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Public Disputation, Power, and Social Order in Late Antiquity
| Public Disputation, Power, and Social Order in Late Antiquity |
| Autore | Lim Richard |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2018 |
| Descrizione fisica | 1 online resource (303 pages) |
| Disciplina | 270.1 |
| Collana | Transformation of the Classical Heritage Series |
| Soggetto topico | HISTORY / Ancient / General |
| Soggetto non controllato |
ancient history
antiquities archaeology authority christianity classical studies community cultural examination historical history hospitalization late antiquity philosophical controversies political history political science public debate public disputation religion retrospective rhetoric self identification social competition social order socio historical examination sociology theological controversies theology truth verbal disputation |
| ISBN |
9780520378384
9780520301399 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Series Editors -- Title Page -- Copyright -- Dedication -- Contents -- Preface and Acknowledgments -- Abbreviations -- 1. The Diffusion of the Logos -- 2. Disputation, Dialectic, and Competition among Platonist Philosophers -- 3. Manichaeans and Public Disputation in Late Antiquity -- 4. Dialectic, Questioning, and Community in the Anomoean Controversy -- 5. Meddlesome Curiosity, Mystification, and Social Order in Late Antiquity -- 6. "Non in sermone regnum Dei": Fifth-Century Views on Debate at Nicaea -- 7. The Containment of the Logos -- 8. Epilogue -- Appendix: Chronological Chart -- Select Bibliography of Secondary Sources -- Index. |
| Record Nr. | UNINA-9910984646403321 |
Lim Richard
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| Berkeley : , : University of California Press, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNINA-9910783386403321 |
|
Hubbs Nadine
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNISA-996248185003316 |
|
Hubbs Nadine
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||