Contemporary Natural Philosophy and Philosophies - Part 2 |
Autore | Dodig-Crnkovic Gordana |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
Descrizione fisica | 1 electronic resource (196 p.) |
Soggetto topico | Philosophy |
Soggetto non controllato |
Number world
spurious law emergent law dialectics epistemon information logic in reality natural philosophy ontolon semiotics ontology BFO tropes applied philosophy thought-experiment libero arbitrio freedom of will knowledge synthesis epistemology breakthrough knowledge domain-specific knowledge web-based search grounded theory Bradford Hill criteria association causation mediation naturalistic epistemology knowledge how knowledge that anti-intellectualism intellectualism practical grasp cognitive science physical information abstract information physical phenomena abstract entities learning learning to learn deep learning information processing natural computing morphological computing info-computation connectionism symbolism cognition robotics artificial intelligence contemporary natural philosophy idola mentis scientific methodology quantitative and qualitative methods structural analysis abstraction complexity knowledge naturalism slips basic activities philosophy of nature unity of knowledge |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910557284603321 |
Dodig-Crnkovic Gordana
![]() |
||
Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Imagining Religious Toleration : A Literary History of an Idea, 1600-1830 / / Alison Conway, David Alvarez |
Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
Descrizione fisica | 1 online resource (277 pages) |
Disciplina | 820.9/382 |
Soggetto topico | English literature - Early modern, 1500-1700 - History and criticism |
Soggetto genere / forma | Criticism, interpretation, etc. |
Soggetto non controllato |
Defoe
Enlightenment Merchant of Venice Milton Shakespeare eighteenth-century novel literary studies literature and religion literature religious toleration rhetoric satire tolerance tropes |
ISBN |
1-4875-1397-6
1-4875-1396-8 |
Classificazione | cci1icc |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Imagining Religious Toleration / Conway, Alison -- 1. Shylock, Conversion, Toleration / Yachnin, Paul -- 2. New World Behn: Toleration, Geography, and the Question of Humanity / Achinstein, Sharon -- 3. Blind or Blindfolded? Disability, Religious Difference, and Milton's Samson Agonistes / Mckendry, Andrew -- 4. Imagining Worlds and Figuring Toleration: Freedom, Diversity, and Violence in A Description of a New World, Called The Blazing-World / Harol, Corrinne -- 5. How to Handle the Intolerant: The Education of Pierre Bayle / Russo, Elena -- 6. The Difference Enlightenment Satire Makes to Religion: Hudibras to Hebdo / Alvarez, David -- 7. Daniel Defoe and the Geopolitics of Islamic Toleration / Garcia, Humberto -- 8. The Toleration of Enthusiasts / Picciotto, Joanna -- 9. Joseph Priestley's Romantic Progressivism / Canuel, Mark -- 10. Translating Love in Prometheus Unbound / Jager, Colin -- Contributors -- Index |
Record Nr. | UNINA-9910793760903321 |
Toronto : , : University of Toronto Press, , [2019] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The Art of Adaptation in Film and Video Games |
Autore | Thomas Christian |
Pubbl/distr/stampa | Basel, : MDPI Books, 2022 |
Descrizione fisica | 1 electronic resource (254 p.) |
Soggetto topico | Film, TV & radio |
Soggetto non controllato |
Mulan
adaptation Disney Orientalism cultural authenticity cultural palimpsest Chinese cinema science fiction The Wandering Earth patricide patrilineality nationalism media mass culture film digital games film adaptation experimental game design game design process documentation T.S. Eliot Prufrock remediation comic strip animated film split screen video poem YouTube dramatic monologue photographic montage Contagion propaganda pandemic premediation Steven Soderbergh Scott Z. Burns transit migrants empathy liminal spaces Bildungsroman modernity videogames Shakespeare Tale of a Forest biodiversity documentary ecocriticism environmental narrative forest nature photography nostalgia species video games game studies Star Wars George Lucas game reviews criticism thematic analysis Japanese video games game localization cultural adaptation localization approaches localization strategies domestication foreignization reception trauma origin psychoanalysis repetition impossibility loss representation extremity writing image failure memoir missed experience creative writing studies screenwriting video game narrative design interactive writing horror film horror video games survival horror character development sci-fi thriller genre tropes methodology |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910595074903321 |
Thomas Christian
![]() |
||
Basel, : MDPI Books, 2022 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
Descrizione fisica | 1 online resource (324 pages) |
Disciplina | 128/.4 |
Soggetto topico | Listening (Philosophy) |
Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
Record Nr. | UNINA-9910797374303321 |
New York, [New York] : , : Fordham University Press, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
Descrizione fisica | 1 online resource (324 pages) |
Disciplina | 128/.4 |
Soggetto topico | Listening (Philosophy) |
Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
Record Nr. | UNINA-9910818711303321 |
New York, [New York] : , : Fordham University Press, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|