Ancient comedy and reception : essays in honor of Jeffrey Henderson / / edited by S. Douglas Olson |
Pubbl/distr/stampa | Berlin : , : De Gruyter, , [2014] |
Descrizione fisica | 1 online resource (1098 p.) |
Disciplina | 882/.0109 |
Altri autori (Persone) |
OlsonS. Douglas
HendersonJeffrey <1946-> |
Soggetto topico |
Greek drama (Comedy) - History and criticism
Latin drama (Comedy) - History and criticism |
Soggetto non controllato |
Greek comedy
Roman comedy reception satire |
ISBN | 1-61451-125-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Ancient Comedy and Reception -- Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects |
Record Nr. | UNINA-9910787731503321 |
Berlin : , : De Gruyter, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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Ancient comedy and reception : essays in honor of Jeffrey Henderson / / edited by S. Douglas Olson |
Pubbl/distr/stampa | Berlin : , : De Gruyter, , [2014] |
Descrizione fisica | 1 online resource (1098 p.) |
Disciplina | 882/.0109 |
Altri autori (Persone) |
OlsonS. Douglas
HendersonJeffrey <1946-> |
Soggetto topico |
Greek drama (Comedy) - History and criticism
Latin drama (Comedy) - History and criticism |
Soggetto non controllato |
Greek comedy
Roman comedy reception satire |
ISBN | 1-61451-125-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Ancient Comedy and Reception -- Frontmatter -- Foreword -- Contents -- Ancient Comedy and Receptions -- Exchanging Metaphors in Cratinus and Aristophanes -- Comic Parrhêsia and the Paradoxes of Repression -- Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes -- Ancient Comedy and Historiography: Aristophanes Meets Herodotus -- Epiphany of a Serious Dionysus in a Comedy? -- Toponimi e immaginario sessuale nella Lisistrata di Aristofane -- Dionysus’ Choice in Frogs and Aristophanes’ Paraenetic Pedigree -- Two Phaedras: Euripides and Aristophanes? -- Plato’s Aristophanes -- Menander’s Samia and the Phaedra Theme -- Dynamics of Appropriation in Roman Comedy: Menander’s Kolax in Three Roman Receptions -- Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? -- Plautus und die Techniken des Improvisationstheaters -- Lege dura vivont mulieres: Syra’s Complaint about the Sexual Double Standard -- “Letting It All Hang Out”: Lucian, Old Comedy and the Origins of Roman Satire -- Old Comedy at Rome: Rhetorical Model and Satirical Problem -- Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction -- From Drama to Narrative: The Reception of Comedy in the Ancient Novel -- Greek Culture as Images: Menander’s Comedies and Their Patrons in the Roman West and the Greek East -- The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander -- Medieval, Renaissance and Early Modern Receptions -- Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus’ Amphitryon -- Aristofane mascherato: Un secolo (1415–1504) di fortuna e ‘sfortuna’ -- L’influence de Plaute sur la définition du comique chez Giovanni Pontano -- Strepsiades’ Latin Voice: Two Renaissance Translations of Aristophanes’ Clouds -- The Trickster Onstage: The Cunning Slave from Plautus to Commedia dell’Arte -- Aristophanes in England, 1500–1660 -- Exaggerating Terence’s Andria: Steele’s The Conscious Lovers, Bellamy’s The Perjur’d Devotee and Terentian Criticism -- Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text -- Molière and the Roman Comic Tradition -- Jacob Masen’s Rusticus imperans (1657) and Ancient Theater -- La recepción de Plauto y Terencio en la literatura española -- Reform: A Farce Modernised from Aristophanes (1792) -- Modern Receptions -- Polos und Polis: Aristophanes’ Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks -- Translations of Aristophanes in Italy in the 19th century -- Close Encounters of the Comic Kind: Aristophanes’ Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s -- Rodgers and Hart’s The Boys from Syracuse: Shakespeare Made Plautine -- She (Don’t) Gotta Have It: African-American Reception of Lysistrata -- „Es ist, um aus der Rüstung zu fahren!