Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
Autore | Lockhart Ellen |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (218 pages) : illustrations |
Disciplina | 782.1094509033 |
Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
ISBN | 0-520-96006-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
Record Nr. | UNINA-9910794760503321 |
Lockhart Ellen
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Berkeley, CA : , : University of California Press, , [2017] | ||
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Lo trovi qui: Univ. Federico II | ||
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Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
Autore | Lockhart Ellen |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (218 pages) : illustrations |
Disciplina | 782.1094509033 |
Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
ISBN | 0-520-96006-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
Record Nr. | UNINA-9910810341903321 |
Lockhart Ellen
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Berkeley, CA : , : University of California Press, , [2017] | ||
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Lo trovi qui: Univ. Federico II | ||
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Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910792967203321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910808523103321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Drama kings [[electronic resource] ] : players and publics in the re-creation of Peking opera, 1870-1937 / / Joshua Goldstein |
Autore | Goldstein Joshua <1965-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
Descrizione fisica | 1 online resource (385 p.) |
Disciplina | 792.0951/156 |
Soggetto topico |
Theater - China - Beijing - History
Operas, Chinese - China - Beijing - History |
Soggetto non controllato |
career
celebrities chinese history cross dressing cross-dressers cultural anthropology detailed history dramatic emotional rollercoaster four great female impersonators gender bending gender roles historical reenactments history of china history intense emotion intense lively melodrama peking opera performing arts politics qing dynasty theater and opera theater history theatrical |
ISBN |
1-282-35903-7
9786612359033 0-520-93279-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Late Qing Institutions of Peking Opera -- 2. From Teahouse to Playhouse -- 3. The Experimental Stage, 1895-1920 -- 4. May Fourth Realism and Qi Rushan's Theory of National Drama -- 5. Landscape and Figure, Nation and Character -- 6. The Limits of Reform -- 7. The Gendering of National Culture, Or, The Only Good Woman is a Man -- 8. Nationalization through Iconification -- Epilogue -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910778080103321 |
Goldstein Joshua <1965->
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Berkeley, : University of California Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Grand opera : the story of the Met / / Charles Affron and Mirella Jona Affron |
Autore | Affron Charles |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (469 p.) |
Disciplina | 792.509747/1 |
Soggetto topico |
Electronic books
MUSIC / Genres & Styles / Opera |
Soggetto non controllato |
21st century innovations
audience response career classical music faust global cultural scene historical history international lincoln center for the performing arts live arts live productions memorable performance metropolitan opera association metropolitan opera house metropolitan opera musicians national new york city opera company opera enthusiasts opera house opera management opera performing arts reinvention stage productions the met theater theatre theatrical tradition wagners ring |
ISBN | 0-520-95897-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- 1. A Matter of Boxes, 1883-1884: Bel Canto -- 2. Cultural Capital, 1884-1903: The German Seasons and French Opera -- 3. Opera Wars, 1903-1908: Parsifal, Salome, and the Manhattan Opera Company -- 4. Modernity, 1908-1929: Puccini -- 5. Hard Times, 1929-1940: Wagner -- 6. Strains of War, 1940-1950: The Conductor's Opera -- 7. Stage Business, 1950-1966: Verdi -- 8. In Transit, 1966-1975: American Opera -- 9. Maestro Assoluto, 1975-1990: Twentieth-Century European Opera and the Baroque -- 10. Patronage and Perestroika, 1990-2006: American Opera (Redux) and Slavic Opera -- 11. In the Age of New Media, 2006-2013 -- Notes -- Index of Names, Titles, and Foreign-Language Musical Terms |
Record Nr. | UNINA-9910786771903321 |
Affron Charles
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Grand opera : the story of the Met / / Charles Affron and Mirella Jona Affron |
Autore | Affron Charles |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (469 p.) |
Disciplina | 792.509747/1 |
Soggetto topico |
Electronic books
MUSIC / Genres & Styles / Opera |
Soggetto non controllato |
21st century innovations
audience response career classical music faust global cultural scene historical history international lincoln center for the performing arts live arts live productions memorable performance metropolitan opera association metropolitan opera house metropolitan opera musicians national new york city opera company opera enthusiasts opera house opera management opera performing arts reinvention stage productions the met theater theatre theatrical tradition wagners ring |
ISBN | 0-520-95897-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- 1. A Matter of Boxes, 1883-1884: Bel Canto -- 2. Cultural Capital, 1884-1903: The German Seasons and French Opera -- 3. Opera Wars, 1903-1908: Parsifal, Salome, and the Manhattan Opera Company -- 4. Modernity, 1908-1929: Puccini -- 5. Hard Times, 1929-1940: Wagner -- 6. Strains of War, 1940-1950: The Conductor's Opera -- 7. Stage Business, 1950-1966: Verdi -- 8. In Transit, 1966-1975: American Opera -- 9. Maestro Assoluto, 1975-1990: Twentieth-Century European Opera and the Baroque -- 10. Patronage and Perestroika, 1990-2006: American Opera (Redux) and Slavic Opera -- 11. In the Age of New Media, 2006-2013 -- Notes -- Index of Names, Titles, and Foreign-Language Musical Terms |
Record Nr. | UNINA-9910817243303321 |
Affron Charles
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
Autore | Jones David Richard |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
Descrizione fisica | 1 online resource (300 p.) |
Disciplina |
792.023
792.02330722 792/.0233/0922 |
Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
Record Nr. | UNINA-9910777946903321 |
Jones David Richard
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Berkeley, CA : , : University of California Press, , [1986] | ||
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Lo trovi qui: Univ. Federico II | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
Autore | Jones David Richard |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
Descrizione fisica | 1 online resource (300 p.) |
Disciplina |
792.023
792.02330722 792/.0233/0922 |
Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
Record Nr. | UNINA-9910822094803321 |
Jones David Richard
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Berkeley, CA : , : University of California Press, , [1986] | ||
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Lo trovi qui: Univ. Federico II | ||
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Holy Hustlers, Schism, and Prophecy : Apostolic Reformation in Botswana / / Richard Werbner |
Autore | Werbner Richard |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 276.883 083 |
Collana | The Anthropology of Christianity |
Soggetto topico | Pentecostal churches - Church history - Botswana - Gaborone |
Soggetto non controllato |
aids
anthropology apostolic reformation botswana christian reformation comparative religion discussion books empathy ethnographers ethnography exorcisms faith healers faith healing god mimesis moral issues personhood power of the word prayer and meditation prophecy prophets religious rituals religious scholars religious studies ritual performance schism social science theatrical theoretical perspective world religions |
ISBN |
1-283-27812-X
9786613278128 0-520-94946-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Holy Hustling -- 2. Between the Prophetic and the Pastoral -- 3. The Lives of Prophets and Bishops -- 4. Escalating Crisis: Faith and Trust "under Destruction" -- 5. Schism, Innovation, and Continuity -- 6. Personal Nearness and Sincerity in Prayer -- 7. Diagnosis, Reconnaissance, and Fabrication -- 8. Prescribing Christian Cosmetics: Moving Bodies and Intercorporeality -- 9. Old and New in Christian Reformation -- Conclusion: From Film to Book- Dianoia and Noesis -- Notes -- References -- Index |
Record Nr. | UNINA-9910785577703321 |
Werbner Richard
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Berkeley, CA : , : University of California Press, , [2011] | ||
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Lo trovi qui: Univ. Federico II | ||
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