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Entertainment-Education Behind the Scenes : Case Studies for Theory and Practice
| Entertainment-Education Behind the Scenes : Case Studies for Theory and Practice |
| Autore | Frank Lauren B |
| Pubbl/distr/stampa | Springer Nature, 2021 |
| Descrizione fisica | 1 online resource (365 pages) |
| Disciplina | 371.33 |
| Altri autori (Persone) | FalzonePaul |
| Soggetto topico | Media studies |
| Soggetto non controllato |
Development Communication
Media and Communication Health Communication communication for social change social change communication edutainment mass media transmedia conflict resolution Open Access Media studies |
| ISBN | 3-030-63614-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910473449003321 |
Frank Lauren B
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| Springer Nature, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Gaming and the arts of storytelling / / special issue editor, Darshana Jayemanne
| Gaming and the arts of storytelling / / special issue editor, Darshana Jayemanne |
| Pubbl/distr/stampa | MDPI - Multidisciplinary Digital Publishing Institute, 2019 |
| Descrizione fisica | 1 electronic resource (144 p.) |
| Disciplina | 794.8 |
| Soggetto topico |
Video games
Storytelling - Video games |
| Soggetto non controllato |
play
storytelling poetics roleplay survival horror game storytelling game narrative pornography empathy games games ludonarrative dissonance Larry McMurtry digital games AAA mapping ludology fantasy fifth look choice poetics film musicals literary adaptation choices video games politics gender interactive storytelling FPS narrative games Gamergate transmedia remediation narrative theory psychology the uncanny shared vocabulary complicity ability Haraway videogames Twin Peaks Deadly Premonition Alien gaming defamiliarization ludonarrative Walter Benjamin narratology carnivalesque Bakhtin player goals interactive digital narrative game fiction cyborg |
| ISBN | 3-03921-232-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910346670903321 |
| MDPI - Multidisciplinary Digital Publishing Institute, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jeu vidéo et livre / / Björn-Olav Dozo, Fanny Barnabé
| Jeu vidéo et livre / / Björn-Olav Dozo, Fanny Barnabé |
| Autore | Allard Jérôme-Olivier |
| Pubbl/distr/stampa | Liège, : Presses universitaires de Liège, 2018 |
| Altri autori (Persone) |
AndréLaury-Nuria
BarnabéFanny BerryVincent BertrandCharlotte BolayJordan P.R ChartrandÉric DecerfNicolas DozoBjörn-Olav DupontBruno DuretChristophe GrignonPrisca LaluJulien La MannaDiego MagalhaesCatherine PaolucciPhilippe PeuchBenjamin RayJean‑Charles SellierHélène SolnychkineSophie Lécole Tremblay‑GaudetteGabriel |
| Soggetto topico |
Art
Literary Theory & Criticism jeu vidéo game studies rapports intermédiatiques transmedia |
| Soggetto non controllato |
transmedia
jeu vidéo game studies rapports intermédiatiques |
| ISBN | 979-1-03-651235-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910275041103321 |
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Allard Jérôme-Olivier
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| Liège, : Presses universitaires de Liège, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Poetry on stage : the theatre of the Italian neo-avant-garde / / Gianluca Rizzo
| Poetry on stage : the theatre of the Italian neo-avant-garde / / Gianluca Rizzo |
| Autore | Rizzo Gianluca |
| Pubbl/distr/stampa | Toronto, Ontario ; ; Buffalo ; ; London : , : University of Toronto Press, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 852.9140911 |
| Collana | Toronto Italian Studies |
| Soggetto topico | Experimental drama, Italian - History and criticism |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| Soggetto non controllato |
Gruppo 63
Italian literature Nuovo Teatro avant-garde theatre experimental neo-avant-garde oral performance poetry political poetry political theatre theatre transmedia |
| ISBN |
1-4875-3463-9
1-4875-3461-2 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright -- Contents -- Acknowledgments -- Note on Terminology -- Introduction -- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant-Garde -- 1.1 A Bitter aperitivo -- 1.2 A Knot of Theoretical and Practical Issues -- 1.3 Contemporary Press Coverage -- 1.4 Poetry and the Stage -- 1.5 The Example of Pagliarani -- 1.6 Sanguineti and the Theatre of the Neoavanguardia -- 1.7 A "Manifesto minimo" for a Teatro dei Novissimi -- 1.8 Il Verri's inchiesta "Sul teatro" -- 2 The Italian Stage in the 1960s -- 2.1 Carmelo Bene
