Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf
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| Autore: |
Bernhart Walter
|
| Titolo: |
Essays on literature and music, 1985-2013, by Walter Bernhart / / edited by Werner Wolf
|
| Pubblicazione: | Leiden ; ; Boston : , : Brill/Rodopi, , 2015 |
| Descrizione fisica: | 1 online resource (515 p.) |
| Disciplina: | 780.9 |
| Soggetto topico: | Music and literature |
| Music - History and criticism | |
| Literature - History and criticism | |
| Literature | |
| Music | |
| Soggetto genere / forma: | Criticism, interpretation, etc. |
| Altri autori: |
WolfWerner <1955->
|
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references (p. 491-493) and index. |
| Nota di contenuto: | Preliminary Material / Werner Wolf -- Theorie und Praxis der Vertonung in den elisabethanischen Airs [1985] / Werner Wolf -- The Iconic Quality of Poetic Rhythm [1986] / Werner Wolf -- Examples of Byron’s Impact on 19th-Century German and Austrian Music [1987] / Werner Wolf -- Setting a Poem: The Composer’s Choice For or Against Interpretation [1988] / Werner Wolf -- Zweimal ‘Johnny’: Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten [1991] / Werner Wolf -- Prekäre angewandte Opernästhetik: Auden’s ‘sekundäre Welt’ und Hans Werner Henzes Elegie für junge Liebende [1994] / Werner Wolf -- An Exegetic Composer: Benjamin Britten’s Journey of the Magi [1995] / Werner Wolf -- ‘Kalogenetic’ Functions of Prosody: An Exercise in Comparative Poetics [1995] / Werner Wolf -- How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics [1996] / Werner Wolf -- ‘Proportion’ in Elizabethan Poetry and Music [1996] / Werner Wolf -- Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form [1997] / Werner Wolf -- Iconicity and Beyond in “Lullaby for Jumbo”: Semiotic Functions of Poetic Rhythm [1999] / Werner Wolf -- Some Reflections on Literary Genres and Music [1999] / Werner Wolf -- Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein [1999] / Werner Wolf -- A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar [2000] / Werner Wolf -- Typologische Überlegungen zum Melodrama [2000] / Werner Wolf -- Three Types of Song Cycles: The Variety of Britten’s ‘Charms’ [2001] / Werner Wolf -- Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging [2001] / Werner Wolf -- The Turn of the Screw: Ein Glanzstück der Literaturoper [2002] / Werner Wolf -- The ‘Destructiveness of Music’: Functional Intermedia Disharmony in Popular Songs [2002] / Werner Wolf -- Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik [2003] / Werner Wolf -- Masterminding Word and Music Studies: A Tribute to Steven P. Scher [2002] / Werner Wolf -- The Rake’s Progress: Klassizistische Oper zwischen Moralität, Märchen, Mythos und Groteske [2004] / Werner Wolf -- Der ‘postmoderne’ Rosenkavalier [2005] / Werner Wolf -- ‘Die lustigen Weiber’ proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper [2005] / Werner Wolf -- Narrative Framing in Schumann’s Piano Pieces [2006] / Werner Wolf -- ‘Musikalische Verse’: “Ich weiß nicht, was soll es bedeuten” [2006] / Werner Wolf -- Myth-making Opera: David Malouf’s and Michael Berkeley’s Jane Eyre [2007] / Werner Wolf -- Words and Music as Partners in Song: ‘Perfect Marriage’ – ‘Uneasy Flirtation’ – ‘Coercive Tension’ – ‘Shared Indifference’ – ‘Total Destruction’ [2007] / Werner Wolf -- “Liebling der ganzen Welt”: Sir Walter Scott als Inspiration für die romantische Oper und Donizettis Lucia di Lammermoor [2008] / Werner Wolf -- From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation [2008] / Werner Wolf -- What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies [2008] / Werner Wolf -- “... pour out forgiveness like a wine”: Can Music “say an existence is wrong”? [2009] / Werner Wolf. |
| Sommario/riassunto: | This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary ‘comparative poetics’, the concept of ‘genre’ in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular. |
| Titolo autorizzato: | Essays on literature and music, 1985-2013, by Walter Bernhart |
| ISBN: | 90-04-30274-3 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910821057703321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |
Serie:
Word and Music Studies ; 14.