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Theatre under Louis XIV [[electronic resource] ] : cross-casting and the performance of gender in drama, ballet and opera / / Julia Prest



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Autore: Prest Julia Visualizza persona
Titolo: Theatre under Louis XIV [[electronic resource] ] : cross-casting and the performance of gender in drama, ballet and opera / / Julia Prest Visualizza cluster
Pubblicazione: New York, : Palgrave Macmillan, 2006
Edizione: 1st ed.
Descrizione fisica: 1 online resource (208 p.)
Disciplina: 791.0944/09032
Soggetto topico: Performing arts - France - History - 17th century
Performing arts - France - History - 18th century
Female impersonators - France - History - 17th century
Female impersonators - France - History - 18th century
Male impersonators - France - History - 17th century
Male impersonators - France - History - 18th century
French drama - 17th century - History and criticism
French drama - 18th century - History and criticism
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references (p. [179]-189) and index.
Nota di contenuto: Cover; Contents; List of Illustrations; Acknowledgments; Introduction: Cross-Dressing and Cross-Casting; Chapter I: Unattractive Women: Cross-Casting in Comedy; Chapter II: Boys Will Be Girls: Cross-Casting in School Drama; Chapter III: Female Roles in Court Ballet I: Men Playing Women; Chapter IV: Female Roles in Court Ballet II: Women Playing Women; Chapter V: Cross-Casting and Gender Ambiguity in Opera; Conclusion; Notes; Bibliography; Index
Sommario/riassunto: This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet (in which the King himself performed a number of women's roles) and an occasional feature of spoken comedy and tragic opera. Cross-casting also persisted out of necessity in the school drama of the period. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. The inclusion of chapters on ballet and opera (as well as spoken drama) opens up the richness of French theatre under Louis XIV in a way that has not been achieved before.
Titolo autorizzato: Theatre under Louis XIV  Visualizza cluster
ISBN: 1-281-36079-1
9786611360795
0-230-60092-1
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910825609603321
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