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Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
Autore MacKenzie Scott <1967->
Pubbl/distr/stampa Berkeley ; ; London : , : University of California Press, , [2014]
Descrizione fisica 1 online resource (675 p.)
Disciplina 791.4301
Soggetto topico Motion pictures - Philosophy
Motion pictures
Culture in motion pictures
Soggetto non controllato american film
australian film
avant garde
canadian film
cinema
colonialism
cultural studies
culture
european filmmakers
film and digital media
film archives
film culture
film manifestos
film studies
film
filmmaking
films from the soviet union
french film
gender and women studies
global cinema
global film
global history of cinema
hollywood
international cinema
italian film
japanese film
latin america third cinema
motion picture production code
national cinema
pornography
radical film
russian film
ISBN 0-520-95741-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX
Record Nr. UNINA-9910789286303321
MacKenzie Scott <1967->  
Berkeley ; ; London : , : University of California Press, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
Film manifestos and global cinema cultures [[electronic resource] ] : a critical anthology / / Scott MacKenzie
Autore MacKenzie Scott <1967->
Pubbl/distr/stampa Berkeley ; ; London : , : University of California Press, , [2014]
Descrizione fisica 1 online resource (675 p.)
Disciplina 791.4301
Soggetto topico Motion pictures - Philosophy
Motion pictures
Culture in motion pictures
Soggetto non controllato american film
australian film
avant garde
canadian film
cinema
colonialism
cultural studies
culture
european filmmakers
film and digital media
film archives
film culture
film manifestos
film studies
film
filmmaking
films from the soviet union
french film
gender and women studies
global cinema
global film
global history of cinema
hollywood
international cinema
italian film
japanese film
latin america third cinema
motion picture production code
national cinema
pornography
radical film
russian film
ISBN 0-520-95741-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Film Manifestos and Global Cinema Cultures -- Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. THE AVANT-GARDE(S) -- THE FUTURIST CINEMA (Italy, 1916) -- LENIN DECREE (USSR, 1919) -- THE ABCs OF CINEMA (France, 1917-1921) -- WE: VARIANT OF A MANIFESTO (USSR, 1922) -- THE METHOD OF MAKING WORKERS' FILMS (USSR, 1925) -- CONSTRUCTIVISM IN THE CINEMA (USSR, 1928) -- PREFACE: UN CHIEN ANDALOU (France, 1928) -- MANIFESTO OF THE SURREALISTS CONCERNING L'AGE D'OR (France, 1930) -- MANIFESTO ON "QUE VIVA MEXICO" (USA, 1933) -- SPIRIT OF TRUTH (France, 1933) -- AN OPEN LETTER TO THE FILM INDUSTRY AND TO ALL WHO ARE INTERESTED IN THE EVOLUTION OF THE GOOD FILM (Hungary, 1934) -- LIGHT*FORM*MOVEMENT *SOUND (USA, 1935) -- PROLEGOMENA FOR ALL FUTURE CINEMA (France, 1952) -- NO MORE FLAT FEET! (France, 1952) -- THE LETTRISTES DISAVOW THE INSULTERS OF CHAPLIN (France, 1952) -- THE ONLY DYNAMIC ART (USA, 1953) -- A STATEMENT OF PRINCIPLES (USA, 1961) -- THE FIRST STATEMENT OF THE NEW AMERICAN CINEMA GROUP (USA, 1961) -- FOUNDATION FOR THE INVENTION AND CREATION OF ABSURD MOVIES (USA, 1962) -- FROM METAPHORS ON VISION (USA, 1963) -- KUCHAR 8mm FILM MANIFESTO (USA, 1964) -- FILM ANDEPANDAN [INDEPENDENTS] MANIFESTO (Japan, 1964) -- DISCONTINUOUS FILMS (Canada, 1967) -- HAND-MADE FILMS MANIFESTO (Australia, 1968) -- CINEMA MANIFESTO (Australia, 1971) -- FOR A METAHISTORY OF FILM: COMMONPLACE NOTES AND HYPOTHESES (USA, 1971) -- ELEMENTS OF THE VOID (Greece, 1972) -- SMALL GAUGE MANIFESTO (USA, 1980) -- CINEMA OF TRANSGRESSION MANIFESTO (USA, 1985) -- MODERN, ALL TOO MODERN (USA, 1988) -- OPEN LETTER TO THE EXPERIMENTAL FILM CONGRESS: LET'S SET THE RECORD STRAIGHT (Canada, 1989) -- ANTI-100 YEARS OF CINEMA MANIFESTO (USA, 1996) -- THE DECALOGUE (Czech Republic, 1999) -- YOUR FILM FARM MANIFESTO ON PROCESS CINEMA (Canada, 2012) -- 2. NATIONAL AND TRANSNATIONAL CINEMAS -- FROM "THE GLASS EYE" (Italy, 1933) -- THE ARCHERS' MANIFESTO (UK, 1942) -- WHAT IS WRONG WITH INDIAN FILMS? (India, 1948) -- BUÑUEL THE POET (Mexico, 1951) -- FRENCH CINEMA IS OVER (France, 1952) -- SOME IDEAS ON THE CINEMA (Italy, 1953) -- A CERTAIN TENDENCY IN FRENCH CINEMA (France, 1954) -- SALAMANCA MANIFESTO & CONCLUSIONS OF THE CONGRESS OF SALAMANCA (Spain, 1955) -- FREE CINEMA MANIFESTOS (UK, 1956-1959) -- THE OBERHAUSEN MANIFESTO (West Germany, 1962) -- UNTITLED [OBERHAUSEN 1965] (West Germany, 1965) -- THE MANNHEIM DECLARATION (West Germany, 1967) -- SITGES MANIFESTO (Spain, 1967) -- HOW TO MAKE A CANADIAN FILM (Canada, 1967) -- HOW TO NOT MAKE A CANADIAN FILM (Canada, 1967) -- FROM "THE ESTATES GENERAL OF THE FRENCH CINEMA, MAY 1968" (France, 1968) -- MANIFESTO OF THE NEW CINEMA MOVEMENT (India, 1968) -- WHAT IS TO BE DONE? (France, 1970) -- THE WINNIPEG MANIFESTO (Canada, 1974) -- HAMBURG DECLARATION OF GERMAN FILMMAKERS (West Germany, 1979) -- MANIFESTO I (Denmark, 1984) -- MANIFESTO II (Denmark, 1987) -- MANIFESTO III: I CONFESS! (Denmark, 1990) -- THE CINEMA WE NEED (Canada, 1985) -- PATHWAYS TO THE ESTABLISHMENT OF A NIGERIAN FILM INDUSTRY (Nigeria, 1985) -- MANIFESTO OF 1988 (German Democratic Republic, 1988) -- IN PRAISE OF A POOR CINEMA (Scotland, 1993) -- DOGME '95 MANIFESTO AND VOW OF CHASTITY (Denmark, 1995) -- I SINEMA MANIFESTO (Indonesia, 1999) -- 3. THIRD CINEMAS, COLONIALISM, DECOLONIZATION, AND POSTCOLONIALISM -- MANIFESTO OF THE NEW CINEMA GROUP (Mexico, 1961) -- CINEMA AND UNDERDEVELOPMENT (Argentina, 1962) -- THE AESTHETICS OF HUNGER (Brazil, 1965) -- FOR AN IMPERFECT CINEMA (Cuba, 1969) -- TOWARDS A THIRD CINEMA: NOTES AND EXPERIENCES FOR THE DEVELOPMENT OF A CINEMA OF LIBERATION IN THE THIRD WORLD (Argentina, 1969) -- FILM MAKERS AND THE POPULAR GOVERNMENT POLITICAL MANIFESTO (Chile, 1970) -- CONSCIOUSNESS OF A NEED (Uruguay, 1970) -- MILITANT CINEMA: AN INTERNAL CATEGORY OF THIRD CINEMA (Argentina, 1971) -- FOR COLOMBIA 1971: MILITANCY AND CINEMA (Colombia, 1971) -- THE CINEMA: ANOTHER FACE OF COLONISED QUÉBEC (Canada, 1971) -- 8 MILLIMETERS VERSUS 8 MILLIONS (Mexico, 1972) -- MANIFESTO OF THE PALESTINIAN CINEMA GROUP (Palestine, 1973) -- RESOLUTIONS OF THE THIRD WORLD FILMMAKERS MEETING (Algeria, 1973) -- THE LUZ E AÇÃO MANIFESTO (Brazil, 1973) -- PROBLEMS OF FORM AND CONTENT IN REVOLUTIONARY CINEMA (Bolivia, 1976) -- MANIFESTO OF THE NATIONAL FRONT OF CINEMATOGRAPHERS (Mexico, 1975) -- THE ALGIERS CHARTER ON AFRICAN CINEMA (Algeria, 1975) -- DECLARATION OF PRINCIPLES AND GOALS OF THE NICARAGUAN INSTITUTE OF CINEMA (Nicaragua, 1979) -- WHAT IS THE CINEMA FOR US? (Mauritania, 1979) -- NIAMEY MANIFESTO OF AFRICAN FILMMAKERS (Niger, 1982) -- BLACK INDEPENDENT FILMMAKING: A STATEMENT BY THE BLACK AUDIO FILM COLLECTIVE (UK, 1983) -- FROM BIRTH CERTIFICATE OF THE INTERNATIONAL SCHOOL OF CINEMA AND TELEVISION IN SAN ANTONIO DE LOS BAÑOS, CUBA, NICKNAMED THE SCHOOL OF THREE WORLDS (Cuba, 1986) -- FeC AViP MANIFESTO (France, 1990) -- FINAL COMMUNIQUE OF THE FIRST FRONTLINE FILM FESTIVAL AND WORKSHOP (Zimbabwe, 1990) -- POCHA MANIFESTO #1 (USA, 1994) -- POOR CINEMA MANIFESTO (Cuba, 2004) -- JOLLYWOOD MANIFESTO (Haiti, 2008) -- THE TORONTO DECLARATION: NO CELEBRATION OF OCCUPATION (Canada, 2009) -- 4. GENDER, FEMINIST, QUEER, SEXUALITY, AND PORN MANIFESTOS -- WOMAN'S PLACE IN PHOTOPLAY PRODUCTION (USA, 1914) -- HANDS OFF LOVE (France, 1927) -- THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ (USA, 1962) -- ON FILM NO. 4 (IN TAKING THE BOTTOMS OF 365 SAINTS OF OUR TIME) (UK, 1967) -- STATEMENT (USA, 1969) -- WET DREAM FILM FESTIVAL MANIFESTO (The Netherlands, 1970) -- WOMEN'S CINEMA AS COUNTERCINEMA (UK, 1973) -- MANIFESTO FOR A NON-SEXIST CINEMA (Canada, 1974) -- WOMANIFESTO (USA, 1975) -- VISUAL PLEASURE AND NARRATIVE CINEMA (UK, 1975) -- AN EGRET IN THE PORNO SWAMP: NOTES OF SEX IN THE CINEMA (Sweden, 1977) -- FOR THE SELF-EXPRESSION OF THE ARAB WOMAN (France, 1978) -- MANIFESTO OF THE WOMEN FILMMAKERS (West Germany, 1979) -- WIMMIN'S FIRE BRIGADE COMMUNIQUÉ (Canada, 1982) -- THOUGHTS ON WOMEN'S CINEMA: EATING WORDS, VOICING STRUGGLES (USA, 1986) -- THE POST PORN MODERNIST MANIFESTO (USA, 1989) -- STATEMENT OF AFRICAN WOMEN PROFESSIONALS OF CINEMA, TELEVISION AND VIDEO (Burkina Faso, 1991) -- PUZZY POWER MANIFESTO: THOUGHTS ON WOMEN AND PORNOGRAPHY (Denmark, 1998) -- CINEMA WITH TITS (Spain, 1998) -- MY PORN MANIFESTO (France, 2002) -- NO MORE MR. NICE GAY: A MANIFESTO (USA, 2009) -- BAREFOOT FILMMAKING MANIFESTO (UK, 2009) -- DIRTY DIARIES MANIFESTO (Sweden, 2009) -- 5. MILITATING HOLLYWOOD -- CODE TO GOVERN THE MAKING OF TALKING, SYNCHRONIZED AND SILENT MOTION PICTURES (MOTION PICTURE PRODUCTION CODE) (USA, 1930) -- RED FILMS: SOVIETS SPREADING DOCTRINE IN U.S. THEATRES (USA, 1935) -- STATEMENT OF PRINCIPLES (USA, 1944) -- SCREEN GUIDE FOR AMERICANS (USA, 1947) -- WHITE ELEPHANT ART VS. TERMITE ART (USA, 1962) -- SUPER FLY: A SUMMARY OF OBJECTIONS BY THE KUUMBA WORKSHOP (USA, 1972) -- FULL FRONTAL MANIFESTO (USA, 2001) -- 6. THE CREATIVE TREATMENT OF ACTUALITY -- TOWARDS A SOCIAL CINEMA (France, 1930) -- FROM "FIRST PRINCIPLES OF DOCUMENTARY" (UK, 1932) -- MANIFESTO ON THE DOCUMENTARY FILM (UK, 1933) -- DECLARATION OF THE GROUP OF THIRTY (France, 1953) -- INITIAL STATEMENT OF THE NEWSREEL (USA, 1967) -- NOWSREEL, OR THE POTENTIALITIES OF A POLITICAL CINEMA (USA, 1970) -- DOCUMENTARY FILMMAKERS MAKE THEIR CASE (Poland, 1971) -- THE ASIAN FILMMAKERS AT YAMAGATA YIDFF MANIFESTO (Japan, 1989) -- MINNESOTA DECLARATION: TRUTH AND FACT IN DOCUMENTARY CINEMA (Germany, 1999) -- DEFOCUS MANIFESTO (Denmark, 2000) -- KILL THE DOCUMENTARY AS WE KNOW IT (USA, 2002) -- ETHNOGRAPHIC CINEMA (EC): A MANIFESTO / A PROVOCATION (USA, 2003) -- REALITY CINEMA MANIFESTO (Russia, 2005) -- DOCUMENTARY MANIFESTO (USA, 2008) -- CHINA INDEPENDENT FILM FESTIVAL MANIFESTO: SHAMANS * ANIMALS (People's Republic of China, 2011) -- 7.
STATES, DICTATORSHIPS, THE COMINTERN, AND THEOCRACIES -- CAPTURE THE FILM! HINTS ON THE USE OF, OUT OF THE USE OF, PROLETARIAN FILM PROPAGANDA (USA, 1925) -- THE LEGION OF DECENCY PLEDGE (USA, 1934) -- CREATIVE FILM (Germany, 1935) -- VIGILANTI CURA: ON MOTION PICTURES (Vatican City, 1936) -- FOUR CARDINAL POINTS OF A REVOLUÇÃO DE MAIO (Portugal, 1937) -- FROM ON THE ART OF CINEMA (North Korea, 1973) -- 8. ARCHIVES, MUSEUMS, FESTIVALS, AND CINEMATHEQUES -- A NEW SOURCE OF HISTORY: THE CREATION OF A DEPOSITORY FOR HISTORICAL CINEMATOGRAPHY (Poland/France, 1898) -- THE FILM PRAYER (USA, c. 1920) -- THE FILM SOCIETY (UK, 1925) -- FILMLIGA MANIFESTO (The Netherlands, 1927) -- STATEMENT OF PURPOSES (USA, 1948) -- THE IMPORTANCE OF FILM ARCHIVES (UK, 1948) -- A PLEA FOR A CANADIAN FILM ARCHIVE (Canada, 1949) -- OPEN LETTER TO FILM-MAKERS OF THE WORLD (USA, 1966) -- A DECLARATION FROM THE COMMITTEE FOR THE DEFENSE OF LA CINÉMATHÈQUE FRANÇAISE (France, 1968) -- FILMMAKERS VERSUS THE MUSEUM OF MODERN ART (USA, 1969) -- ANTHOLOGY FILM ARCHIVES MANIFESTO (USA, 1970) -- TOWARD AN ETHNOGRAPHIC FILM ARCHIVE (USA, 1971) -- BROOKLYN BABYLON CINEMA MANIFESTO (USA, 1998) -- DON'T THROW FILM AWAY: THE FIAF 70th ANNIVERSARY MANIFESTO (France, 2008) -- THE LINDGREN MANIFESTO: THE FILM CURATOR OF THE FUTURE (Italy, 2010) -- FILM FESTIVAL FORM: A MANIFESTO (UK, 2012) -- 9. SOUNDS AND SILENCE -- A STATEMENT ON SOUND (USSR, 1928) -- A REJECTION OF THE TALKIES (USA, 1931) -- A DIALOGUE ON SOUND: A MANIFESTO (UK, 1934) -- AMALFI MANIFESTO (Italy, 1967) -- 10. THE DIGITAL REVOLUTION -- CULTURE: INTERCOM AND EXPANDED CINEMA: A PROPOSAL AND MANIFESTO (USA, 1966) -- THE DIGITAL REVOLUTION AND THE FUTURE CINEMA (Iran, 2000) -- THE PLUGINMANIFESTO (UK, 2001) -- DIGITAL DEKALOGO: A MANIFESTO FOR A FILMLESS PHILIPPINES (The Philippines, 2003) -- 11. AESTHETICS AND THE FUTURES OF THE CINEMA -- THE BIRTH OF THE SIXTH ART (France, 1911) -- THE BIRTH OF A NEW AVANT GARDE: LA CAMÉRA-STYLO (France, 1948) -- FROM PREFACE TO FILM (UK, 1954) -- THE SNAKESKIN (Sweden, 1965) -- MANIFESTO (Italy, 1965) -- MANIFESTO ON THE RELEASE OF LA CHINOISE (France, 1967) -- DIRECT ACTION CINEMA MANIFESTO (USA, 1985) -- REMODERNIST FILM MANIFESTO (USA, 2008) -- THE AGE OF AMATEUR CINEMA WILL RETURN (People's Republic of China, 2010) -- APPENDIX -- NOTES -- ACKNOWLEDGMENTS OF PERMISSIONS -- INDEX
Record Nr. UNINA-9910821412003321
MacKenzie Scott <1967->  
Berkeley ; ; London : , : University of California Press, , [2014]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Lydia's Open Door : Inside Mexico's Most Modern Brothel / / Patty Kelly
Lydia's Open Door : Inside Mexico's Most Modern Brothel / / Patty Kelly
Autore Kelly Patty
Edizione [Reprint 2019]
Pubbl/distr/stampa Berkeley, CA : , : University of California Press, , [2008]
Descrizione fisica 1 online resource (296 p.)
Disciplina 306.74/2097275
Soggetto topico Prostitutes
Tuxtla Gutie ́rrez
Soggetto non controllato agency
brothel
capitalism
commercial sex
condoms
conservative politics
desire
exploitation
female sexuality
feminism
feminist anthropology
free market
galactic zone
gender studies
human trafficking
latin america
latinx
legal prostitution
mexico
migrant women
morality
nonfiction
pan
panista
pornography
prostitution
red light district
resistance
sex positivity
sex trafficking
sex work
sex workers
sexual health
sexuality
shame
sociology
stds
stigma
street prostitution
women studies
women
ISBN 1-281-38573-5
0-520-94161-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Preface -- Introduction -- ONE. Modern Sex in a Modern City -- TWO. Hidden in Plain Sight -- THREE. Inside the Galactic Zone -- FOUR. Convergence -- FIVE. "It Began Innocently" -- SIX. Sellers and Buyers -- SEVEN. The Secrets We Keep -- EIGHT. Final Thoughts -- Epilogue -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910782405503321
Kelly Patty  
Berkeley, CA : , : University of California Press, , [2008]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Novel Research in Sexuality and Mental Health
Novel Research in Sexuality and Mental Health
Autore Montejo Angel L
Pubbl/distr/stampa Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020
Descrizione fisica 1 electronic resource (290 p.)
Soggetto topico Humanities
Social interaction
Soggetto non controllato online pornography
addiction
cybersex
internet
compulsive sexual behavior
hypersexuality
dopaminergic system
paroxetine
agomelatine
immunohistochemical study
sexual dysfunction
male rats
sexual addiction
sexual compulsivity
phenomenology
comorbidities
opioid-related disorders
methadone
adverse effects
erectile dysfunction
medication adherence
erotic stimulus processing
serotonin
noradrenaline
dopamine
fMRI
healthy
human
sexual communication anxiety
sexual perfectionism
parent-child communication
risky sexual behavior
child sexual abuse
female perpetrator
mother-child incest
gender stereotypes
social taboo
transgender
anxiety
depression
social loneliness
romantic loneliness
autism
sexual satisfaction
Asperger syndrome
sexual desire
lubrication
sexual intercourse
sexual excitation
sexual inhibition
post-traumatic stress disorder
veterans
predictors
sexuality
mental health
mental disorder
hidradenitis suppurativa
sexual abstinence
partner status
prison inmates
eye tracking
non-consensual image sharing
intimate images
objectification
objectifying gaze
rape myth acceptance
sexting
desvenlafaxine
antidepressant
treatment
prsexdq-salsex questionnaire
switching strategy
female sexual dysfunction
hormonal contraceptive
libido
desire
sex life
orgasm
vaginal ring
depot medroxyprogesterone acetate
pornography
delayed ejaculation
NeMUP
child sexual offending
pedophilia
SCID
peyronie’s disease
penile induration
patient satisfaction
research
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNINA-9910557583603321
Montejo Angel L  
Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
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The ploy of instinct : Victorian sciences of nature and sexuality in liberal governance / / Kathleen Frederickson
The ploy of instinct : Victorian sciences of nature and sexuality in liberal governance / / Kathleen Frederickson
Autore Frederickson Kathleen
Edizione [First edition.]
Pubbl/distr/stampa New York : , : Fordham University Press, , 2014
Descrizione fisica 1 online resource (234 p.)
Disciplina 156
Collana Forms of Living
Soggetto topico Instinct - History - 19th century
Sex - Great Britain - History - 19th century
Science - Great Britain - History - 19th century
English literature - 19th century
Soggetto non controllato Instinct
Nature
Science
Sexuality
Victorian
anthropology
pornography
psychoanalysis
sexology
suffragettes
ISBN 0-8232-6252-9
0-8232-6639-7
0-8232-6254-5
0-8232-6255-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Reading Like an Animal -- 2. The Case of Sexology at Work -- 3. Freud’s Australia -- 4. Angel in the Big House -- Coda -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910786764503321
Frederickson Kathleen  
New York : , : Fordham University Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
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The ploy of instinct : Victorian sciences of nature and sexuality in liberal governance / / Kathleen Frederickson
The ploy of instinct : Victorian sciences of nature and sexuality in liberal governance / / Kathleen Frederickson
Autore Frederickson Kathleen
Edizione [First edition.]
Pubbl/distr/stampa New York : , : Fordham University Press, , 2014
Descrizione fisica 1 online resource (234 p.)
Disciplina 156
Collana Forms of Living
Soggetto topico Instinct - History - 19th century
Sex - Great Britain - History - 19th century
Science - Great Britain - History - 19th century
English literature - 19th century
Soggetto non controllato Instinct
Nature
Science
Sexuality
Victorian
anthropology
pornography
psychoanalysis
sexology
suffragettes
ISBN 0-8232-6252-9
0-8232-6639-7
0-8232-6254-5
0-8232-6255-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Reading Like an Animal -- 2. The Case of Sexology at Work -- 3. Freud’s Australia -- 4. Angel in the Big House -- Coda -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910820594403321
Frederickson Kathleen  
New York : , : Fordham University Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Profane : sacrilegious expression in a multicultural age / / edited by Christopher S. Grenda, Chris Beneke, David Nash ; foreword by Martin E. Marty
Profane : sacrilegious expression in a multicultural age / / edited by Christopher S. Grenda, Chris Beneke, David Nash ; foreword by Martin E. Marty
Pubbl/distr/stampa Oakland, California : , : University of California Press, , 2014
Descrizione fisica 1 online resource (365 p.)
