Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
Autore | Smith Jeff <1962 December 17-> |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 791.43/6582825 |
Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
ISBN |
0-520-28068-7
0-520-95851-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910790960603321 |
Smith Jeff <1962 December 17-> | ||
Berkeley, California : , : University of California Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Film criticism, the Cold War, and the blacklist : reading the Hollywood Reds / / Jeff Smith |
Autore | Smith Jeff <1962 December 17-> |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (365 p.) |
Disciplina | 791.43/6582825 |
Soggetto topico |
Motion pictures - Political aspects - United States
Motion pictures - United States - History - 20th century Cold War in motion pictures Communism and motion pictures - United States Blacklisting of entertainers - United States - History - 20th century |
Soggetto non controllato |
20th century american culture
20th century american history allegory american entertainment culture american films anti communist propaganda cold war communism critical lens entertainment blacklist film and television film criticism film history historical films hollywood blacklist hollywood house committee on un american activities huac literary allegory movie studies police procedures political politics postwar period propaganda films propaganda science fiction films villains westerns |
ISBN |
0-520-28068-7
0-520-95851-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Tables -- Acknowledgments -- Introduction: What More Can Be Said about the Hollywood Blacklist? -- 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory -- 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs -- 3. Reds and Blacks: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer -- 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War -- 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory -- Conclusion: Old Wounds and the Texas Sharpshooter -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910816881103321 |
Smith Jeff <1962 December 17-> | ||
Berkeley, California : , : University of California Press, , 2014 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Japanese Transnational Cinema |
Autore | Centeno Marcos |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
Descrizione fisica | 1 electronic resource (134 p.) |
Soggetto topico |
The arts
Films, cinema |
Soggetto non controllato |
Shakespeare
Kurosawa Macbeth films translation transcultural Noh tragedy fate guilt contemporary Japanese cinema cultural blending intertextuality mise en abyme Nobuhiro Suwa transculturality (trans)national cinema national cinema transnational Japanese film taiyōzoku mukokuseki 'kimono effect' youth icons postwar film festivals cartoon movie Japan and Spain transnational imagery film studies ideological analysis ideology Japanese cinema nation New Left New Wave Nuberu Bagu Yoshida Kiju Naomi Kawase cinema of place women directors art cinema international film festivals female authorship auteur metamorphosis animation Franz Kafka cinematic picture film aesthetics theory of beauty ikebana kire geidō film philosophy Japanese aesthetics transcultural thinking Ri Koran Li Xianglan Yamaguchi Yoshiko transnationality Japanese Empire propaganda films |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910557402803321 |
Centeno Marcos | ||
Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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