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Essays on Paula Rego : smile when you think about hell / / Maria Manuel Lisboa



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Autore: Lisboa Maria Manuel <1963-> Visualizza persona
Titolo: Essays on Paula Rego : smile when you think about hell / / Maria Manuel Lisboa Visualizza cluster
Pubblicazione: Cambridge, UK : , : Open Book Publishers, , [2019]
©2019
Descrizione fisica: 1 online resource (xi, 459 pages) : illustrations
Disciplina: 700.103
Soggetto topico: Feminism in art
Nota di bibliografia: Includes bibliographical references and index.
Sommario/riassunto: In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego's work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego's art. Taking a historicist approach to the evolution of the artist's work, Lisboa embeds the works within Rego's personal history as well as Portugal's (and indeed other nations') stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego's uncompromising iconographic style. Fundamental to Lisboa's analysis is an understanding that apparent opposites - male and female, sacred and profane, aggression and submissiveness - often co-exist in Rego's work in a way that is both disturbing and destabilising. This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts.
Altri titoli varianti: Essays on Paula Rego
Titolo autorizzato: Essays on Paula Rego  Visualizza cluster
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910477092803321
Lo trovi qui: Univ. Federico II
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