. The transformations of the editorial ecosystem -- 4.1.1. Digital textuality and new uses -- 4.1.2. The digital book immersed in an attention economy -- 4.1.3. The digital book and the growth of self-publishing -- 4.2. Wattpad: a common narrative of the misguided written word -- 4.2.1. The use of CC licenses: a hidden reality -- 4.2.2. A progressive attraction to the attention economy -- 4.2.3. Strengthened cohabitation with publishers: the announced end of free culture -- 4.3. Self-publishing and free culture: a multifaceted face -- 4.3.1. The Lulu platform: open source for the book market?. 4.3.2. In Libro Veritas and Framabook: free book editions -- Conclusion -- References -- Index -- Other titles from iSTE in Information Systems, Web and Pervasive Computing -- EULA. |
Record Nr. | UNINA-9910555256203321 |
Pélissier Maud | ||
Hoboken, NJ : , : John Wiley & Sons, Inc., , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Cultural commons in the digital ecosystem / / Maud Pelissier |
Autore | Pélissier Maud |
Pubbl/distr/stampa | Hoboken, NJ : , : John Wiley & Sons, Inc., , [2021] |
Descrizione fisica | 1 online resource (238 pages) |
Disciplina | 346.048 |
Collana | Intellectual Technologies Set |
Soggetto topico | Intellectual property |
ISBN |
1-119-84252-2
1-119-84262-X 1-119-84264-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Half-Title Page -- Title Page -- Copyright Page -- Contents -- Introduction -- PART1: The Intellectual Movement of the Cultural Commons -- Introduction to Part 1 -- 1. The Pioneering Approach of Jurists from the Berkman Center for Internet and Society -- 1.1. A critique of the maximalist doctrine of intellectual property -- 1.1.1. The enclosure of the intangible commons of the mind -- 1.1.2. The threat of disappearance of free culture in cyberspace -- 1.2. The political economy of information commons -- 1.2.1. Shared ownership and individual freedom -- 1.2.2. A new mode of information production -- 1.3. The creative commons in the field of works of the mind -- 1.3.1. Incarnation of free culture practices -- 1.3.2. Institutionalization of free culture: Creative Commons licenses -- 1.3.3. The modalities of cohabitation with the commercial cultural economy -- 1.4. Propagation in the intellectual and militant sphere in France -- 1.4.1. The challenge of legalizing non-market sharing -- 1.4.2. The challenge of legal recognition of the information commons -- 1.5. Recent extensions of the BCIS approach -- 1.5.1. The digital public domain: the perimeter of cultural commons -- 1.5.2. Network infrastructure as a commons -- 1.5.3. Remuneration of volunteer contributors -- 2. The Ostromian Approach to the Knowledge Commons -- 2.1. Ostrom's original theory of the land commons -- 2.1.1. An institutional definition of the commons -- 2.1.2. A questioning of the "tragedy of the commons" -- 2.1.3. Communal property as a bundle of rights -- 2.1.4. An institutional approach to the self-organization of common resources -- 2.2. The knowledge commons: Hess and Ostrom's approach -- 2.2.1. The singularity of information common pool resources (CPR) -- 2.2.2. Digital libraries as information CPRs -- 2.2.3. Institutional analysis and development framework (IAD).