“: Erich Kästners Adaption der Acharner des Aristophanes -- Lysistrata on Broadway -- “Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs”: The Reception of Aristophanes in the Modern Musical Theater -- Aristophanes at the BBC, 1940s–1960s -- Cultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes’ Frogs -- Ionesco’s New and Old Comedy -- Aristophanes in the Cinema; or, The Metamorphoses of Lysistrata -- Who’s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy -- Aristophanes in Israel: Comedy, Theatricality, Politics -- Culture, Education and Politics: Greek and Roman Comedy in Afrikaans -- The Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes’ Peace and Ecclesiazusae -- Eschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d’Aristophane -- Business as Usual: Plautus’ Menaechmi in English Translation -- Index of Names and Subjects |
Record Nr. | UNINA-9910826307403321 |
Berlin : , : De Gruyter, , [2014] | ||
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Lo trovi qui: Univ. Federico II | ||
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Auld Lang Syne : A Song and Its Culture |
Autore | Grant M. J |
Pubbl/distr/stampa | Open Book Publishers, 2021 |
Descrizione fisica | 1 online resource (360 pages) |
Soggetto topico |
Theory of music & musicology
Music reviews & criticism Folk & traditional music Scotland Social & cultural history |
Soggetto non controllato |
Auld Lang Syne
group identity reception reuse song |
ISBN | 1-80064-067-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Introduction -- Note on the Text -- Acknowledgements -- 1. Elements of a Theory of Song -- 1.1 The Social Functions of Song -- 1.2 The Songs Folk Sing: Some Historical Evidence -- 1.3 Implied and Inherited Significance -- 1.4 Auld Lang Syne as an Object of Research: Some Issues -- The Tunes -- The Words -- The Traditions -- 2. Auld Lang Syne: Context and Genesis -- 2.1 Being a Short Discourse on Song in the Eighteenth Century -- 2.2 Auld Lang Syne before Burns -- FIRST PART -- SECOND PART -- 2.3 The Jacobite Songs -- 3. Burns's Song -- 3.1 Mrs Dunlop's Song -- 3.2 Burns's Text -- 3.3 Burns's Tune -- 3.4 What Thomson Did -- 3.5 From M1 to M2 -- 3.6 The Legacy of the Old Songs and Two Contemporaries of the New -- 4. Auld Lang Syne in the Early Nineteenth Century -- 4.1 "We'll toom the cup to friendship's growth" -- 4.2 The Establishment of M2 -- 4.3 Performance and Periodicals -- 4.4 Mr Sinclair's Song -- 4.5 After Rob Roy Macgregor -- 4.6 American Sources -- 5. The Song of Union -- 5.1 The Freemasons -- 5.2 The Fraternalist's Song -- 5.3 Immortal Memory: The Burns Clubs and the Burns Cult -- 5.4 Solidarity -- 6. The Song of Parting -- 6.1 Good Night, And Joy Be With You All -- 6.2 The Song of Empire -- 6.3 The Song of Parting -- 7. The Folk's Song -- 7.1 Mr Micawber's Song -- 7.2 The Song of Conflict and Reconciliation -- 7.3 Variations on a Theme -- 7.4 Iconography and Reminiscence -- 7.5 The Sentimentalist's Song -- 7.6 Auld Lang Syne at the Threshold of the Information Revolution -- 8.The Song of New Year -- 8.1 A Guid New Year To Ane And A': The Scots and New Year -- 8.2 New Year at St. Paul's -- 8.3 America and the Bells -- 8.4 Traditions Come Together -- 9. Take Leave, Brothers: The German Reception of Auld Lang Syne -- 9.1 The Art Composer's Song -- 9.2 Active and Passive Reception -- 9.3 The Scout's Song.
