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1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover
| 1989 [[electronic resource] ] : Bob Dylan didn't have this to sing about / / Joshua Clover |
| Autore | Clover Joshua |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (205 p.) |
| Disciplina | 781.6409/048 |
| Soggetto topico |
Popular music - 1981-1990 - History and criticism
Rap (Music) - History and criticism Underground dance music - History and criticism Grunge music - History and criticism Nineteen eighty-nine, A.D |
| Soggetto non controllato |
acid house
bands cultural studies de la soul dr dre entertainment industry fall of the berlin wall gangsta rap george micheal grunge music historical history jesus jones lyrical theory madonna media studies music studies music musicians nine inch nails nirvana nwa performing arts political aesthetics politics pop music popular music public enemy rap music retrospective roxette singers social context the end of history the klf the scorpions u2 |
| ISBN |
1-282-77263-5
9786612772634 0-520-94464-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Prologue -- Introduction: The Long 1989 -- Part One. 1989 (the unconfined unreckoned year) -- Part Two. "1989" (a shout in the street) -- Epilogue -- Acknowledgments -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910792447403321 |
Clover Joshua
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
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Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acting in the night [[electronic resource] ] : Macbeth and the places of the Civil War / / Alexander Nemerov
| Acting in the night [[electronic resource] ] : Macbeth and the places of the Civil War / / Alexander Nemerov |
| Autore | Nemerov Alexander |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 792.0973/09034 |
| Soggetto topico |
Theater and society - Washington (D.C.) - History - 19th century
Theater - Washington (D.C.) - History - 19th century |
| Soggetto non controllato |
1863
19th century abraham lincoln acting american art american history american life american politics art historians civil war buffs civil war era civil war democracy discussion books drama dramatic performance dramatic english drama historical performances literary criticism live arts macbeth performing arts play performance poetic consciousness politics shakespeare technology theatre tragedy united states wallace stevens washington dc |
| ISBN |
1-283-27728-X
9786613277282 0-520-94744-4 |
| Classificazione |
15.85
18.05 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: A Drop That Dyes the Seas -- 1. A Stone's Throw: Charlotte Cushman -- 2. The Flame of Place: Abraham Lincoln -- 3. The Glass Case: Interior Life in Washington, D.C. -- 4. Acoustic Shadows: The Battle of Bristoe Station -- 5. Center of Echoes: Castle Murray, Fauquier County, Virginia -- 6. Ghosts: The Death of Colonel Thomas Ru‹n, October 17, 1863 -- 7. Sound and Fury: Nature in Virginia -- Acknowledgments -- Notes -- Selected Bibliography -- Illustrations -- Index |
| Record Nr. | UNINA-9910791880103321 |
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Nemerov Alexander
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acting in the night : Macbeth and the places of the Civil War / / Alexander Nemerov
| Acting in the night : Macbeth and the places of the Civil War / / Alexander Nemerov |
| Autore | Nemerov Alexander |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 792.0973/09034 |
| Soggetto topico |
Theater and society - Washington (D.C.) - History - 19th century
Theater - Washington (D.C.) - History - 19th century |
| Soggetto non controllato |
1863
19th century abraham lincoln acting american art american history american life american politics art historians civil war buffs civil war era civil war democracy discussion books drama dramatic performance dramatic english drama historical performances literary criticism live arts macbeth performing arts play performance poetic consciousness politics shakespeare technology theatre tragedy united states wallace stevens washington dc |
| ISBN |
1-283-27728-X
9786613277282 0-520-94744-4 |
| Classificazione |
15.85
18.05 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: A Drop That Dyes the Seas -- 1. A Stone's Throw: Charlotte Cushman -- 2. The Flame of Place: Abraham Lincoln -- 3. The Glass Case: Interior Life in Washington, D.C. -- 4. Acoustic Shadows: The Battle of Bristoe Station -- 5. Center of Echoes: Castle Murray, Fauquier County, Virginia -- 6. Ghosts: The Death of Colonel Thomas Ru‹n, October 17, 1863 -- 7. Sound and Fury: Nature in Virginia -- Acknowledgments -- Notes -- Selected Bibliography -- Illustrations -- Index |
| Record Nr. | UNINA-9910807192203321 |
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Nemerov Alexander
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto non controllato |
accomplished filmmakers