2.3. Open access platforms as scientific commons? -- 2.3.1. Open access: a major transformation of the editorial ecosystem -- 2.3.2. Open access platforms: which bundles of user rights? -- 2.3.3. Enrichment and sustainability of the scientific commons -- 2.4. Cooperative platforms as social commons? -- 2.4.1. A rapprochement with the social and solidarity economy -- 2.4.2. Conditions for exploiting the social value created -- 2.4.3. Governance of cooperative platforms -- 2.4.4. Commoners' remuneration: a right to contribute -- PART 2: The Commons in the Digital Book Ecosystem -- Introduction to Part 2 -- 3. Digital Libraries as Heritage Commons -- 3.1. A favorable context -- 3.1.1. A new documentary order -- 3.1.2. Cultural public data as a public good -- 3.2. The production methods of heritage commons -- 3.2.1. The Google challenge -- 3.2.2. Public/private partnerships: threat or opportunity? -- 3.2.3. On-demand digitization and citizen contribution -- 3.2.4. The heritage commons: a plasticity of forms -- 3.3. Governance issue: enriching our common heritage -- 3.3.1. The construction of a shared heritage infrastructure -- 3.3.2. Content editorialization and digital mediation -- 4. The Written Commons in the Publishing Industry -- 4.1. The transformations of the editorial ecosystem -- 4.1.1. Digital textuality and new uses -- 4.1.2. The digital book immersed in an attention economy -- 4.1.3. The digital book and the growth of self-publishing -- 4.2. Wattpad: a common narrative of the misguided written word -- 4.2.1. The use of CC licenses: a hidden reality -- 4.2.2. A progressive attraction to the attention economy -- 4.2.3. Strengthened cohabitation with publishers: the announced end of free culture -- 4.3. Self-publishing and free culture: a multifaceted face -- 4.3.1. The Lulu platform: open source for the book market?. 4.3.2. In Libro Veritas and Framabook: free book editions -- Conclusion -- References -- Index -- Other titles from iSTE in Information Systems, Web and Pervasive Computing -- EULA. |
Record Nr. | UNINA-9910829880803321 |
Pélissier Maud | ||
Hoboken, NJ : , : John Wiley & Sons, Inc., , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Cyberdiritto d'autore : il diritto d'autore nell'era di Internet : all'interno un floppy disk con il bookmark dei siti di maggiore interesse / Anna Massimini |
Autore | Massimini, Anna |
Pubbl/distr/stampa | Napoli : Esselibri-Simone, stampa 1999 |
Descrizione fisica | 127 p. ; 21 cm |
Disciplina | 346.048 |
Collana | Diritto & informatica ; 10. |
Soggetto topico | Diritto di autore |
ISBN | 8824415628 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISALENTO-991001378689707536 |
Massimini, Anna | ||
Napoli : Esselibri-Simone, stampa 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. del Salento | ||
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Das Urheberrecht auf dem Gebiete der bildenden Kunst und Photographie / dargestellt von E. Grünewald |
Autore | Grünewald, E. |
Pubbl/distr/stampa | Düsseldorf : Ed. Liesegang's Verlag, 1888 |
Descrizione fisica | 92 p. ; 24 cm |
Disciplina | 346.048 |
Formato | Materiale a stampa |
Livello bibliografico | Collezione |
Lingua di pubblicazione | ger |
Record Nr. | UNINA-990007054180403321 |
Grünewald, E. | ||
Düsseldorf : Ed. Liesegang's Verlag, 1888 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Data capital : how data is reinventing capital for globalization / / Chunlei Tang |
Autore | Tang Chunlei |
Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
Descrizione fisica | 1 online resource (376 pages) |
Disciplina | 346.048 |
Soggetto topico | Intellectual property - Economic aspects |
ISBN | 3-030-60192-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910483658303321 |
Tang Chunlei | ||
Cham, Switzerland : , : Springer, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Derecho, big data e inteligencia artificial / Andrea Ottolia |
Autore | OTTOLIA, Andrea |
Pubbl/distr/stampa | Torino : Giappichelli |
Descrizione fisica | IX, 266 p. ; 24 cm |
Disciplina | 346.048 |
Soggetto topico | Proprietà intellettuale - Tutela - Effetti [dei] Big data - Diritto |
ISBN | 978-88-921-1913-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Record Nr. | UNISA-996292149303316 |
OTTOLIA, Andrea | ||
Torino : Giappichelli | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
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Derecho, big data e inteligencia artificial / Andrea Ottolia |
Autore | Ottolia, Andrea <1976- > |
Pubbl/distr/stampa | Torino, : Giappichelli |
Descrizione fisica | IX, 266 p. ; 24 cm |
Disciplina | 346.048 |
Soggetto non controllato | Proprietà intellettuale - Effetti [dei] Big data - Diritto |
ISBN |
9788413135403
978-88-921-1913-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Record Nr. | UNINA-9910432659703321 |
Ottolia, Andrea <1976- > | ||
Torino, : Giappichelli | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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