9.4 Closing the Circle -- 10. A Song Abroad -- 10.1 Princess Constance Magogo's Song -- 10.2 Foreign-Language Versions of Auld Lang Syne -- 10.3 Bells and Anthems -- 10.4 Quotation and Quodlibet -- 10.5 The Song of War and Peace -- 10.6 Threads Lead Back to the Centre -- 11. Preliminary Conclusions: A Song and Its Culture -- 12. Auld Acquaintance: Auld Lang Syne Comes Home -- 12.1 The Road to Devolution -- 12.2 The Return of M1 and the Rise of M3 -- 12.3 What Does Auld Lang Syne Have to Do with Burns? -- Appendix 1: Eight Jacobite Songs Related to Auld Lang Syne -- 1. "The true Scots Mens Lament for the Loss of the Rights of their Ancient Kingdom", published by John Read of Pearson's Close Edinburgh, 1718. -- 2. "A SONG To the tune of AULD LANG SYNE" -- 3. "A ballad for those whose honour is sound, Who cannot be named, and must not be found. Written by a Sculpter in the Year 1746" -- 4. Jacobite "Auld Lang Syne" attributed to Lochiel's Regiment (Le Régiment d'Albanie), 1747 -- 5. "Ballad. Tune Auld Lang Syne" -- 6. "Song. To the same Tune" [i.e., Auld Lang Syne] -- 7. "Shall Monarchy Be Quite Forgot" -- 8. Jacobite "Auld Lang Syne", by Andrew Lang (1844-1912) -- Appendix 2: Burns's Auld Lang Syne-The Five Versions (B1-B5) -- B1 The version sent to Frances Dunlop, 7 December 1788 -- B2 The version published in The Scots Musical Museum, 1796 -- B3 A version written by Burns into a copy of vol. I of the Scots Musical Museum -- B4 The version sent to George Thomson, September 1793 -- B5 What may have been a "working version", now held in the Burns Cottage Museum in Alloway -- Appendix 3: Seven Parodies and Contrafacta from The Universal Songster, vols. II-III (1829, 1834) -- 1. "I'll drive dull sorrow from my mind" -- 2. "'Tis true this life's a languid stream" -- 3. "Winny won't be mine" -- 4. "Should brandy ever be forgot? A parody". 5. "Auld lang syne" (J. H. Dixon) -- 6. "Should lovers' joys be e'er forgot?" -- 7. "War was proclaimed 'twixt love and I" -- Appendix 4: Eight Nineteenth-Century German Translations -- 1. "Die alte gute Zeit" (Wilhelm Gerhard) -- 2. "Soll alte Freundschaft vergessen sein" (Eduard Fiedler) -- 3. "Die alte Zeit" (Heinrich Julius Heintze) -- 4. "'S ist lange her" (L. G. Silbergleit) -- 5. "Die liebe, alte Zeit" (Otto Baisch) -- 6. "Lang, lang dohin" (Gustav Legerlotz) -- 7. "Die gute alte Zeit" (Wilhelmine Prinzhorn) -- 8. Auf gute alte Zeit (K. Bartsch) -- Appendix 5: Four Versions in Jèrriais -- 1. Version by Ph'lippe Langliais (died 1884) -- 2. Version by John D. Hubert (1895) -- 3. Version published in Nouvelle Chronique de Jersey, 15 November 1902 -- 4. Version by Mathilde dé Faye, "Georgie" -- Bibliography -- Bibliography I: Main Burns Editions Cited -- Bibliography II: Musical and Poetical Sources without Author/Editor Names -- Bibliography III: Other Sources Referenced Using the Author-Date System -- Discography for Recordings Discussed in Chapter 12 -- List of Illustrations -- Audio Examples -- Index. |
Record Nr. | UNINA-9910513706203321 |
Grant M. J
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Open Book Publishers, 2021 | ||
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Lo trovi qui: Univ. Federico II | ||
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Beatrijs de wereld in : vertalingen en bewerkingen van het Middelnederlandse verhaal / / ton van Kalmthout, Orsolya Réthelyi & Remco Sleiderink |
Autore | Kalmthout van |
Pubbl/distr/stampa | Gent, : Academia Press, 2013 |
Descrizione fisica | 1 online resource (416 pages) : illustrations |
Collana | Lage Landen Studies |
Soggetto topico |
Germanic Literature
Languages & Literatures |
Soggetto non controllato |
translation
reception comparative literature middle dutch beatrice adaptation |
ISBN | 9789038221076 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | dut |
Record Nr. | UNINA-9910140277803321 |
Kalmthout van
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Gent, : Academia Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Bourdieu and literature [[electronic resource] /] / John R.W. Speller |
Autore | Speller John R. W |
Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2011 |
Descrizione fisica | 1 online resource (202 pages) : digital, PDF file(s) |
Disciplina | 801.3 |
Soggetto topico |
Sociologists - France
Literature and society - France |
