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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Clarence Thomas and the tough love crowd : counterfeit heroes and unhappy truths / / Ronald Suresh Roberts
| Clarence Thomas and the tough love crowd : counterfeit heroes and unhappy truths / / Ronald Suresh Roberts |
| Autore | Roberts Ronald Suresh |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [1994] |
| Descrizione fisica | 1 online resource (238 p.) |
| Disciplina | 320.5/2/08996073 |
| Soggetto topico |
African American intellectuals - Attitudes
Conservatism - United States |
| Soggetto non controllato |
Carter
Clarence Enlisting Naipaul Roberts Ronald Shelby Steele Stephen Suresh Thomas VS black critique devastating figures neoconservatives proclamations public serves such writings |
| ISBN |
0-8147-6946-2
0-585-32494-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Preface: The Tough Love Crowd: Disciplined Heroes -- 1. Reality: The Opium of Progressives -- 2. Julien Benda's Constitution -- 3. Tough Love Literati -- 4. Tough Love Economist -- 5. Tough Love Lawyers -- 6. Is Law Like a Friar's Roast? -- 7. Can We Judge Judges? -- 8. Justice Thomas's Sins -- 9. Sir Vidia Naipaul's Revolutionary Truth -- Conclusion: What's So Scary about Partisanship? -- Notes -- Index |
| Record Nr. | UNISA-996588070703316 |
Roberts Ronald Suresh
|
||
| New York, NY : , : New York University Press, , [1994] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
L’enfance sous la plume : La diffusion de l’écriture éducative en Suisse romande, 1750-1820 / / Sylvie Moret Petrini
| L’enfance sous la plume : La diffusion de l’écriture éducative en Suisse romande, 1750-1820 / / Sylvie Moret Petrini |
| Autore | Moret Petrini Sylvie |
| Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2021 |
| Descrizione fisica | 1 online resource (288 p.) |
| Collana | Histoire |
| Soggetto topico |
Education
écriture éducation writings education Swiss |
| Soggetto non controllato |
writings
education Swiss |
| ISBN | 2-7535-8673-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910520198003321 |
|
Moret Petrini Sylvie
|
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| Rennes, : Presses universitaires de Rennes, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Fair sex [[electronic resource] ] : white women and racial patriarchy in the early American Republic / / Pauline Schloesser
| The Fair sex [[electronic resource] ] : white women and racial patriarchy in the early American Republic / / Pauline Schloesser |
| Autore | Schloesser Pauline E |
| Pubbl/distr/stampa | New York, : New York University Press, c2002 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 305.42/0973/09033 |
| Soggetto topico |
Sex role - Political aspects - United States - History - 18th century
Women - Political activity - United States - History - 18th century Political culture - United States - History - 18th century Patriarchy - United States - History - 18th century |
| Soggetto non controllato |
Abigail
Adams Judith Murray--and Otis Sargent Smith Warren carefully examination female gender hierarchies intellectuals--Mercy lives nation negotiated political racial they three writings |
| ISBN |
0-8147-3997-0
1-4294-1500-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Race, gender, and woman citizenship in the American founding -- Toward a theory of racial patriarchy -- The ideology of the "fair sex" -- The philosopher queen and the U.S. constitution: Mercy Otis Warren as a reluctant signatory -- From revolution to racial patriarchy: the political pragmatism of Abigail Adams -- Gleaning a self between the lines: Judith Sargent Murray. |
| Record Nr. | UNINA-9910777086803321 |
|
Schloesser Pauline E
|
||
| New York, : New York University Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Fair sex [[electronic resource] ] : white women and racial patriarchy in the early American Republic / / Pauline Schloesser
| The Fair sex [[electronic resource] ] : white women and racial patriarchy in the early American Republic / / Pauline Schloesser |
| Autore | Schloesser Pauline E |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : New York University Press, c2002 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 305.42/0973/09033 |
| Soggetto topico |
Sex role - Political aspects - United States - History - 18th century