boston cambridge carpenter center cosmopolitan approach documentary movies ed pincus ethnography film and television film study center groundbreaking films history of film history influential filmmakers john marshall michel negroponte miriam weinstein mit film section nina davenport performing arts personal documentary professional relationships robb moss robert gardner timothy asch visual and environmental studies department at harvard |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910792022803321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart
| Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
| Autore | Lockhart Ellen |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (218 pages) : illustrations |
| Disciplina | 782.1094509033 |
| Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
| Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
| ISBN | 0-520-96006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
| Record Nr. | UNINA-9910794760503321 |
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Lockhart Ellen
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart
| Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
| Autore | Lockhart Ellen |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (218 pages) : illustrations |
| Disciplina | 782.1094509033 |
| Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
| Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
| ISBN | 0-520-96006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
| Record Nr. | UNINA-9910810341903321 |
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Lockhart Ellen
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin
| Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin |
| Autore | Le Guin Elisabeth <1957-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (375 p.) |
| Disciplina | 780/.92 |
| Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
| Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
| ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910783669303321 |
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Le Guin Elisabeth <1957->
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| Berkeley, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido
| Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido |
| Autore | Trapido Joe |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations, tables |
| Disciplina | 781.63096751 |
| Collana | Dislocations |
| Soggetto topico |
Popular music - Economic aspects - Congo (Democratic Republic)
Popular music - Social aspects - Congo (Democratic Republic) Music patronage - Congo (Democratic Republic) Congolese (Democratic Republic) - Europe - Social conditions |
| Soggetto non controllato |
angola
central africa congo kinshasa congo congolese music congolese popular music democratic republic of the congo diamond dealers dr congo drc economics europe fieldwork france francophone country gangsters globalization ideology kinshasa love song music musicians name check paris patronage payments patronage patrons performing arts political economy politicians politics post colonial africa postcolonialism power prestige song dedications the droc value zaire |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Bars, music, gender and politics -- Exchange, music, patronage -- Potlatch migrants : travelling to Europe, arriving in Kinshasa -- Rights, piracy and producers -- The president as gatekeeper, patronage as a class relationship. Elders and cadets Rey reproduced now -- Mikiliste economies -- Love and money -- Charismatic fetishism -- Conclusion. |
| Record Nr. | UNINA-9910792731703321 |
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Trapido Joe
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido
| Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa / / Joe Trapido |
| Autore | Trapido Joe |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations, tables |
| Disciplina | 781.63096751 |
| Collana | Dislocations |
| Soggetto topico |
Popular music - Economic aspects - Congo (Democratic Republic)
Popular music - Social aspects - Congo (Democratic Republic) Music patronage - Congo (Democratic Republic) Congolese (Democratic Republic) - Europe - Social conditions |
| Soggetto non controllato |
angola
central africa congo kinshasa congo congolese music congolese popular music democratic republic of the congo diamond dealers dr congo drc economics europe fieldwork france francophone country gangsters globalization ideology kinshasa love song music musicians name check paris patronage payments patronage patrons performing arts political economy politicians politics post colonial africa postcolonialism power prestige song dedications the droc value zaire |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Bars, music, gender and politics -- Exchange, music, patronage -- Potlatch migrants : travelling to Europe, arriving in Kinshasa -- Rights, piracy and producers -- The president as gatekeeper, patronage as a class relationship. Elders and cadets Rey reproduced now -- Mikiliste economies -- Love and money -- Charismatic fetishism -- Conclusion. |
| Record Nr. | UNINA-9910828742703321 |
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Trapido Joe
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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