Soggetto non controllato |
literary theory
Pierre Bourdieu cultural theory French literature sociology science and literature structuralism reception post-structuralism |
ISBN |
1-78374-005-1
1-906924-42-2 2-8218-1706-1 1-906924-44-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Positions -- The field of reception -- The field of production Lévi-Strauss and structuralism -- The death of intellectuals -- Post-structuralism -- Appendix: the composition of Les Règles de l'Art -- 2. Methods -- Epistemological preliminaries -- The author's point of view -- The field of power -- The literary field -- Habitus and trajectory -- The space of possibilities -- World literary space -- Appendix: Reflexivity and reading -- 3. Autonomy -- The evolution of the literary field -- Art and money -- Zola and the Dreyfus affair -- Reversals -- Autonomy and value -- 4. Science and Literature -- L'Éducation Sentimentale -- 'Le démontage impie de la fiction' -- Cross-overs -- Fiction and realism -- 5. Literature and Cultural Politics -- The production of the dominant ideology -- 'La Pensée Tietmeyer' -- On aesthetics and ideology -- A politics of form -- For a collective intellectual -- 6. Literature and Cultural Policy -- Reproduction and distinction -- Proposals for the future of education -- Between the state and the free market -- For a corporatism of the universal -- Conclusion -- References -- Index. |
Record Nr. | UNINA-9910139052903321 |
Speller John R. W
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Cambridge, : Open Book Publishers, 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Bourdieu and literature [[electronic resource] /] / John R.W. Speller |
Autore | Speller John R. W |
Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2011 |
Descrizione fisica | 1 online resource (202 pages) : digital, PDF file(s) |
Disciplina | 801.3 |
Soggetto topico |
Sociologists - France
Literature and society - France |
Soggetto non controllato |
literary theory
Pierre Bourdieu cultural theory French literature sociology science and literature structuralism reception post-structuralism |
ISBN |
1-78374-005-1
1-906924-42-2 2-8218-1706-1 1-906924-44-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Positions -- The field of reception -- The field of production Lévi-Strauss and structuralism -- The death of intellectuals -- Post-structuralism -- Appendix: the composition of Les Règles de l'Art -- 2. Methods -- Epistemological preliminaries -- The author's point of view -- The field of power -- The literary field -- Habitus and trajectory -- The space of possibilities -- World literary space -- Appendix: Reflexivity and reading -- 3. Autonomy -- The evolution of the literary field -- Art and money -- Zola and the Dreyfus affair -- Reversals -- Autonomy and value -- 4. Science and Literature -- L'Éducation Sentimentale -- 'Le démontage impie de la fiction' -- Cross-overs -- Fiction and realism -- 5. Literature and Cultural Politics -- The production of the dominant ideology -- 'La Pensée Tietmeyer' -- On aesthetics and ideology -- A politics of form -- For a collective intellectual -- 6. Literature and Cultural Policy -- Reproduction and distinction -- Proposals for the future of education -- Between the state and the free market -- For a corporatism of the universal -- Conclusion -- References -- Index. |
Record Nr. | UNISA-996205295603316 |
Speller John R. W
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Cambridge, : Open Book Publishers, 2011 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Cicero in Greece, Greece in Cicero : Aspects of Reciprocal Reception from Classical Antiquity to Byzantium and Modern Greece / / ed. by Ioannis Deligiannis |
Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2023] |
Descrizione fisica | 1 online resource (VIII, 274 p.) |
Collana | CICERO : Studies on Roman Thought and Its Reception |
Soggetto non controllato |
Cicero
Greece antiquity reception |
ISBN | 3-11-129277-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Prologue -- Table of Contents -- Part I: Aspects of Greece and its World in Cicero's Works -- Introduction -- Athens' Authority in Cicero's Philosophical Works -- Loss of Self, Desperation, and Glimmers of Hope in Cicero's Letters from Exile -- Mercatura Bonarum Artium -- Eloquence as Handmaiden of Wisdom -- Part II: Aspects of the Reception of Cicero in the Greek-Speaking World -- Introduction -- Preliminary Remarks on the Technical Language of the Bilingual Glossaries of Cicero -- Cicero and Photius -- Greek Translations of Cicero's Works in the Nineteenth Century -- The First Greek Translation of Cicero's De re publica (1839) -- Appendix: Modern Greek Translations of and/or Commentaries on Cicero -- Abbreviations -- Bibliography -- List of Contributors -- Index Locorum -- Index Nominum -- Previous Volumes of the Series |
Record Nr. | UNISA-996565568203316 |
Berlin ; ; Boston : , : De Gruyter, , [2023] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Ernst Jandl und die internationale avantgarde / / Katja Stuckatz |
Autore | Stuckatz Katja |
Pubbl/distr/stampa | Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 |
Descrizione fisica | 1 online resource (368 p.) |
Disciplina | 709.04 |
Collana | spectrum Literaturwissenschaft / spectrum Literature |
Soggetto topico | Art, Modern - 20th century |
Soggetto non controllato |
Jandl, Ernst, works
Literature reception |
ISBN |
3-11-047642-8
3-11-047729-7 |
Classificazione | GN 6712 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Danksagung -- Inhaltsverzeichnis -- Siglenverzeichnis -- Einleitung -- 1. Ernst Jandl und die internationale Avantgarde -- 2. Ernst Jandls Poetik der Affirmation -- 3. Ernst Jandl heute - Ein Ausblick -- Bibliographie -- Personen- und Werkregister |
Record Nr. | UNINA-9910796667003321 |
Stuckatz Katja
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Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Ernst Jandl und die internationale avantgarde / / Katja Stuckatz |
Autore | Stuckatz Katja |
Pubbl/distr/stampa | Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 |
Descrizione fisica | 1 online resource (368 p.) |
Disciplina | 709.04 |
Collana | spectrum Literaturwissenschaft / spectrum Literature |
Soggetto topico | Art, Modern - 20th century |
Soggetto non controllato |
Jandl, Ernst, works
Literature reception |
ISBN |
3-11-047642-8
3-11-047729-7 |
Classificazione | GN 6712 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Danksagung -- Inhaltsverzeichnis -- Siglenverzeichnis -- Einleitung -- 1. Ernst Jandl und die internationale Avantgarde -- 2. Ernst Jandls Poetik der Affirmation -- 3. Ernst Jandl heute - Ein Ausblick -- Bibliographie -- Personen- und Werkregister |
Record Nr. | UNINA-9910813191303321 |
Stuckatz Katja
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Berlin, [Germany] ; ; Boston, [Massachusetts] : , : De Gruyter, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Ernst Lothar : Schriftsteller, Kritiker, Theaterschaffender / / Dagmar Heissler |
Autore | Heissler Dagmar |
Pubbl/distr/stampa | Böhlau, 2016 |
Descrizione fisica | 1 online resource (480 pages : illustrations, portraits |
Disciplina | 833.912 |
Collana |
Open Access e-Books
Knowledge Unlatched Literaturgeschichte in Studien und Quellen |
Soggetto topico |
Critics - Austria
Theater - Production and direction - Austria - History - 20th century Criticism - Austria - History - 20th century Authors, Austrian - 20th century |
Soggetto non controllato |
austrian writer
unpublished manuscripts & correspondences literary influences & relationships reception emigration theatre österreichischer Schriftsteller unveröffentlichte Werke und Korrespondenz literarische Einflüsse und Beziehungen Rezeption Emigration Theater Ernst Lothar Köln Weimar Wien |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Inhalt -- 1. Einleitung -- 2. Quellenlage -- 3. 1890-1925: Literarische Nachwuchshoffnung -- 4. 1925-1935: "Einer jener Kritiker, die auch ein Stück Theaterdirektor sind" -- 5. 1935-1938: Theater in der Josefstadt -- Max Reinhardts "rechte Hand und linker Fuß" -- 6. 1938-1946: Exil -- "Emigrieren ist eine Sache für junge Menschen, die sich nicht erinnern" -- 7. 1946-1950: Rückkehr -- " ... und in Lothars Lager war Österreich" -- 8. 1950-1959: "Von allen meinen Kritikern bin ich der unerbittlichste" -- 9. 1959-1974: " ... und so muss ein Stückchen Torso für ein Stückchen Ganzes gelten" -- 10. Schluss. |
Record Nr. | UNINA-9910153758403321 |
Heissler Dagmar
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Böhlau, 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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