2.2 Mario Ricci -- 2.3 Carlo Quartucci -- 2.4 Giuliano Scabia -- 2.5 After 1965 -- 2.6 The Evolution of Quartucci's and Scabia's Theatre -- 2.7 Brecht and "Brechtismo" -- 2.8 Artaud and the Living Theatre -- 2.9 The Convegno di Ivrea -- 2.10 Pasolini and the "Teatro di Parola" -- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia -- 3.1 An Ambivalent Relation -- 3.2 Reasons for Convergence and Divergence -- 3.3 The Words of "corpo-voce":Oral versus Written -- 3.4 The Changing Status of the Text -- 3.5 Giuliano Scabia: An Extreme, Exemplary Path 3.6 Antonio Porta's Hungry Verse -- 3.7 The "Battle of Castelporziano" -- 4 An Introduction to Pagliarani's Theatre -- 4.1 Theatre as "Verification" -- 4.2 Languages and Characters -- 4.3 The Function of the Chorus -- 4.4 Exempla Devoid of Moral -- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti -- 5.1 Giuliani and "Il teatro dei Novissimi" -- 5.2 Pelle d'Asino, according to Perrault -- 5.3 Grottesco per musica -- 5.4 The Play's General Plan -- 5.5 Act Two Manuscripts -- 5.6 The Comparison with Giuliani's Povera Juliet ("Poor Juliet") 5.7 The Rewriting of Jarry's Ubu Roi -- 5.8 Ubu's Intertextuality -- 5.9 Ubu's Language: Interpretations and Puppets -- 5.10 Jarry's Reception in Italy -- 5.11 Seneca, Nero, and the Land Surveyor K. -- 5.12 The Rewriting of Faust by Pagliarani and Celli -- 5.13 Conclusions -- Interviews -- Interview with Valentina Valentini -- Interview with Pippo Di Marca -- Interview with Nanni Balestrini -- Interview with Giuliano Scabia -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910794378103321 |
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Rizzo Gianluca
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| Toronto, Ontario ; ; Buffalo ; ; London : , : University of Toronto Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Poetry on stage : the theatre of the Italian neo-avant-garde / / Gianluca Rizzo
| Poetry on stage : the theatre of the Italian neo-avant-garde / / Gianluca Rizzo |
| Autore | Rizzo Gianluca |
| Pubbl/distr/stampa | Toronto, Ontario ; ; Buffalo ; ; London : , : University of Toronto Press, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 852.9140911 |
| Collana | Toronto Italian Studies |
| Soggetto topico | Experimental drama, Italian - History and criticism |
| Soggetto genere / forma |
Criticism, interpretation, etc.
Electronic books. |
| Soggetto non controllato |
Gruppo 63
Italian literature Nuovo Teatro avant-garde theatre experimental neo-avant-garde oral performance poetry political poetry political theatre theatre transmedia |
| ISBN |
1-4875-3463-9
1-4875-3461-2 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Copyright -- Contents -- Acknowledgments -- Note on Terminology -- Introduction -- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant-Garde -- 1.1 A Bitter aperitivo -- 1.2 A Knot of Theoretical and Practical Issues -- 1.3 Contemporary Press Coverage -- 1.4 Poetry and the Stage -- 1.5 The Example of Pagliarani -- 1.6 Sanguineti and the Theatre of the Neoavanguardia -- 1.7 A "Manifesto minimo" for a Teatro dei Novissimi -- 1.8 Il Verri's inchiesta "Sul teatro" -- 2 The Italian Stage in the 1960s -- 2.1 Carmelo Bene
2.2 Mario Ricci -- 2.3 Carlo Quartucci -- 2.4 Giuliano Scabia -- 2.5 After 1965 -- 2.6 The Evolution of Quartucci's and Scabia's Theatre -- 2.7 Brecht and "Brechtismo" -- 2.8 Artaud and the Living Theatre -- 2.9 The Convegno di Ivrea -- 2.10 Pasolini and the "Teatro di Parola" -- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia -- 3.1 An Ambivalent Relation -- 3.2 Reasons for Convergence and Divergence -- 3.3 The Words of "corpo-voce":Oral versus Written -- 3.4 The Changing Status of the Text -- 3.5 Giuliano Scabia: An Extreme, Exemplary Path 3.6 Antonio Porta's Hungry Verse -- 3.7 The "Battle of Castelporziano" -- 4 An Introduction to Pagliarani's Theatre -- 4.1 Theatre as "Verification" -- 4.2 Languages and Characters -- 4.3 The Function of the Chorus -- 4.4 Exempla Devoid of Moral -- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti -- 5.1 Giuliani and "Il teatro dei Novissimi" -- 5.2 Pelle d'Asino, according to Perrault -- 5.3 Grottesco per musica -- 5.4 The Play's General Plan -- 5.5 Act Two Manuscripts -- 5.6 The Comparison with Giuliani's Povera Juliet ("Poor Juliet") 5.7 The Rewriting of Jarry's Ubu Roi -- 5.8 Ubu's Intertextuality -- 5.9 Ubu's Language: Interpretations and Puppets -- 5.10 Jarry's Reception in Italy -- 5.11 Seneca, Nero, and the Land Surveyor K. -- 5.12 The Rewriting of Faust by Pagliarani and Celli -- 5.13 Conclusions -- Interviews -- Interview with Valentina Valentini -- Interview with Pippo Di Marca -- Interview with Nanni Balestrini -- Interview with Giuliano Scabia -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910825271603321 |
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Rizzo Gianluca
|
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| Toronto, Ontario ; ; Buffalo ; ; London : , : University of Toronto Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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