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1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
| 1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover |
| Autore | Clover Joshua |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 781.6409/048 |
| Soggetto topico |
Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism Underground dance music - History and criticism Grunge music - History and criticism Nineteen eighty-nine, A.D |
| Soggetto non controllato |
acid house
bands cultural studies de la soul dr dre entertainment industry fall of the berlin wall gangsta rap george micheal grunge music historical history jesus jones lyrical theory madonna media studies music studies music musicians nine inch nails nirvana nwa performing arts political aesthetics politics pop music popular music public enemy rap music retrospective roxette singers social context the end of history the klf the scorpions u2 |
| ISBN |
1-282-77263-5
9786612772634 0-520-94464-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910792447403321 |
Clover Joshua
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman
| The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman |
| Autore | Tansman Alan <1960-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 895.6/09 |
| Collana | A study of the Weatherhead East Asian Institute |
| Soggetto topico |
Japanese literature - 20th century - History and criticism
Fascism in literature Fascist aesthetics - Japan - History - 20th century Fascism - Japan - History - 20th century |
| Soggetto non controllato |
1920s
1930s 20th century aesthetics art aesthetics cultural expression cultural history cultural perspective global history historical human condition japan japanese culture japanese essays japanese fascism japanese film japanese music japanese novels japanese politics modern history nonfiction political science popular music postwar japan pre war japan retrospective revolution spiritual history violence world history world war ii wwii |
| ISBN | 0-520-94349-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Abbreviations -- Introduction: The Aesthetics Of Japanese Fascism -- 1. Modernist Beginnings: Akutagawa Ryūmnosuke And Kobayashi Hideo -- 2. The Beauty Of Violence: Yasuda Yojūrō's "Japanese Bridges -- 3. Objects Of The Sublime In Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, And Shiga Naoya -- 4. The Rhetoric Of Unspoken Fascism: The Essence Of The National Polity -- 5. Sentimental Fascism On Screen: Mother Under The Eyelids -- 6. An Aesthetics Of Devotion: Kobayashi Hideo's Cultural Criticism -- 7. Filaments Of Fascism In Postwar Times -- Coda: Reading Fascist Aesthetics -- Notes -- Index |
| Record Nr. | UNINA-9910790184203321 |
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Tansman Alan <1960->
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
| Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
| Autore | Kun Josh |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 782.42164/0973/0904 |
| Collana | American Crossroads |
| Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
| Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
| ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910783318803321 |
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Kun Josh
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| Berkeley, Calif., : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Banding together : how communities create genres in popular music / / Jennifer C. Lena
| Banding together : how communities create genres in popular music / / Jennifer C. Lena |
| Autore | Lena Jennifer C |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, : Princeton University Press, c2012 |
| Descrizione fisica | 1 online resource (257 pages) |
| Disciplina | 781.64 |
| Soggetto topico |
Popular music - Social aspects
Popular music genres |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
American music
American pop music American popular music Chile China Nigeria Serbia bebop jazz bluegrass music bluegrass classification systems contemporary music evolution genre forms government-purposed genre industry-based genres music styles musical genres musical styles musical taste peer culture personal taste polka popular music power rap music scene-based genre socialization traditionalist |
| ISBN |
1-283-33984-6
9786613339843 1-4008-4045-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Chapter 1. Music Genres -- Chapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz -- Chapter 3. Music Trajectories -- Chapter 4. The Government-purposed Genre -- Chapter 5. On Classification Systems -- Notes -- References -- Index |
| Record Nr. | UNINA-9910457389503321 |
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Lena Jennifer C
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| Princeton, : Princeton University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Banding together : how communities create genres in popular music / / Jennifer C. Lena
| Banding together : how communities create genres in popular music / / Jennifer C. Lena |
| Autore | Lena Jennifer C |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, : Princeton University Press, c2012 |
| Descrizione fisica | 1 online resource (257 pages) |
| Disciplina | 781.64 |
| Soggetto topico |
Popular music - Social aspects
Popular music genres |
| Soggetto non controllato |
American music
American pop music American popular music Chile China Nigeria Serbia bebop jazz bluegrass music bluegrass classification systems contemporary music evolution genre forms government-purposed genre industry-based genres music styles musical genres musical styles musical taste peer culture personal taste polka popular music power rap music scene-based genre socialization traditionalist |
| ISBN |
1-283-33984-6
9786613339843 1-4008-4045-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Chapter 1. Music Genres -- Chapter 2. Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz -- Chapter 3. Music Trajectories -- Chapter 4. The Government-purposed Genre -- Chapter 5. On Classification Systems -- Notes -- References -- Index |
| Record Nr. | UNINA-9910781576203321 |
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Lena Jennifer C
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| Princeton, : Princeton University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chanteuse in the city [[electronic resource] ] : the realist singer in French film / / Kelley Conway
| Chanteuse in the city [[electronic resource] ] : the realist singer in French film / / Kelley Conway |
| Autore | Conway Kelley <1963-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (277 p.) |
| Disciplina | 782.42164/082/0944 |
| Soggetto topico |
Popular music - France - History and criticism
Motion picture music - France - History and criticism Women singers - France Motion pictures - France - History |
| Soggetto non controllato |
1930s
beauty belle epoque music hall cafe concert cinema lovers cinemaphiles cultural implications cultural roles cultural studies female desire femininity film and culture film historians france french cinema french culture french film gender roles golden era music hall careers music paris popular entertainment popular music realist performance realist singer singers theatre women in film womens roles working class life |
| ISBN |
9786612763182
0-520-93857-7 1-282-76318-0 1-59734-527-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Caf-conc' : the rise of the unruly woman -- Music hall Miss -- Voices from the past -- The revue star and the realist singer : the return of the unruly woman -- Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy -- Conclusion. |
| Record Nr. | UNINA-9910783386103321 |
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Conway Kelley <1963->
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Educating Informal Educators
| Educating Informal Educators |
| Autore | Alldred Pam |
| Pubbl/distr/stampa | MDPI - Multidisciplinary Digital Publishing Institute, 2022 |
| Descrizione fisica | 1 electronic resource (226 p.) |
| Soggetto topico |
Humanities
Education |
| Soggetto non controllato |
historical reenactment
conflict heritage teaching informal education war spaces warfare youth work creativity pedagogy youth arts popular music film-making critical consciousness critical reflection inequality racism oppression Youth and Community Work social justice transformative education higher education critical pedagogy Critical Race Theory curriculum assessment professional education group work social pedagogy YMCA youth and community work anti-oppressive practice collective biography agential cuts memory diffraction community development values cultural diversity informal educators community and youth work constructive alignment equality pedagogy of discomfort gender heteronormativity training homophobia gender-related violence social movements critical praxis interprofessional education collaboration empowerment relationships professional distance agency pedagogical synergies teaching methods/approaches educational practice practice contexts COVID-19 teaching research informed practice |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910576877703321 |
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Alldred Pam
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| MDPI - Multidisciplinary Digital Publishing Institute, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen
| Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen |
| Autore | Rommen Timothy |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.64097296 |
| Collana | Music of the African Diaspora |
| Soggetto topico |
Popular music - Bahamas - History and criticism
Popular music -- Bahamas -- History and criticism Popular music - History and criticism - Bahamas |
| Soggetto non controllato |
afro bahamian
baha men bahamas bahamian culture bahamian musicians bay street bilby blind blake calypso caribbean carnival colonialism colony ethnomusicology former colony freedom history independence islands junkanoo music musicians national identity nonfiction popular music postcolonial rake n scrape rebellion republic revolution tourism tropical |
| ISBN |
1-283-27786-7
9786613277862 0-520-94875-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Map of the Bahamas -- 1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music -- 2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape -- 3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay -- 4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation -- 5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony -- 6. "Back to the Island": Travels in Paradox-Creating the Future-Past -- Epilogue -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910789634403321 |
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Rommen Timothy
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| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Islams de France, Islams d’Europe / / Élise Voguet, Anne Troadec
| Islams de France, Islams d’Europe / / Élise Voguet, Anne Troadec |
| Autore | Beaugé Julien |
| Pubbl/distr/stampa | Marseille, Paris, : Diacritiques Éditions, 2022 |
| Descrizione fisica | 1 online resource (164 p.) |
| Altri autori (Persone) |
BéraudCéline
Bergeaud-BlacklerFlorence DakhliaJocelyne EbnouMohammed Beddy FuessAlbrecht GalembertClaire de GodardBernard GrémontCharles LucaNathalie Marongiu-PerriaOmero PaucherClaire ThielmannJörn ThomasDominique Wihtol de WendenCatherine VoguetÉlise TroadecAnne |
| Collana | Les Conférences de l’IISMM |
| Soggetto topico |
Religion
aumônier halal immigration islam islamisme musique populaire musulmans prisons chaplain Islamism popular music |
| Soggetto non controllato |
chaplain
halal immigration Islamism popular music prisons |
| ISBN | 979-1-0970-9357-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910522584403321 |
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Beaugé Julien
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| Marseille, Paris, : Diacritiques Éditions, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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