Women - Political activity - United States - History - 18th century Political culture - United States - History - 18th century Patriarchy - United States - History - 18th century |
| Soggetto non controllato |
Abigail
Adams Judith Murray--and Otis Sargent Smith Warren carefully examination female gender hierarchies intellectuals--Mercy lives nation negotiated political racial they three writings |
| ISBN |
0-8147-3997-0
1-4294-1500-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Race, gender, and woman citizenship in the American founding -- Toward a theory of racial patriarchy -- The ideology of the "fair sex" -- The philosopher queen and the U.S. constitution: Mercy Otis Warren as a reluctant signatory -- From revolution to racial patriarchy: the political pragmatism of Abigail Adams -- Gleaning a self between the lines: Judith Sargent Murray. |
| Record Nr. | UNINA-9910806904003321 |
|
Schloesser Pauline E
|
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| New York, : New York University Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Foucault’s theatres / edited by Tony Fisher and Kelina Gotman
| Foucault’s theatres / edited by Tony Fisher and Kelina Gotman |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2019 |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 792.01 |
| Collana | Theatre : theory, practice, performance |
| Soggetto topico |
Performing arts - Philosophy
Theater - Philosophy |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
Michel Foucault
cultural history dramaturgy film introduction journalism lectures music performance studies performance turn performativity politics power theatre truth writings |
| ISBN | 1-5261-3207-9 |
| Classificazione | CI 5717 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : theatre, performance, Foucault / Tony Fisher and Kelina Gotman -- Foucault's philosophical theatres / Mark D. Jordan -- The dramas of knowledge : Foucault's genealogical theatre of truth / Aline Wiame -- Foucault live! 'A voice that still eludes the tomb of the text ...' / Magnolia Pauker -- Foucault, Oedipus, Negritude / Kelina Gotman -- Foucault's critical dramaturgies / Mark Robson -- Heterotopia and the mapping of unreal spaces on stage / Joanne Tompkins -- Foucault and Shakespeare : the theatre of madness / Stuart Elden -- Philosophical phantasms : 'the Platonic differential' and 'Zarathustra's laughter' / Mischa Twitchin -- Cage and Foucault : musical timekeeping and the security state / Steve Potter -- Foucault and the Iranian Revolution : reassessed / Tracey Nicholls -- Sightlines : Foucault and Naturalist theatre / Dan Rebellato -- Theatre of poverty : popular illegalism on the nineteenth-century stage / Tony Fisher -- The philosophical scene : Foucault interviewed by Moriaki Watanabe / Michel Foucault (translated by Robert Bononno) -- After words, afterwards : teaching Foucault / Ann Pellegrini. |
| Record Nr. | UNINA-9910822238803321 |
| Baltimore, Maryland : , : Project Muse, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Representations of slave women in discourses on slavery and abolition, 1780-1838 / / Henrice Altink
| Representations of slave women in discourses on slavery and abolition, 1780-1838 / / Henrice Altink |
| Autore | Altink Henrice |
| Pubbl/distr/stampa | New York, : Routledge, ©2007 |
| Descrizione fisica | 1 online resource |
| Disciplina | 306.3/62082097292 |
| Collana | Routledge studies in slave and post-slave societies and cultures |
| Soggetto topico |
Enslaved women - Jamaica - History
Enslaved women - Jamaica - Public opinion Slavery - Jamaica - History |
| Soggetto non controllato |
proslavery
writers antislavery writings female flogging apprentices african jamaican mother |
| ISBN |
1-134-26870-X
1-134-26869-6 0-203-67601-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Belly women : slave women's childbirth practices -- Pickeniny mummas : slave women's childrearing practices -- Deviant and dangerous : slave women's sexuality -- Till death do us part? : slave wives and slave husbands -- The indecency of the lash -- Slavery by another name. |
| Record Nr. | UNINA-9910765858303321 |
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Altink Henrice
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| New York, : Routledge, ©2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||