Disciplina 179/.5
Soggetto topico Blasphemy
Swearing
Soggetto non controllato apostasy
art
blasphemy
cultural studies
danish newspaper cartoons
defamation
digital media
electronic media
geopolitical studies
history
human rights
interdisciplinary
international law
islam
jacksonian america
law
literature
muslim
philip roth
political history
political theology
politics
pornography
profane images
profane texts
profanity
prophet mohammed
religion
sacred texts
sacred
sacrilege
sacrilegious expression
satire
secular democracies
sociology
theology
transnational
violence
ISBN 0-520-95822-5
Classificazione POL010000SOC039000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Foreword -- Introduction: On the Modern Confluence of Blasphemy, Free Expression, and Hate Speech -- 1. Thick-Skinned Tolerance: Satire, the Sacred, and the Rise of the Modern -- 2. The Productive Obscene: Philip Roth and the Profanity Loop -- 3. Defaced: The Art of Blaspheming Texts and Images in the West -- 4. Blasphemy and Free Thought in Jacksonian America: The Case of Abner Kneeland -- 5. Secular Blasphemies: Symbolic Offense in Modern Democracy -- 6. Muslim Political Theology: Defamation, Apostasy, and Anathema -- 7. Protesting Sacrilege: Blasphemy and Violence in Muslim-Majority States -- 8. The Indonesian Blasphemy Act: A Legal and Social Analysis -- 9. Profound Offense and Religion in Secular Democracies: An Australian Perspective -- 10. Blasphemy versus Incitement: An International Law Perspective -- Afterword: Blasphemy beyond Modernism -- Contributors -- Index
Record Nr. UNINA-9910786616003321
Oakland, California : , : University of California Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Profane : sacrilegious expression in a multicultural age / / edited by Christopher S. Grenda, Chris Beneke, David Nash ; foreword by Martin E. Marty
Profane : sacrilegious expression in a multicultural age / / edited by Christopher S. Grenda, Chris Beneke, David Nash ; foreword by Martin E. Marty
Pubbl/distr/stampa Oakland, California : , : University of California Press, , 2014
Descrizione fisica 1 online resource (365 p.)
Disciplina 179/.5
Soggetto topico Blasphemy
Swearing
Soggetto non controllato apostasy
art
blasphemy
cultural studies
danish newspaper cartoons
defamation
digital media
electronic media
geopolitical studies
history
human rights
interdisciplinary
international law
islam
jacksonian america
law
literature
muslim
philip roth
political history
political theology
politics
pornography
profane images
profane texts
profanity
prophet mohammed
religion
sacred texts
sacred
sacrilege
sacrilegious expression
satire
secular democracies
sociology
theology
transnational
violence
ISBN 0-520-95822-5
Classificazione POL010000SOC039000
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Foreword -- Introduction: On the Modern Confluence of Blasphemy, Free Expression, and Hate Speech -- 1. Thick-Skinned Tolerance: Satire, the Sacred, and the Rise of the Modern -- 2. The Productive Obscene: Philip Roth and the Profanity Loop -- 3. Defaced: The Art of Blaspheming Texts and Images in the West -- 4. Blasphemy and Free Thought in Jacksonian America: The Case of Abner Kneeland -- 5. Secular Blasphemies: Symbolic Offense in Modern Democracy -- 6. Muslim Political Theology: Defamation, Apostasy, and Anathema -- 7. Protesting Sacrilege: Blasphemy and Violence in Muslim-Majority States -- 8. The Indonesian Blasphemy Act: A Legal and Social Analysis -- 9. Profound Offense and Religion in Secular Democracies: An Australian Perspective -- 10. Blasphemy versus Incitement: An International Law Perspective -- Afterword: Blasphemy beyond Modernism -- Contributors -- Index
Record Nr. UNINA-9910814244403321
Oakland, California : , : University of California Press, , 2014
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui