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1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
Autore Clover Joshua
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (205 p.)
Disciplina 781.6409/048
Soggetto topico Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism
Underground dance music - History and criticism
Grunge music - History and criticism
Nineteen eighty-nine, A.D
Soggetto non controllato acid house
bands
cultural studies
de la soul
dr dre
entertainment industry
fall of the berlin wall
gangsta rap
george micheal
grunge music
historical
history
jesus jones
lyrical theory
madonna
media studies
music studies
music
musicians
nine inch nails
nirvana
nwa
performing arts
political aesthetics
politics
pop music
popular music
public enemy
rap music
retrospective
roxette
singers
social context
the end of history
the klf
the scorpions
u2
ISBN 1-282-77263-5
9786612772634
0-520-94464-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index
Record Nr. UNINA-9910792447403321
Clover Joshua  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
Autore Clover Joshua
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (205 p.)
Disciplina 781.6409/048
Soggetto topico Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism
Underground dance music - History and criticism
Grunge music - History and criticism
Nineteen eighty-nine, A.D
Soggetto non controllato acid house
bands
cultural studies
de la soul
dr dre
entertainment industry
fall of the berlin wall
gangsta rap
george micheal
grunge music
historical
history
jesus jones
lyrical theory
madonna
media studies
music studies
music
musicians
nine inch nails
nirvana
nwa
performing arts
political aesthetics
politics
pop music
popular music
public enemy
rap music
retrospective
roxette
singers
social context
the end of history
the klf
the scorpions
u2
ISBN 1-282-77263-5
9786612772634
0-520-94464-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index
Record Nr. UNINA-9910815011903321
Clover Joshua  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman
The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman
Autore Tansman Alan <1960->
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (369 p.)
Disciplina 895.6/09
Collana A study of the Weatherhead East Asian Institute
Soggetto topico Japanese literature - 20th century - History and criticism
Fascism in literature
Fascist aesthetics - Japan - History - 20th century
Fascism - Japan - History - 20th century
Soggetto non controllato 1920s
1930s
20th century
aesthetics
art aesthetics
cultural expression
cultural history
cultural perspective
global history
historical
human condition
japan
japanese culture
japanese essays
japanese fascism
japanese film
japanese music
japanese novels
japanese politics
modern history
nonfiction
political science
popular music
postwar japan
pre war japan
retrospective
revolution
spiritual history
violence
world history
world war ii
wwii
ISBN 0-520-94349-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Preface -- Abbreviations -- Introduction: The Aesthetics Of Japanese Fascism -- 1. Modernist Beginnings: Akutagawa Ryūmnosuke And Kobayashi Hideo -- 2. The Beauty Of Violence: Yasuda Yojūrō's "Japanese Bridges -- 3. Objects Of The Sublime In Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, And Shiga Naoya -- 4. The Rhetoric Of Unspoken Fascism: The Essence Of The National Polity -- 5. Sentimental Fascism On Screen: Mother Under The Eyelids -- 6. An Aesthetics Of Devotion: Kobayashi Hideo's Cultural Criticism -- 7. Filaments Of Fascism In Postwar Times -- Coda: Reading Fascist Aesthetics -- Notes -- Index
Record Nr. UNINA-9910790184203321
Tansman Alan <1960->  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman
The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman
Autore Tansman Alan <1960->
Edizione [1st ed.]
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (369 p.)
Disciplina 895.6/09
Collana A study of the Weatherhead East Asian Institute
Soggetto topico Japanese literature - 20th century - History and criticism
Fascism in literature
Fascist aesthetics - Japan - History - 20th century
Fascism - Japan - History - 20th century
Soggetto non controllato 1920s
1930s
20th century
aesthetics
art aesthetics
cultural expression
cultural history
cultural perspective
global history
historical
human condition
japan
japanese culture
japanese essays
japanese fascism
japanese film
japanese music
japanese novels
japanese politics
modern history
nonfiction
political science
popular music
postwar japan
pre war japan
retrospective
revolution
spiritual history
violence
world history
world war ii
wwii
ISBN 0-520-94349-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Preface -- Abbreviations -- Introduction: The Aesthetics Of Japanese Fascism -- 1. Modernist Beginnings: Akutagawa Ryūmnosuke And Kobayashi Hideo -- 2. The Beauty Of Violence: Yasuda Yojūrō's "Japanese Bridges -- 3. Objects Of The Sublime In Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, And Shiga Naoya -- 4. The Rhetoric Of Unspoken Fascism: The Essence Of The National Polity -- 5. Sentimental Fascism On Screen: Mother Under The Eyelids -- 6. An Aesthetics Of Devotion: Kobayashi Hideo's Cultural Criticism -- 7. Filaments Of Fascism In Postwar Times -- Coda: Reading Fascist Aesthetics -- Notes -- Index
Record Nr. UNINA-9910813086003321
Tansman Alan <1960->  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
Autore Kun Josh
Pubbl/distr/stampa Berkeley, Calif., : University of California Press, 2005
Descrizione fisica 1 online resource (321 p.)
Disciplina 782.42164/0973/0904
Collana American Crossroads
Soggetto topico Popular music - United States - History and criticism
Music - Social aspects - United States
Multiculturalism - United States
Soggetto non controllato america
american culture
american identity
american studies
art and music
artists
bronx
critical analysis
cultural studies
discussion books
ethnic demographic studies
ethnic differences
ethnic minorities
havana
hip hop
klezmer
latin rock
literary movements
los angeles
modern history
music and culture
music historians
music history
music lovers
music studies
music
nonfiction
popular music
race issues
racial history
racial issues
retrospective
us borders
ISBN 1-282-76321-0
9786612763212
1-4237-1729-5
0-520-93864-X
1-59875-582-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index
Record Nr. UNINA-9910783318803321
Kun Josh  
Berkeley, Calif., : University of California Press, 2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
Autore Kun Josh
Edizione [1st ed.]
Pubbl/distr/stampa Berkeley, Calif., : University of California Press, 2005
Descrizione fisica 1 online resource (321 p.)
Disciplina 782.42164/0973/0904
Collana American Crossroads
Soggetto topico Popular music - United States - History and criticism
Music - Social aspects - United States
Multiculturalism - United States
Soggetto non controllato america
american culture
american identity
american studies
art and music
artists
bronx
critical analysis
cultural studies
discussion books
ethnic demographic studies
ethnic differences
ethnic minorities
havana
hip hop
klezmer
latin rock
literary movements
los angeles
modern history
music and culture
music historians
music history
music lovers
music studies
music
nonfiction
popular music
race issues
racial history
racial issues
retrospective
us borders
ISBN 1-282-76321-0
9786612763212
1-4237-1729-5
0-520-93864-X
1-59875-582-X
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index
Record Nr. UNINA-9910813982503321
Kun Josh  
Berkeley, Calif., : University of California Press, 2005
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Autore Lena Jennifer C
Edizione [Course Book]
Pubbl/distr/stampa Princeton, : Princeton University Press, c2012
Descrizione fisica 1 online resource (257 pages)
Disciplina 781.64
Soggetto topico Popular music - Social aspects
Popular music genres
Soggetto genere / forma Electronic books.
Soggetto non controllato American music
American pop music
American popular music
Chile
China
Nigeria
Serbia
bebop jazz
bluegrass music
bluegrass
classification systems
contemporary music
evolution
genre forms
government-purposed genre
industry-based genres
music styles
musical genres
musical styles
musical taste
peer culture
personal taste
polka
popular music
power
rap music
scene-based genre
socialization
traditionalist
ISBN 1-283-33984-6
9786613339843
1-4008-4045-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Chapter 1. Music Genres -- Chapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz -- Chapter 3. Music Trajectories -- Chapter 4. The Government-purposed Genre -- Chapter 5. On Classification Systems -- Notes -- References -- Index
Record Nr. UNINA-9910457389503321
Lena Jennifer C  
Princeton, : Princeton University Press, c2012
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Autore Lena Jennifer C
Edizione [Course Book]
Pubbl/distr/stampa Princeton, : Princeton University Press, c2012
Descrizione fisica 1 online resource (257 pages)
Disciplina 781.64
Soggetto topico Popular music - Social aspects
Popular music genres
Soggetto non controllato American music
American pop music
American popular music
Chile
China
Nigeria
Serbia
bebop jazz
bluegrass music
bluegrass
classification systems
contemporary music
evolution
genre forms
government-purposed genre
industry-based genres
music styles
musical genres
musical styles
musical taste
peer culture
personal taste
polka
popular music
power
rap music
scene-based genre
socialization
traditionalist
ISBN 1-283-33984-6
9786613339843
1-4008-4045-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Chapter 1. Music Genres -- Chapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz -- Chapter 3. Music Trajectories -- Chapter 4. The Government-purposed Genre -- Chapter 5. On Classification Systems -- Notes -- References -- Index
Record Nr. UNINA-9910781576203321
Lena Jennifer C  
Princeton, : Princeton University Press, c2012
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Banding together : how communities create genres in popular music / / Jennifer C. Lena
Autore Lena Jennifer C
Edizione [Course Book]
Pubbl/distr/stampa Princeton, : Princeton University Press, c2012
Descrizione fisica 1 online resource (257 pages)
Disciplina 781.64
Soggetto topico Popular music - Social aspects
Popular music genres
Soggetto non controllato American music
American pop music
American popular music
Chile
China
Nigeria
Serbia
bebop jazz
bluegrass music
bluegrass
classification systems
contemporary music
evolution
genre forms
government-purposed genre
industry-based genres
music styles
musical genres
musical styles
musical taste
peer culture
personal taste
polka
popular music
power
rap music
scene-based genre
socialization
traditionalist
ISBN 1-283-33984-6
9786613339843
1-4008-4045-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Chapter 1. Music Genres -- Chapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz -- Chapter 3. Music Trajectories -- Chapter 4. The Government-purposed Genre -- Chapter 5. On Classification Systems -- Notes -- References -- Index
Record Nr. UNINA-9910826654303321
Lena Jennifer C  
Princeton, : Princeton University Press, c2012
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Pubbl/distr/stampa Berkeley, CA : , : University of California Press, , [2011]
Descrizione fisica 1 online resource (525 p.)
Disciplina 781.5/4209
Soggetto topico Motion picture music
Symphony
Soggetto non controllato aesthetics
art history
auteurs
commercial pressure
digital age
early sound films
elmer bernstein
erich korngold
film criticism
film history
film music
film studies
hollywood scores
howard shore
jerry goldsmith
max steiner
movie criticism
movie studies
music and film
music for film
music history
music
popular music
postmodern film
serialism
technological innovations
the silent film
writings
ISBN 1-283-27727-1
9786613277275
0-520-94743-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index
Record Nr. UNINA-9910785691503321
Berkeley, CA : , : University of California Press, , [2011]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui