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Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld
| Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld |
| Autore | Weisenfeld Judith |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43/652996073 |
| Collana | A George Gund Foundation book in African American studies |
| Soggetto topico |
African Americans in motion pictures
Religion in motion pictures Motion pictures - United States |
| Soggetto non controllato |
african american films
african american religion african american religious practices american citizenship american film culture american film history american identity censorship records cinema cultural studies film history film studies film history hollywood studios hollywood independent filmmakers moral landscape movie history movie studies movies race films race in america racial authenticity religion and film religious sound film studio production films wartime |
| ISBN |
1-282-36023-X
9786612360237 0-520-94066-0 |
| Classificazione | AP 59783 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity -- 2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination -- 3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films -- 4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership -- 5. "A Long, Long Way": Religion and African American Wartime Morale -- 6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race -- Conclusion -- Filmography -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910780637503321 |
Weisenfeld Judith
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| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Migrating to the movies [[electronic resource] ] : cinema and Black urban modernity / / Jacqueline Najuma Stewart
| Migrating to the movies [[electronic resource] ] : cinema and Black urban modernity / / Jacqueline Najuma Stewart |
| Autore | Stewart Jacqueline Najuma <1970-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43/652996073 |
| Collana | The George Gund Foundation imprint in African American studies |
| Soggetto topico |
African Americans in the motion picture industry
African Americans in motion pictures Motion picture audiences - United States African Americans - Migrations - History - 20th century |
| Soggetto non controllato |
african american actors
african american directors african americans america american entertainment american history black americans black audiences black film culture black urban life black urban modernity chicago cinema and culture cinema cinematic representations early films film history illustrated influence of cinema migration modern history movie theaters nonfiction northern migration oscar micheaux race films silent movie era urban populations urban setting |
| ISBN |
1-59734-750-7
1-282-76265-6 9786612762659 0-520-93640-X 1-4175-8514-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History -- 1. "To Misrepresent a Helpless Race": The Black Image Problem -- 2. Mixed Colors: Riddles of Blackness in Preclassical Cinema -- 3. "Negroes Laughing at Themselves"? Black Spectatorship and the Performance of Urban Modernity -- 4. "Some Thing to See Up Here All the Time": Moviegoing and Black Urban Leisure in Chicago -- 5. Along the "Stroll": Chicago's Black Belt Movie Theaters -- 6. Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking -- 7. "We Were Never Immigrants": Oscar Micheaux and the Reconstruction of Black American Identity -- Conclusion -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910783317603321 |
|
Stewart Jacqueline Najuma <1970->
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Migrating to the movies : cinema and Black urban modernity / / Jacqueline Najuma Stewart
| Migrating to the movies : cinema and Black urban modernity / / Jacqueline Najuma Stewart |
| Autore | Stewart Jacqueline Najuma <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43/652996073 |
| Collana | The George Gund Foundation imprint in African American studies |
| Soggetto topico |
African Americans in the motion picture industry
African Americans in motion pictures Motion picture audiences - United States African Americans - Migrations - History - 20th century |
| Soggetto non controllato |
african american actors
african american directors african americans america american entertainment american history black americans black audiences black film culture black urban life black urban modernity chicago cinema and culture cinema cinematic representations early films film history illustrated influence of cinema migration modern history movie theaters nonfiction northern migration oscar micheaux race films silent movie era urban populations urban setting |
| ISBN |
1-59734-750-7
1-282-76265-6 9786612762659 0-520-93640-X 1-4175-8514-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History -- 1. "To Misrepresent a Helpless Race": The Black Image Problem -- 2. Mixed Colors: Riddles of Blackness in Preclassical Cinema -- 3. "Negroes Laughing at Themselves"? Black Spectatorship and the Performance of Urban Modernity -- 4. "Some Thing to See Up Here All the Time": Moviegoing and Black Urban Leisure in Chicago -- 5. Along the "Stroll": Chicago's Black Belt Movie Theaters -- 6. Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking -- 7. "We Were Never Immigrants": Oscar Micheaux and the Reconstruction of Black American Identity -- Conclusion -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248195603316 |
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Stewart Jacqueline Najuma <1970->
|
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| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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