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Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910789000603321 |
Ricci Steven
|
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| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and fascism : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910816874803321 |
|
Ricci Steven
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Filmische Poetiken der Schuld : Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens / / Matthias Grotkopp
| Filmische Poetiken der Schuld : Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens / / Matthias Grotkopp |
| Autore | Grotkopp Matthias |
| Pubbl/distr/stampa | De Gruyter, 2017 |
| Descrizione fisica | 1 online resource (374 p.) |
| Disciplina | 791.4302/5 |
| Collana | Cinepoetics |
| Soggetto topico |
Guilt
Motion pictures - Moral and ethical aspects Motion pictures - Setting and scenery Affektpoetik Audiovisuelle Rhetorik Feelings of guilt Schuldgefühl Zuschauergefühl audiovisual rhetoric poetics of affect spectatorship Film Rezeption Emotionales Verhalten Zuschauer Schuld SOCIAL SCIENCE / Media Studies |
| Soggetto non controllato |
Feelings of guilt
audiovisual rhetoric poetics of affect spectatorship |
| ISBN |
3-11-053128-3
3-11-053173-9 |
| Classificazione | AP 45400 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Danksagung -- Inhalt -- 1. Einleitung -- Erster Teil: Theoretische Positionen -- 2. Gefühl und Moral im Kino -- Zweiter Teil: Affektdramaturgien des Schuldgefühls -- 3. Gegenwart: Das deutsche Nachkriegskino und die reorganisierte Schuld -- 4. Vergangenheit: Hollywood-Genrepoetiken -- 5. Zukunft: Globale Verantwortung und die Rhetoriken des Klimawandels -- 6. Schluss: Das schlechte Gewissen des Kinos -- Literaturverzeichnis -- Daten der analysierten Filme -- Namensregister -- Register der Filmtitel |
| Record Nr. | UNISA-996309144703316 |
|
Grotkopp Matthias
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||
| De Gruyter, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Filmische Poetiken der Schuld : Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens / / Matthias Grotkopp
| Filmische Poetiken der Schuld : Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens / / Matthias Grotkopp |
| Autore | Grotkopp Matthias |
| Pubbl/distr/stampa | De Gruyter, 2017 |
| Descrizione fisica | 1 online resource (374 p.) |
| Disciplina |
791.4302/5
791.43025 |
| Collana | Cinepoetics |
| Soggetto topico |
Guilt
Motion pictures - Moral and ethical aspects Motion pictures - Setting and scenery Affektpoetik Audiovisuelle Rhetorik Feelings of guilt Schuldgefühl Zuschauergefühl audiovisual rhetoric poetics of affect spectatorship Film Rezeption Emotionales Verhalten Zuschauer Schuld SOCIAL SCIENCE / Media Studies |
| Soggetto non controllato |
Feelings of guilt
audiovisual rhetoric poetics of affect spectatorship |
| ISBN |
3-11-053128-3
3-11-053173-9 |
| Classificazione | AP 45400 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Danksagung -- Inhalt -- 1. Einleitung -- Erster Teil: Theoretische Positionen -- 2. Gefühl und Moral im Kino -- Zweiter Teil: Affektdramaturgien des Schuldgefühls -- 3. Gegenwart: Das deutsche Nachkriegskino und die reorganisierte Schuld -- 4. Vergangenheit: Hollywood-Genrepoetiken -- 5. Zukunft: Globale Verantwortung und die Rhetoriken des Klimawandels -- 6. Schluss: Das schlechte Gewissen des Kinos -- Literaturverzeichnis -- Daten der analysierten Filme -- Namensregister -- Register der Filmtitel |
| Record Nr. | UNINA-9910220024403321 |
|
Grotkopp Matthias
|
||
| De Gruyter, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott
| Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
| Autore | Benson-Allott Caetlin Anne |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
| Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
| ISBN | 0-520-95449-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
| Record Nr. | UNINA-9910779540003321 |
|
Benson-Allott Caetlin Anne
|
||
| Berkeley, CA, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott
| Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
| Autore | Benson-Allott Caetlin Anne |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (312 p.) |
| Disciplina | 791.43/656 |
| Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
| Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
| ISBN | 0-520-95449-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
| Record Nr. | UNINA-9910826753503321 |
|
Benson-Allott Caetlin Anne
|
||
| Berkeley, CA, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||